Traces d'une histoire oubliée

The yellowed pages of a travel journal, a letter unearthed by chance, photographs recovered from a company's dusty archives: These are but a few of the scattered materials used to reconstruct the fascinating and little known adventure of Revillon Brothers, a Parisian merchant of elegant furs, who came to Canada at the turn of the century to enter into the fur trade. But the adventure comes to an end in 1936 when Revillon's great rival, the Hudson's Bay Company, buys out the French company. Victorious, the Hudson's Bay Company, is the only of the two to be remembered in the history books. In between the words of the few remaining witnesses to a lost history, in the memories of descendants of employees and in specialists' passion for the fragments recovered, a world long thought vanished is recreated in front of our eyes. In French with English subtitles.

This very short animation from the Canada Vignettes series illustrates the hardships of voyageurs' lives in the early Canadian fur trade.

A visit to the "Indians of Canada" pavilion at Expo 67, Montréal. Inside there are Indigenous artifacts, but even more arresting are the printed placards that tell the story of the Indigenous peoples in North America, written without rancor but recalling what their contact with European settlers has cost in freedom of movement, in loss of land, and in loss of health of body and spirit.

This short film was created by a group of Indigenous filmmakers at the NFB in 1972 and is essentially a song by Willie Dunn sung by Bob Charlie and illustrated by John Fadden: "Who were the ones who bid you welcome and took you by the hand, inviting you here by our campfires, as brothers we might stand?"

The song expresses bitter memories of the past, of trust repaid by treachery, and of friendship debased by exploitation upon the arrival of European colonists.

This documentary shows how a canoe is built the old way. César Newashish, a 67-year-old Atikamekw of the Manawan Reserve north of Montreal, uses only birchbark, cedar splints, spruce roots and gum. Building a canoe solely from the materials that the forest provides may become a lost art, even among the Indigenous peoples whose traditional craft it is. The film is without commentary but text frames appear on the screen in Cree, French and English.

In this deeply moving feature-length documentary, three sisters and a brother meet for the first time. Removed from their young Dene mother during the infamous Sixties Scoop, they were separated as infants and adopted into families across North America.

Betty Ann, Esther, Rosalie, and Ben were only four of the 20,000 Indigenous Canadian children taken from their families between 1955 and 1985, to be either adopted into white families or live in foster care. As the four siblings piece together their shared history, their connection deepens, and their family begins to take shape.

In this feature-length documentary, Indigenous filmmaker and artist Alanis Obomsawin chronicles the determination and tenacity of the Listuguj Mi'kmaq people to use and manage the natural resources of their traditional lands. The film provides a contemporary perspective on the Mi'kmaq people's ongoing struggle and ultimate success, culminating in the community receiving an award for Best Managed River from the same government that had denied their traditional rights.

This short documentary depicts the formation in 1959 of the first successful co-operative in an Inuit community in Northern Québec. The film describes how, with other Inuit of the George River community, the Annanacks formed a joint venture that included a sawmill, a fish-freezing plant and a small boat-building industry.

Please note that this is an archival film that makes use of the word “Eskimo,” an outdated and offensive term. While the origin of the word is a matter of some contention, it is no longer used in Canada. The term was formally rejected by the Inuit Circumpolar Council in 1980 and has subsequently not been in use at the NFB for decades. This film is therefore a time-capsule of a bygone era, presented in its original version. The NFB apologizes for the offence caused.

This short documentary depicts the formation in 1959 of the first successful co-operative in an Inuit community in Northern Québec. The film describes how, with other Inuit of the George River community, the Annanacks formed a joint venture that included a sawmill, a fish-freezing plant and a small boat-building industry.

Please note that this is an archival film that makes use of the word “Eskimo,” an outdated and offensive term. While the origin of the word is a matter of some contention, it is no longer used in Canada. The term was formally rejected by the Inuit Circumpolar Council in 1980 and has subsequently not been in use at the NFB for decades. This film is therefore a time-capsule of a bygone era, presented in its original version. The NFB apologizes for the offence caused.

This animated short illustrates how at one time horses provided man with unprecedented mobility and how the arrival of the iron horse brought this era to an end.

This short film from 1946 presents an outline of the fur trade's history and the commercial use of fur in Canada. A thirst for fur by the kings and courts of the Old World positioned the fur trade as part of the country's industrial economy. Fur farming and conservation became increasingly important, although the lonely life of the trapper remained the same. This film offers a view of both.