Uyghurs: Prisoners of the Absurd

Set in the northern region of Afghanistan, this feature drama tells the story of a young bride-to-be who strays from local customs after befriending an Afghan-Canadian translator. Part lament against injustice, part testament to the spirit of a people who have survived decades of war, this film is a compelling drama in which East and West, love and honour, modernity and custom clash with tragic consequences.

This feature documentary by renowned director and cinematographer Vic Sarin is a personal yet global investigation into the history and current state of colourism: the discrimination within one ethnicity based on differences in skin tone. Sarin travels the globe to discuss this complex cross-cultural social issue with individuals whose lives it affects, including a Filipina entrepreneur whose business has flourished within the billion-dollar skin-whitening industry. Hue leads viewers on a thoughtful and surprising journey to the heart of a painful and pervasive social issue that not only polices appearance, but also class, gender, and geography.

This full-length documentary tells the story of 2 Afghans who return to Afghanistan in search of their families after a 16-year exile. Like many Afghan children, Soorgul and Amir were sent to Tajikistan during the Soviet occupation of their country. When the Soviet Union collapsed, the civil wars that broke out on both sides of the border left the children stranded, unable to leave the country until Canada accepted them as refugees.

The Sweetest Embrace tells an intimate story set against one of the world's most harsh and yet beautiful landscapes, in a land where life has been shaped by war and hardship but where spirit remains resilient.

In this feature documentary, a remarkable group of young Afghan women dream of representing their country as boxers at the 2012 Olympics, embarking on a journey of both personal and political transformation.

Ariel Nasr's documentary gives voice to the complex dilemmas faced by contemporary Afghanis under Canadian intervention. The film introduces us to young Afghan-Canadians torn between a deep desire to help Afghanistan and a fear that things will never change. Good Morning Kandahar asks whether Canada's mission in Afghanistan is failing.

This film was produced as part of the Reel Diversity Competition for emerging filmmakers of colour. Reel Diversity is a National Film Board of Canada initiative in partnership with CBC Newsworld.

Director Mina Shum makes her foray into feature documentary by reopening the file on a watershed moment in Canadian race relations – the infamous Sir George Williams Riot. Over four decades after a group of Caribbean students accused their professor of racism, triggering an explosive student uprising, Shum locates the protagonists and listens as they set the record straight, trying to make peace with the past.

Feminism has shaped the society we live in. But just how far has it brought us, and how relevant is it today? This feature documentary zeroes in on key concerns such as violence against women, access to abortion, and universal childcare, asking how much progress we have truly made on these issues. Rich with archival material and startling contemporary stories, Status Quo? uncovers answers that are provocative and at times shocking.

The Van Doos in Afghanistan is a documentary that propels you directly into the heart of the action among the soldiers serving with the Royal 22e Régiment. In this clip, the soldiers gather for a minute of silence in memory of Corporal Yannick Scherrer, their comrade-in-arms. His coffin is carried onto the plane that will fly him home to his final resting place.

This feature documentary tells the stories of 5 asylum seekers who flee their native countries to escape homophobic violence. They face hurdles integrating into Canada, fear deportation and anxiously await a decision that will change their lives forever.

In 1992 a young Iranian student hanged himself on the outskirts of a small Ontario town. Having escaped the Ayatollah's regime and found a new home in Canada, he could not escape his past. In this film, Masoud Raouf documents the experiences of Iranian-Canadians - former political prisoners like himself - who were active in the Iranian democratic movement and continue to struggle with the past.

For more background information about this film, please visit the NFB.ca blog.

On August 9, 2016, a young Cree man named Colten Boushie died from a gunshot to the back of his head after entering Gerald Stanley’s rural property with his friends. The jury’s subsequent acquittal of Stanley captured international attention, raising questions about racism embedded within Canada’s legal system and propelling Colten’s family to national and international stages in their pursuit of justice. Sensitively directed by Tasha Hubbard, nîpawistamâsowin: We Will Stand Up weaves a profound narrative encompassing the filmmaker’s own adoption, the stark history of colonialism on the Prairies, and a vision of a future where Indigenous children can live safely on their homelands.