Wood Mountain Poems

This informal black-and-white portrait of Leonard Cohen shows him at age 30 on a visit to his hometown of Montreal, where the poet, novelist and songwriter comes "to renew his neurotic affiliations." He reads his poetry to an enthusiastic crowd, strolls the streets of the city, relaxes in this three-dollar-a-night hotel room and even takes a bath.

This short film brings together animated interpretations of four poems by great Canadian wordsmiths: "Riverdale Lion" by John Robert Colombo, "A Kite Is a Victim" by Leonard Cohen, "Klaxon" by James Reaney and George Johnston’s "The Bulge."

This short film brings together animated interpretations of 4 poems by great Canadian wordsmiths: “From the Hazel Bough” by Earle Birney, “Travellers Palm” by P.K. Page, “Death by Streetcar” by Raymond Souster, and “A Said Poem” by John Robert Colombo.

This short film brings together animated interpretations of 2 poems by great Canadian wordsmiths: “Perishing Bird” by D.G. Jones, and “Mon école” by Sylvain Garneau.

Farley Mowat has sold more books than any other Canadian writer – 10 million copies in 22 languages in 50 countries. In this short film, Mowat recalls some of his experiences that have found their way into his work.

This feature documentary profiles poet Milton Acorn, who left his home in Prince Edward Island in the late 1940s to earn his living as an itinerant carpenter, and wound up in Toronto as one of Canada's most highly regarded poets and one of its most outrageous literary figures. Dubbed "The People's Poet" by fellow poets, he won the Governor General's Literary Award in 1975. Burned out by personal crises, Acorn moved back to Charlottetown in 1981. This film, directed by a P.E.I. filmmaker, brings out Acorn's wit, love of nature, unorthodox political views, and sometimes infuriating personal contradictions.

One of Canada's most exciting new literary talents, West Coast author Jack Hodgins talks about his world and his work. Using passages from his short stories and novels, the film enters the world of logging camps and saloons, of people and events on Vancouver Island. At times serious, sometimes hilarious, other times introspective, it is a reflection of a storyteller who writes about what goes on around him.

This feature documentary is a portrait of the life and work of Canadian poet Irving Layton. Here, the artist who long masked himself in controversy, unexpectedly agrees to be unmasked in front of the camera. The 1981 Nobel nominee not only reads and explicates his own writings, but also speaks incisively about Canadian literature itself, defining it metaphorically as a "double hook" that combines "beauty and terror."

For more background info on this film, visit the NFB.ca blog.

Based on a short story by Sinclair Ross, this short film recalls rural life on the Prairies in the 1930s. In the film a farmer's young son, sent to town to hire a man for the harvest, readily accepts when an itinerant trumpet player, down on his luck, begs a chance. He is hardly the kind of man the boy's father had in mind, but that night his trumpet speaks from the shadows and everyone pauses to listen.

For more background info on this film, visit the NFB.ca blog.

A portrait of and tribute to the author who, with the publication of Barometer Rising in 1941, set a precedent in Canadian literature by writing about Canadian topics and places and, in so doing, paved the way for a thriving national literary movement. Through the use of still photographs, archival footage and interviews, this documentary traces seven decades of MacLennan's public and private life--as a young boy in Nova Scotia, brought up in a strict Presbyterian family of Scottish descent, as a Rhodes scholar at Oxford, as a professor at McGill University, and as the author of seven novels and numerous essays. Also featured in the film are several readings from MacLennan's work.

This feature film is a different portrait of Ottawa, as transfigured by the loving but provocative gaze of well-known Francophone writer Daniel Poliquin. In his novels, the national capital metamorphoses, like the dreaded rat that supposedly changed into the city's ubiquitous black squirrel in a bid to win our affection. Alternating reality and fiction, the film reveals another Ottawa through the dreams and desires of his novels' characters - all portrayed by Poliquin himself.