Comment fait-on pour s'entendre lorsqu’on a tout pour s'entre-déchirer? Ce long métrage documentaire tente de répondre à cette question à travers l’amitié de quatre Égyptiennes. Musulmane, chrétienne ou indépendante de toute pratique religieuse, leurs choix sont aux antipodes. Or ces quatre amies refusent de diaboliser l'autre et de coexister dans le mépris; elles s'écoutent, se contrecarrent sans jamais rompre le lien qui les unit. Et elles en rient. Leur confrontation redéfinit la tolérance.
This feature documentary invites you to partake in a discussion between 4 Egyptian women of different political and religious stripe. Amina, Safynaz, Shahenda and Wedad are Muslim, Christian, or non-religious, but they are first and foremost friends. They listen to one another's views and argue openly, without ever breaking the bond that unites them. How do we get along with each other when our views collide? A timely question, and a universal one. Four Women of Egypt takes on this challenge, and their confrontation redefines tolerance.
This feature-length film introduces viewers to Soraida, a Palestinian woman who lives in Ramallah. In her neighbourhood the women do not all wear veils, the men do not rattle off empty political slogans, the young people do not strap bombs to their belts, and the children play together like kids everywhere. Taking us into the daily existence of Soraida, her family and neighbours, the film compels us to ask fundamental questions about life in the Middle East.
Tahani Rached’s powerful documentary enters the doors of an AIDS clinic in Montreal. We meet a group of dedicated doctors struggling to provide health care to their patients. This 1994 film explores legal and ethical problems surrounding HIV/AIDS and the struggle against fear, rumours and prejudice. It is still relevant today. In French with English subtitles.
Shot at the Pierre Boucher Hospital in Montreal, this film takes us into the emergency room to see how our healthcare system is holding up. What it reveals is a powerful indictment of management that sees only the bottom line while human lives are at stake.
In a quest to rediscover the spiritual values of his own people, an African filmmaker from the Gourmantche tribe of Burkina Faso visits the Atikamekw of Northern Quebec. The resulting documentary is a dialogue between those who divine the future in the sand with those who use snow-encased sweat lodges to reconnect with the spiritual world.
A moving and graphic portrait of the people of wartorn Beirut in their day-to-day struggle to survive in the rubble and despair. Filmed shortly after the 1982 massacres at Sabra and Chatila, the film gives a vivid picture of the plight of these people and of any people who are too poor to escape the ravages of war.
Haitians make up the largest black community in Quebec: there are over 40,000 of them, the vast majority of them living on the island of Montreal, where they are often the target of prejudice, hostility and contempt. Is this how we welcome them?
This documentary film is not an indictment, let alone a trial. However, it does want to catalyze our attention, by having us witness a cruel and dramatic reality: the Haitian community of Montreal, these people from another culture who came here bringing with them their hopes as sorrows, suffers the pain of our rejection.
If they left their homeland, it was to flee repression, poverty, and try to find –among us– a better life. Have they found it? Maybe they got a job here and the right to speak and act freely. But are they any better understood, loved and respected?
In a moving conversation with Dr. Balfour M. Mount, friend, colleague and treating physician, cancer victim Jean Cameron, a one-time volunteer social worker in the Palliative Care Unit of Montréal's Royal Victoria hospital, discusses how she has come to terms with her own illness and the perspective it has given her on the meaning of life. What she has to say is relevant to all. The depth of her insight and the grace of her being leave viewers moved and open to thinking more carefully about the meaning of their own lives.
This feature-length film tells the story of the passion between Marie de l’Incarnation, a mid-seventeenth-century nun and God, her "divine spouse." Fusing documentary and acting by Marie Tifo, whom we follow as she rehearses for this demanding role, the film paints an astonishing portrait of this mystic who abandoned her son and left France to build a convent in Canada, where she became the first female writer in New France.
This feature-length film about poverty in Montreal is set against a soundtrack that includes rap, blues, rock, and country and western music. The film deals with the universal themes of hunger, hope and love and is named after an actual Montreal restaurant that's been serving those in need for over 25 years. In French with English subtitles.