Exploring the conscious, the unconscious and the self, By Winds and Tides takes a deep experimental dive into the birth of an idea—how it takes shape, how it is released. An allegorical quest, the film combines images and words into a singular sigh. A film from the Alambic collection, a creative lab by the NFB’s French Program Animation Studio that’s designed for emerging filmmakers.
In the voiceover for this animated short, a young woman attempts to describe herself, casting her life in the ideal light that society expects. The film’s imagery, however, tells a different story, poignantly illustrating the intense anxiety that comes with the quest for perfection and the pursuit of happiness. A film that’s both funny and moving, and above all, profoundly human.
Strength. Challenges. Courage. Modern Alchemy depicts a quest for self-knowledge that revolves around resilience, reconstruction and rebirth. A succession of colours, each more vibrant than the last, in which one stops breathing for a moment to find a path toward inner peace. A film from the Alambic collection, a creative lab by the NFB’s French Program Animation Studio that’s designed for emerging filmmakers.
Solid Ground is a poetic and sound-rich travelogue—a personal journal that reveals the thoughts of an expatriate returning to her native land. Employing the rarely used monotype animation technique, Solid Groundreflects the personal experience of discovering different lands and feeling as though one were simultaneously at home and elsewhere. A film from the Alambic collection, a creative lab by the NFB’s French Program Animation Studio that’s designed for emerging filmmakers.
This experimental short film by Norman McLaren is a playful exercise in intermittent animation and spasmodic imagery. Playing with the laws relating to persistence of vision and after-image on the retina of the eye, McLaren engraves pictures on blank film creating vivid, percussive effects.
The Physics of Sorrow tracks an unknown man’s life as he sifts through memories of his youth in Bulgaria through to his increasingly rootless and melancholic adulthood in Canada.
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From his shabby apartment in Montreal’s Centre-Sud borough, a writer finds inspiration in observing his neighbour Piton, who navigates poverty with some incredible ingenuity. Through this wildly funny pseudo-scientific allegory, graphic novelist turned filmmaker Richard Suicide draws us into the surreal, chaotic world of his book Chroniques du Centre-Sud, delivering a powerful portrait of a neighbourhood in the midst of a full-blown transformation. Produced by the NFB, this film is part of the Comic Strip Chronicles collection.
Julia Kwan's short film captures the experience of a young woman as she travels to a new country. As summer opens into spring, mother and daughter build a life together. The taste and texture of each season, whether the ice-cream smell of summer, the crisp birch air of autumn, or the warmth of winter dumplings -- are lovingly rendered in animation, sound and image. Throughout the passage of time, the persistence of love endures, as resolute and unchanging as the cycle of the season.
This film was produced in partnership with VANOC and Canada CODE for the 2010 Cultural Olympiad.
An animator dissects his own body, extracting memories, emotions and fears that will nurture his work. As he cuts into his skin with a scalpel, various symbolic objects recalling his past emerge. Reaching the heart after cracking his ribs, he succeeds in identifying the burden he’s been dying to cast off.
Uncle Thomas: Accounting for the Days is about the special relationship between Regina Pessoa and her uncle. The film is a testament to her love for this eccentric, who was an artistic inspiration and played a key role in her becoming a filmmaker. A moving tribute to a poet of the everyday.
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It is 1915, Expressionist artist Oskar Kokoschka’s tempestuous love affair with Alma Mahler ends dramatically and he volunteers to fight in the First World War. This animated film explores Kokoschka’s frame of mind following his heartbreak and the traumatic experience of war, by reflecting on the artist’s prints and paintings.
The NFB’s 76th Oscar®-nominated film.
How many obsessions can one family have? In Joanna Quinn and Les Mills’ Affairs of the Art, we reconnect with Beryl, the working-class heroine who not only reveals her own obsession with drawing but exposes the addictions of her eccentric family, which include pickling, screw threads and pet taxidermy.