The Hudson’s Bay Company’s 300th-anniversary celebration in 1970 was no occasion for joy among the people whose lives were tied to the trading stores. Narrated by George Manuel, then president of the National Indian Brotherhood, this landmark film presents Indigenous perspectives on the company whose fur-trading empire drove colonization across vast tracts of land in central, western and northern Canada. There is a sharp contrast between the official celebrations, with Queen Elizabeth II among the guests, and what Indigenous people have to say about their lot in the Company’s operations. Released in 1972, the film was co-directed by Martin Defalco and Willie Dunn—a member of the historic Indian Film Crew, an all-Indigenous production unit established at the NFB in 1968.
This short film is an exposé on the style of fishing done by Indigenous fishermen in the Prairie provinces. The commentary is offered by a fisherman as he goes about his business. He recalls his boyhood when the men of his band freighted by canoe for the Hudson's Bay Company. He also speaks of education, of sickness and health, of family, of poverty, of the pleasures of a Saturday night dance, and he demonstrates the tricks of his own trade - when to set a net, how to handle fish, and what it all costs in money, time, equipment and skill. Commercial fishermen may learn effective measures for protecting the freshness and attractiveness of freshwater catches, while general audiences will enjoy a telling view of Indigenous life and enterprise.
This short film was shot on the Grand Banks of Newfoundland and shows off the new technology employed on modern fishing boats in the mid-1960s. The featured trawler is open-stern style, allowing full nets to be dragged easily from the sea then lifted to release the silvery catch into the cleaning troughs.
In this short documentary, a group of pupils aged 8 to 13 embark on a school project to find out all they can about garbage and its impact on the environment. The places they visit tell us a lot about the society we live in and about ecology, cities, art and history.
A young Japanese-Canadian businessman, now established in Montréal, recalls the time during World War II when the Japanese-Canadian community of Canada's west coast was uprooted and moved inland. There are some flashbacks to the events he describes, but the film is mainly about his home and family life in Montréal and his successful career as a chemical engineer.
Fifteen-year-old Buckley (Buckley Petawabano) attends residential school, where he longs for his home and dreams of fishing and hunting. Yet when he returns to the reserve for the summer he feels like a stranger, unable to speak his Cree language or live off the land like his father and brothers. Johnny (Johnny Yesno), an Indigenous caretaker at the school, takes Buckley under his wing, introducing him to Indigenous history, culture, and knowledge. After finding Buckley’s frozen body in the snow, Johnny pieces together the events of the boy’s short life and tragic death, which left him unable to find a place for himself between the white and Indigenous worlds. Featuring the soulful music of Willie Dunn, Cold Journey's narrative is similar to the true story of Charlie Wenjack, a young Anishinaabe boy who froze to death running away from residential school in 1966. The film was made with members of the Indian Film Crew and features Chief Dan George.
Don Messer: His Land and His Music celebrates the king of Maritime fiddling. It's 1969, and Messer's band is on a poignant, cross-Canada farewell tour. Poignant, because CBC-TV has just announced the cancellation of the long-running Don Messer's Jubilee. But if Messer's upset, he isn't showing it. Instead, he's in top form, packing them in from Halifax to Whitehorse: one curling rink, hockey arena and small-town theatre after another. More than a musician, Don Messer was a genuine folk icon, idolized by millions of fans who felt as though they knew him personally. Although he died in 1973, Messer has remained a vital presence in Canadian music. Fiddlers continue to be inspired by his old-time style. Don Messer: His Land and His Music marries cinematic innovation with irresistible, toe-tapping music - taking us on the road, into the studio and backstage with a one-of-a-kind, fun-loving band.
Water functions as a willing worker, shaping the land, shifting earth or rock, carrying the food by which plants survive, and so supporting other forms of life. This film is designed primarily to show the astonishing utility of this common substance, but it also shows the beauty of water in movement, from raindrops pelting the earth to the mighty cataract of Niagara.