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Inspired by Sandra Oh’s words and actions, director Karen Lam experiments with the concept of representation in the performing arts.

A rich and little-known part of Canadian history unfolds through the stories of the first Chinese women to come to Canada and of subsequent generations of Chinese Canadian women. It is an amazing tale of courageous women who left behind their families, knowing they would never see them again and of girls who were shipped off to the New World to marry men they had never met. These are the women who fought against the many forms of racism they faced in Canada while, at the same time, challenging sexism within their own communities. By passing on language, culture, and values to their children, these women defined what it means to be Chinese Canadian. Beautiful old photographs from family albums, the recollections of seven women who grew up in Canada in the first half of the 20th century, and the memories of narrator and director, Dora Nipp, whose grandfather came to Canada in 1881 to build the railway, create a remarkable story of stunning impact.

This documentary features Black women active in politics as well as community, labour and feminist organizing. They share their insights and personal testimonies on the double legacy of racism and sexism, linking their personal struggles with the ongoing battle to end systemic discrimination and violence against women and people of colour.

This feature documentary casts a curious and critical eye at North American discourses about motherhood since the mid-20th century. Through conversations with seven mothers, a fascinating selection of archival footage and stills from the 1950s, as well as some very candid and funny home movies, this film offers new ways of thinking about what it means to be a good mom.

When Phillip Wong died by suicide, his family thought that silence would end their pain. But his sister, filmmaker Michelle Wong, needed to make sense of her brother's death. What drove him to end his life at age 36?

Weaving together intimate conversations with those closest to Phillip, as well as her own candid reflections, Wong embarks on a personal journey. Gently peeling away layers of silence, she uncovers her brother's story of gambling addiction and his lonely spiral into desperation, isolation and depression.

Filmed against the backdrop of the noisy casinos of Las Vegas and the quiet town of St. Paul, Alberta, the documentary lays bare the grief of family and friends. Sifting through feelings of guilt, sadness and shame, the once-fragmented family begins to discover a new closeness. This heart-wrenching film is a sister's uncompromising search for the truth and healing--for herself, her family, and others struggling with addiction.

This animated short, based on the book by Rachna Gilmore, is the story of Gita, an 8-year-old girl who can't wait to celebrate Divali - the Hindu festival of lights - in her new home in Canada. But it's nothing like New Delhi, where she comes from. The weather is cold and grey and a terrible ice storm cuts off the power, ruining her plans for a party. Obviously, a Divali celebration now is impossible. Or is it? As Gita experiences the glittering beauty of the icy streets outside, the traditional festival of lights comes alive in a sparkling new way.

Part of the Talespinners collection, which uses vibrant animation to bring popular children’s stories from a wide range of cultural communities to the screen.

This short documentary tells the intensely personal story of Namrata Gill – one of the many real-life inspirations for Deepa Mehta’s Heaven on Earth – in her own words. After six years, Gill courageously leaves an abusive relationship and launches a surprising new career.

Through an intimate archive of the Chow’s family lineage, A Passage Beyond Fortune offers an homage to the culturally significant but buried history of Chinese-Canadian communities in Moose Jaw.

After being diagnosed with borderline personality disorder, a young mother writes a letter to her daughter about their family’s collective journey to acceptance.

Filmed at the Wing Fong Farm in Ontario, this documentary follows the tilling, planting and harvesting of Asian vegetables destined for Chinese markets and restaurants. On 80 acres of land, Lau King-Fai, her son and a half-dozen migrant Mexican workers care for the plants. For Yeung Kwan, her son, the farm represents personal and financial independence. For his mother, it is an oasis of peace. For the Mexican workers, it provides jobs that help support their children back home.

In this documentary, the age-old tradition of arranged marriages takes a modern twist when 3 second-generation South Asian young people decide to marry. Engaging and refreshingly candid in their opinions, they make it clear that arranged marriages aren't what they used to be.