Sous l'arc-en-ciel

Film d'animation illustrant l'écrasement de l'homme moderne par le rouleau compresseur de la performance. Entre figuration et abstraction, Drux Flux s'inspire de L'homme unidimensionnel du philosophe Herbert Marcuse. Le cinéaste déconstruit les paysages industriels et met en cause la suprématie de la technique au dépend de l'humanité.

A little good will goes a long way--between persons, and between nations. That is the lesson to be learned from this animated film. It begins with a confrontation between a man who grows flowers and a technologist who operates computers. A flower pops up in the computer room; a computer tape appears in the garden. Each man destroys the "foreign object." When they come face to face they discover that understanding is better than distrust, respect better than hostility.

This bilingual film features the Commissioner of Official Languages and two intermediate school students. The Commissioner explains, in English and in French, the Official Languages Act, his duties and the activities of his Office under the Act. A number of light-hearted situations simulated in the film demonstrate how individual efforts can put Canada's two official languages on an equal basis.

This short animated film is a reflection on the work world and the solace we seek from it on our days off. Here, people enjoying a day off are constantly being reminded of tragic events happening elsewhere while they play and relax on the beach.

This short animation film tells the story of three heads who share a single body. The heads live in perfect harmony until one day... one of them begins to have a mind of its own. The film playfully explores how we're all "connected" but at the same time need to think for ourselves and respect differences.

This film is part of the ShowPeace series of lively animated films about conflict resolution. This series has received support from UNICEF and Justice Canada.

The NFB's 42nd Oscar®-nominated film.

This dramatic film introduces us to Tommy, a World War II veteran who rooms alone, waiting for his pension cheque to arrive, passing the time in the evenings with his cronies in the Legion Hall. Lennie can claim only a third of Tommy's years, but he prowls the same area of town, and the two have more in common than either of them realizes. Both their lives lack a sense of place and purpose. The story occurs early in November and leads up to an event that provides one of Tommy's few remaining moments of glory, the annual veterans' Remembrance Day parade.

This documentary is the story of two Mennonite brothers from Manitoba who were forced to make a decision in 1939, as Canada joined World War II. In the face of 400 years of pacifist tradition, should they now go to war? Ted became a conscientious objector while his brother went into military service. Fifty years later, the town of Winkler dedicates its first war memorial and John begins to share his war experiences with Ted.

This animated short deals with the difficult subject of antipersonnel land mines. Each year, hundreds of men, women and children are wounded or killed by these land mines. This film reveals the hideous nature of these weapons along with the complicity of the industrial nations.

This short animation tells the story of Saoussan, a young girl struggling to adjust to life in Canada after being uprooted from her wartorn homeland. She has come to seek a quieter and safer life, although memories of war and death linger, memories that are awakened when the children at her new school prepare for a scary Halloween. From Far Away speaks to the power within us all to adapt like Saoussan and to welcome a newcomer.

Part of the Talespinners collection, which uses vibrant animation to bring popular children’s stories from a wide range of cultural communities to the screen.

The Physics of Sorrow tracks an unknown man’s life as he sifts through memories of his youth in Bulgaria through to his increasingly rootless and melancholic adulthood in Canada.

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A young Japanese-Canadian businessman, now established in Montréal, recalls the time during World War II when the Japanese-Canadian community of Canada's west coast was uprooted and moved inland. There are some flashbacks to the events he describes, but the film is mainly about his home and family life in Montréal and his successful career as a chemical engineer.