This short documentary introduces us to Alden Nowlan, winner of Canada’s 1967 Governor General’s Award for poetry. His empathy for ordinary people was evident in his work as a poet, journalist, short-story writer, novelist and playwright. Nowlan’s writing is admired far beyond his native Maritimes, but he never forgot his roots, which he drew on for inspiration. This film, shot just before his death in 1983, records him reminiscing and reading from his work.
Farley Mowat has sold more books than any other Canadian writer – 10 million copies in 22 languages in 50 countries. In this short film, Mowat recalls some of his experiences that have found their way into his work.
This feature documentary is a portrait of the life and work of Canadian poet Irving Layton. Here, the artist who long masked himself in controversy, unexpectedly agrees to be unmasked in front of the camera. The 1981 Nobel nominee not only reads and explicates his own writings, but also speaks incisively about Canadian literature itself, defining it metaphorically as a "double hook" that combines "beauty and terror."
For more background info on this film, visit the NFB.ca blog.
This informal black-and-white portrait of Leonard Cohen shows him at age 30 on a visit to his hometown of Montreal, where the poet, novelist and songwriter comes "to renew his neurotic affiliations." He reads his poetry to an enthusiastic crowd, strolls the streets of the city, relaxes in this three-dollar-a-night hotel room and even takes a bath.
This short film encapsulates the life of P.K. Page, a Canadian woman who has reached international stature as both a painter and a poet. Through an exploration of her life and art, the film shows how her powerful works have extended beyond their inherent confines into the realms of anthropology and ecology.
This feature documentary profiles poet Milton Acorn, who left his home in Prince Edward Island in the late 1940s to earn his living as an itinerant carpenter, and wound up in Toronto as one of Canada's most highly regarded poets and one of its most outrageous literary figures. Dubbed "The People's Poet" by fellow poets, he won the Governor General's Literary Award in 1975. Burned out by personal crises, Acorn moved back to Charlottetown in 1981. This film, directed by a P.E.I. filmmaker, brings out Acorn's wit, love of nature, unorthodox political views, and sometimes infuriating personal contradictions.
In Margaret Atwood: Once in August, filmmaker Michael Rubbo attempts to discover what shapes the celebrated writer's fiction and what motivates her characters. As one of Canada's most distinguished poets and novelists, Atwood is also one of this country's most elusive literary figures.
This short film brings together animated interpretations of four poems by great Canadian wordsmiths: "Riverdale Lion" by John Robert Colombo, "A Kite Is a Victim" by Leonard Cohen, "Klaxon" by James Reaney and George Johnston’s "The Bulge."
Part documentary, part drama, this film presents the life and work of Jack Kerouac, an American writer with Québec roots who became one of the most important spokesmen for his generation. Intercut with archival footage, photographs and interviews, this film takes apart the heroic myth and even returns to the childhood of the author whose life and work contributed greatly to the cultural, sexual and social revolution of the 1960s.
This feature-length Oscar®-nominated documentary focuses on Malcolm Lowry, author of one of the major novels of the 20th century, Under the Volcano. But while Lowry fought a winning battle with words, he lost his battle with alcohol. Shot on location in four countries, the film combines photographs, readings by Richard Burton from the novel and interviews with the people who loved and hated Lowry, to create a vivid portrait of the man.
In this short documentary, Canadian poet Andrew Suknaski introduces us to Wood Mountain, the south central Saskatchewan village he calls home. In between musings on his poetry, which is tinged with nostalgia and the vast loneliness of the plains, the poet discusses the area’s multicultural background and Native heritage, as well as the customs and stories of these various ethnic groups.
In this feature documentary, husband-and-wife team Karsten Heuer and Leanne Allison (Being Caribou), along with their 2-year-old son and dog, retrace the literary footsteps of Canadian writer Farley Mowat. They canoe east from Calgary towards the Prairies (the geography of Farley's Born Naked and Owls in the Family) and then traverse the same paths that Mowat took more than 60 years earlier in Never Cry Wolf and People of the Deer. Their epic 5,000 km journey—trekking, sailing, portaging and paddling—ends in the Maritimes, at Mowat's Nova Scotia summer home.
Ages 16 to 18
English Language Arts - CanLit
English Language Arts - Poetry
Family Studies/Home Economics - Adolescent Development
Health/Personal Development - Mental Health/Stress/Suicide
Warning (if any): Strong language warning; all sorts of swear words, slurs against people with disabilities
Brief “lesson launcher type” activity or a series of inquiry questions with a bit of context:
Interview-style documentary profiling poet Alden Nowlan with clips of him reading his poetry in between questions and answers.
How does the way Alden was treated as a child speak to how our expectations of people end up contributing to a self-fulfilling prophecy?
Do you agree with the statement that everything we write is essentially about ourselves? Can we ever truly understand the circumstances or feelings of others? Or is it true, as Alden says, that we are only explaining how we ourselves would react in a similar situation?
Are there really only two subjects of writing—love and death? Why or why not?
Alden uses the word “retarded” frequently to refer to how he was labelled as a child. We do not use that word anymore in school or social settings. Should the word be censored? Is there any value to including the word in the documentary?
Is the view that you should only go to the doctor if you are being carried there rooted in toxic masculinity? Has this idea changed over time or is it still prevalent among some groups of people?