Phil Comeau shines a spotlight on the Ordre de Jacques-Cartier, a powerful secret society that operated from 1926 to 1965, infiltrating every sector of Canadian society and forging the fate of French-language communities. Through never-before-heard testimony from former members of the Order, along with historically accurate dramatic reconstructions, this film paints a gripping portrait of the social and political struggles of Canadian francophone-minority communities.
At her family’s cabin on Wakaw Lake, Saskatchewan, renowned Fransaskois singer-songwriter Alexis Normand invites audiences into a series of candid exchanges about belonging and bilingualism on the Prairies. Weaving together old home movies with current conversations, French Enough illuminates the struggle and triumph of reclaiming francophone Canadian identity. As parents, children and grandchildren sing, play and celebrate, in both French and English, the act of carrying a language forward finally becomes a thing of freedom and joy.
In community archives across British Columbia, local knowledge keepers are hand-fashioning a more inclusive history. Through a collage of personal interviews, archival footage and deeply rooted memories, the past, present and future come together, fighting for a space where everyone is seen and everyone belongs. History is what we all make of it.
This feature-length documentary is an on-the-spot record of the student protests that shook the Université de Moncton in 1968-69. Led by students desiring greater recognition of the French fact in New Brunswick, the protests spawned street marches, petitions and a sit-in, but also many discussions among students seeking to re-establish an Acadian identity.
This short documentary links family memories to the evolution of Acadian French. Bittersweet Blues reveals the dilemma that Acadians face: do they adopt normative French in order to be better understood, or proudly continue to use their own language, which reflects the colourful flavour of their own authentic culture?
This film was made as part of the Tremplin program, in collaboration with Radio-Canada.
This feature documentary tells the story of the Notre-Dame-du-Sacré-Cœur Congregation which was formed in 1924 when 53 French-speaking nuns separated from their unilingual English community, forming a new religious community that immediately began to campaign for the preservation of Acadian language, faith and culture. Convinced that education was essential for Acadian women, in 1943 the Congregation founded Collège Notre-Dame d’Acadie, where young women were able to study in French for the first time in New Brunswick.
This feature documentary pays homage to the special character of an enduring people: the Acadians. Two hundred years after Expulsion of the Acadians by the British (1755–1764), Acadian culture is still very much alive. But why do Acadians—whose ancestors founded the first colony in North America—have to keep making a racket to tell the world they're still here?
Please note: This film contains explicit language. Viewer discretion is advised.
John Ware Reclaimed follows filmmaker Cheryl Foggo on her quest to re-examine the mythology surrounding John Ware, the Black cowboy who settled in Alberta, Canada, before the turn of the 20th century. Foggo’s research uncovers who this iconic figure might have been, and what his legacy means in terms of anti-Black racism, both past and present.
At a critical moment in the history of the written word, as humanity’s archives migrate to the cloud, one filmmaker goes on a journey around the globe to better understand how she can preserve her own Romanian and Armenian heritage, as well as our collective memory. Blending the intellectual with the poetic, she embarks on a personal quest with universal resonance, navigating the continuum between paper and digital—and reminding us that human knowledge is above all an affair of the soul and the spirit.
The NFB’s 77th Oscar®-nominated film.
Two ships collide in a harbour, an explosion shatters a city, and a sailor is blasted skyward. With ears ringing, blood pulsing and guts heaving, he soars high above the mayhem and towards the great unknown. A bold blend of comedy, suspense and philosophy, The Flying Sailor is an exhilarating contemplation of the wonder and fragility of existence.
In 2013, an ancient statue of Apollo was found in the waters off Gaza—before disappearing under mysterious circumstances. Is it the work of forgers, or a gift from the gods to a Palestinian people desperately in need of hope? Soon the rumours start to swirl, while behind the scenes local and international players start jostling—some driven by historical preservation and others by purely commercial interests. Filmed in Gaza and Jerusalem, The Apollo of Gaza plays out like a mystery built around a national treasure that is the stuff of dreams. The Apollo of Gaza is an engaging reflection on the passage of time and the fragility of civilizations, as well as a poetic and philosophical meditation that immerses us in the often-misunderstood realities of life in a place that continues to pay a heavy price for the seemingly endless Israeli-Palestinian conflict—a place where life doggedly carries on, resisting. Like a meteor streaking across the sky, the statue of Apollo brings a moment of light and beauty to Gaza. Can it help restore dignity to a people, revealing a glorious history and fostering pride in a nation often misrepresented and demeaned?
When an extraordinary new resident – Balakrishna, an Indian elephant – arrived in the town of East River, Nova Scotia, in 1967, no one was more in awe of the creature than young Winton Cook, who became inseparable from his mammoth new friend. Using painterly animation, photographs and home-movie treasures, Balakrishna transmits the wistfulness of childhood memories, while evoking themes of friendship and loss, and issues of immigration and elephant conservation.