Un grand-père conduit son petit-fils à la gare. Tout au long de son voyage, celui-ci découvre, de la fenêtre du train, les problèmes qui bouleversent le monde et imagine des solutions pour rendre heureux tous les enfants de la planète. Synthèse du premier volet de la collection Droits au coeur/Rights from the Heart, Voir le monde/To See the World internationalise pour les 5 à 8 ans la question des droits de l'enfant.
This animated short follows an unwanted baby who is passed from house to house until he is taken in and cared for by two homeless men. The film is the Canadian contribution to an hour-long feature film celebrating UNESCO's Year of the Child (1979). It illustrates one of the ten principles of the Declaration of Children's Rights: every child is entitled to a name and a nationality. The film took home an Oscar® for Best Animated Short Film.
This feature documentary by renowned director and cinematographer Vic Sarin is a personal yet global investigation into the history and current state of colourism: the discrimination within one ethnicity based on differences in skin tone. Sarin travels the globe to discuss this complex cross-cultural social issue with individuals whose lives it affects, including a Filipina entrepreneur whose business has flourished within the billion-dollar skin-whitening industry. Hue leads viewers on a thoughtful and surprising journey to the heart of a painful and pervasive social issue that not only polices appearance, but also class, gender, and geography.
This animated short deals with the difficult subject of antipersonnel land mines. Each year, hundreds of men, women and children are wounded or killed by these land mines. This film reveals the hideous nature of these weapons along with the complicity of the industrial nations.
A conservative Indo-Canadian family in small-town British Columbia must come to terms with a devastating secret: three sisters were sexually abused by an older relative beginning in their childhood years. After remaining silent for nearly two and a half decades, the sisters finally decide to come forward—not only to protect other young relatives, but to set an example for their daughters as well.
This short documentary follows Montreal filmmaker Eylem Kaftan as she travels to Turkey in an attempt to unravel the 30-year-old mystery of her aunt Guzide's murder. As she searches for clues and closure, she encounters antiquated customs in a Kurdish culture she's never known. She knows that her aunt was the victim of a senseless vendetta killing and as she ventures from village to village she pieces together the woman’s final days and closes in on the identity of her killer. Vendetta Song is produced by DLI Productions in co-production with the NFB.
Being young is tough, especially if you're Black, Latino, Arab or Asian. In a city like Montreal, you can get targeted and treated as a criminal for no good reason. Zero Tolerance reveals how deep seated prejudice can be. On one side are the city's young people, and on the other, its police force. Two worlds, two visions. Yet one of these groups is a minority, while the other wields real power. One has no voice, while the other makes life-and-death decisions.
When a policy of zero tolerance to crime masks an intolerance to young people of colour, the delicate balance between order and personal freedom is upset. A blend of cinéma vérité and personal testimonies, this hard-hitting film will broaden your mind and change your way of thinking. In French with English subtitles.
Raised in a refugee camp in the West Bank while her mother was in prison, Walaa dreams of becoming a policewoman in the Palestinian Security Forces (PSF). Despite discouragement from her family, even her beloved brother Mohammed, Walaa applies and gets in. But her own rebellious behaviour and complicated relationship with her mother are challenging, as are the circumstances under which she lives.
Following Walaa from 15-21, with an intimate POV, What Walaa Wants is the compelling story of a defiant young girl navigating formidable obstacles, learning which rules to break and follow, and disproving the negative predictions from her surroundings and the world at large.
This two-part series explores ancient teachings on death and dying. It was filmed over a four-month period on location in the Himalayas where the original text still yields an essential influence over people's views of life and death. A Way of Life contains footage of the rites and liturgies surrounding and following the death of a Ladakhi elder. The Dalai Lama explains his own feelings about death, while other scenes within a palliative care hospice in San Francisco depicts the use of the texts to counsel dying AIDS patients. This film, by revealing ancient teachings on how to think about death and dying, can be a valuable source of counsel and comfort.
The NFB's 42nd Oscar®-nominated film.
This dramatic film introduces us to Tommy, a World War II veteran who rooms alone, waiting for his pension cheque to arrive, passing the time in the evenings with his cronies in the Legion Hall. Lennie can claim only a third of Tommy's years, but he prowls the same area of town, and the two have more in common than either of them realizes. Both their lives lack a sense of place and purpose. The story occurs early in November and leads up to an event that provides one of Tommy's few remaining moments of glory, the annual veterans' Remembrance Day parade.
In 1937, tens of thousands of Haitians and Dominicans of Haitian descent were exterminated by the Dominican army on the basis of anti-black racism. Fast-forward to 2013: the Dominican Republic’s Supreme Court stripped the citizenship of anyone with Haitian parents, retroactive to 1929, rendering more than 200,000 people stateless. Director Michèle Stephenson’s new documentary follows the grassroots campaign of a young attorney named Rosa Iris, as she challenges electoral corruption and fights to protect the right to citizenship for all people.
Celebrate Black Canadian cinema with the NFB. Explore our collection of films from Black filmmakers across Canada.
An investigation into how language is changing in the age of COVID-19. The complete upheaval of social relationships today is leading to the reinterpretation of certain terms, which have suddenly taken on a fatal connotation. This film is a funeral mass in memory of the word “contact.”
Ages 8 to 14
Civics/Citizenship - Human Rights
Ethics and Religious Culture - Ethical Values
Family Studies/Home Economics - Child Development
Health/Personal Development - Problem Solving/Conflict Resolution
Social Studies - Development/Global Issues