The Van Doos in Afghanistan - A Minute of Silence

The Van Doos in Afghanistan is a feature-length documentary that propels you directly into the heart of the action among the soldiers serving with the Royal 22e Régiment. In this clip, we meet Corporal Maxime Émond-Pépin, who suffered a serious leg injury and lost an eye on his first mission in 2009. Despite his injuries, he rejoined his battalion in Afghanistan. He talks about how important it was for him to get back to the infantry.

The Van Doos in Afghanistan is a documentary that propels you directly into the heart of the action among the soldiers serving with the Royal 22e Régiment. In this clip, Lieutenant-Colonel Michel-Henri St-Louis and Major François Dufault take stock of the progress that has been made since the beginning of the military intervention in Afghanistan. While being realistic and aware of the fragility of the situation, they are, nevertheless proud of the work that has been accomplished by Canada`s armed forces.

The Van Doos in Afghanistan is a documentary that propels you directly into the heart of the action among the soldiers serving with the Royal 22e Régiment.

In this clip, we follow Captain Stéphane Guillemette on the ground as he conducts daily searches for improvised explosive devices or hidden insurgent weapons caches. Conducting daily patrols of the Panjwaye district demands constant vigilance.

The Van Doos in Afghanistan is a documentary that propels you directly into the heart of the action among the soldiers serving with the Royal 22e Régiment. In this clip, Captain Pascal Croteau, Armour Officer assisting the 1st Battalion, Royal 22e Régiment Battle Group, and Sergeant Patrick Auger, Platoon Second-in-Command, talk about their work to secure the road to Mushan. Confidence is growing and increasing numbers of Afghans are now using the road.

The Van Doos in Afghanistan is a documentary that propels you directly into the heart of the action among the soldiers serving with the Royal 22e Régiment. Private Stéphane Perreault is passionate about his profession in the infantry. He talks about what made him decide to enlist and how proud he is to serve in the military as part of the French-speaking Royal 22e Régiment. He plans to carry on his work for a long time to come.

In this documentary, we hear directly from francophone soldiers serving in the Royal 22e Régiment (known in English as “Van Doos”) who were filmed in the field in March 2011, during their deployment to Afghanistan. They speak simply and directly about their work, whether on patrol or performing their duties at the base. The film's images and interviews bring home the complexity of the issues on the ground and shed light on the little-understood experiences of the men and women who served in Afghanistan.

This documentary marks the 100th anniversary of the Royal 22e Régiment, the only French-speaking Canadian battalion to fight in the First World War. Widely known by its colloquial name, “The Van Doos”, the battalion served with distinction on several fronts, including both world wars, the Korean War, and in numerous U.N. peacekeeping operations. This film offers a moving tribute to both the living veterans and the lost soldiers of the Van Doos. Their personal stories and narratives bring a little-known page of our history books to life. This vibrant elegy features a moving score by Claude Naubert performed live by the regimental formation La Musique du Royal 22e Régiment.

High Wire examines the reasons that Canada declined to take part in the 2003 US-led military mission in Iraq, shining a spotlight on the diplomatic tug of war that took place behind the scenes with our neighbours to the south, who have often adopted an interventionist foreign policy to serve their own economic and geopolitical interests. Canada’s historic refusal could have had disastrous consequences, but a number of key players and other analysts remind us of the terrible price we pay when diplomacy fails.

In this documentary, Paul Cowan delivers unprecedented access to the United Nations Department of Peacekeeping, and the determined and often desperate manoeuvres to avert another Rwandan disaster, this time in the Democratic Republic of Congo (the DRC). The film cuts back and forth between the United Nations headquarters in New York and events on the ground in the DRC. We are with the peacekeepers in the 'Crisis Room' as they balance the risk of loss of life on the ground with the enormous sums of money required from uncertain donor countries. We are with UN troops as the northeast Congo erupts and the future of the DRC, if not all of central Africa, hangs in the balance. As Secretary General Kofi Annan tells the General Assembly at the conclusion of The Peacekeepers: "History is a harsh judge. The world will not forgive us if we do nothing." Whether the world's peacekeeper did enough remains to be seen.

This animated short deals with the difficult subject of antipersonnel land mines. Each year, hundreds of men, women and children are wounded or killed by these land mines. This film reveals the hideous nature of these weapons along with the complicity of the industrial nations.

In July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec, set the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness. Director Alanis Obomsawin—at times with a small crew, at times alone—spent 78 days behind Kanien’kéhaka lines filming the armed standoff between protestors, the Quebec police and the Canadian army. Released in 1993, this landmark documentary has been seen around the world, winning over a dozen international awards and making history at the Toronto International Film Festival, where it became the first documentary ever to win the Best Canadian Feature award. Jesse Wente, Director of Canada’s Indigenous Screen Office, has called it a “watershed film in the history of First Peoples cinema.”