Anikiwinik (The Trappers)

This documentary focuses on the goose hunt, a ritual of central importance to the Cree people of the James Bay coastal areas. Not only a source of food, the hunt is also used to transfer Cree culture, skills, and ethics to future generations. Filmmaker Paul M. Rickard invites us along with his own family on a fall goose hunt, so that we can share in the experience.

This beautiful short film captures the quiet dignity of a day in the life of a Northern trapper, without use of any dialogue.

In this feature-length documentary by Alanis Obomsawin, it's the summer of 2000 and the country watches in disbelief as federal fisheries wage war on the Mi'kmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Casting her cinematic and intellectual nets into history to provide context, Obomsawin delineates the complex roots of the conflict with passion and clarity, building a persuasive defence of the Mi'kmaq position.

A tribute to Indigenous women everywhere, this short documentary focuses on 5 women from across Canada. Of varied ages and backgrounds, they have achieved success in a variety of careers: as the Yukon legislature's first Indigenous woman minister (Margaret Joe), as a deck hand on a fishing boat (Corinne Hunt), as a teacher (Sophie MacLeod), as a lawyer (Roberta Jamieson), and as a band council chief (Sophie May Pierre - St. Mary’s Indian Band of the Ktunaxa Nation off the Ktunaxa Nation).

Each of these women talks about how she got to where she is today while emphasizing the importance of Indigenous culture - its values, art, and spiritual beliefs - in helping her to develop a sense of self and seeing through rough times, including residential school experiences.

A man reads a newspaper; a tree falls. A copy machine hums; a tree falls. As the hours go by, a forest disappears. Since 2004, the travelling studios of Wapikoni Mobile have enabled Quebec First Nations youth to express themselves through videos and music. This short film was made with the guidance of these travelling studios and is part of the 2008 Selection - Wapikoni Mobile.

This short documentary addresses the issue of change, and how it is affecting the Cree and Ojibwa of the Nishnawbe-Aski region. Four of their communities have been selected to illustrate the different ways in which the inhabitants are reacting to change. An enlightening film for anyone interested in northern development or the evolution of Indigenous societies.

This short documentary serves as a quiet elegy for a way of life, which exists now only in the memories of those who experienced it. Bonnie Ammaaq and her family remember it vividly. When Bonnie was a little girl, her parents packed up their essentials, bundled her and her younger brother onto a long, fur-lined sled and left the government-manufactured community of Igloolik to live off the land, as had generations of Inuit before them.

This short documentary serves as a quiet elegy for a way of life, which exists now only in the memories of those who experienced it. Bonnie Ammaaq and her family remember it vividly. When Bonnie was a little girl, her parents packed up their essentials, bundled her and her younger brother onto a long, fur-lined sled and left the government-manufactured community of Igloolik to live off the land, as had generations of Inuit before them.

Released in 1977, this beautifully paced short was photographed, directed, edited and narrated by Mosha Michael — one of Canada’s first Inuk filmmakers. Michael offers a first-hand account of a three-week Arctic hunting excursion, a rehabilitative trip undertaken by young offenders and their families. Dropping anchor at various points throughout Frobisher Bay, they fish for cod, hunt for seal and caribou, and renew family and community ties. Shooting on a Super 8 camera and providing his own narration, Michael crafts an engaging document of Inuk life in the 1970s. An original score features performances by Kowmageak Arngnakolak and Michael himself.

For five or six months at a time, Frank Ladouceur lives alone, trapping muskrat in the vast, desolate wilderness of northern Alberta. His family last visited him there some 14 years ago, and Frank’s own visits to the family home in Fort Chipewyan are few and far between. This is the story of an independent Métis man who is remarkably determined and self-sufficient, and who is ceaselessly called to return to the bush. Early experiences at Holy Angels residential school are recounted by his daughter. A Christmas play at the local school is presented in Cree. After a family Christmas meal, the fiddle and guitar are taken out and the Red River Jig begins.

This short documentary examines the role of corn in the lives of Indigenous peoples in the Americas. Before colonization, corn was widely used as a beverage, a food staple, an oil, and a ceremonial object. It was respected and revered as a critical part of creation. This film explores the powerful bond and spiritual relationship that continues to exist between people and corn.

Combining interviews, dance, and song, The Gift captures the traditional, spiritual, economic, and political importance of this sacred plant.