Once ... Agadir

This 1957 documentary short offers an analysis of South Africa's acute race problem, an issue that causes dissension not only within its borders but within the Commonwealth and beyond. In South Africa, a country of 14 million people, 4 out of 5 people are black. The film gives a dispassionate appraisal of the motivations behind the policy of apartheid and of whether the practice of segregation provides a satisfactory, long-term solution.

This autobiographical documentary revisits the Mau Mau Rebellion of the 1950s. More than 50 years after the conflict, in which the director participated as a young British soldier stationed in Kenya for his national service, he confronts his past with audacity and unflinching self-inquiry.

Combining McWilliams' own photographic record of the times with original animation and archival imagery, A Time There Was crafts a thoughtful account of the Mau Mau Rebellion – one of the most contentious episodes in Britain’s imperial endgame.

Eye Witness was a series of short monthly newsreels produced by the NFB during the post-war period. Each installment included several short reports on issues of interest to Canadians. Episode No. 58 includes Canadian Works with U.N.’s Problem Refugees, in which Dr. Robert Westwater, an Ottawa educator, helps UNESCO deal with problems precipitated by the dislocation of Arab populations following the 1948 war in Palestine, and Tractor Train Pushes through Northern Wilderness, which shows how supplies needed to build the Ungava railway and hydro project are transported by tractor trains through snow-bound roads and rough country.

In 1992 a young Iranian student hanged himself on the outskirts of a small Ontario town. Having escaped the Ayatollah's regime and found a new home in Canada, he could not escape his past. In this film, Masoud Raouf documents the experiences of Iranian-Canadians - former political prisoners like himself - who were active in the Iranian democratic movement and continue to struggle with the past.

For more background information about this film, please visit the NFB.ca blog.

Ariel Nasr's documentary gives voice to the complex dilemmas faced by contemporary Afghanis under Canadian intervention. The film introduces us to young Afghan-Canadians torn between a deep desire to help Afghanistan and a fear that things will never change. Good Morning Kandahar asks whether Canada's mission in Afghanistan is failing.

This film was produced as part of the Reel Diversity Competition for emerging filmmakers of colour. Reel Diversity is a National Film Board of Canada initiative in partnership with CBC Newsworld.

Featuring a unique collection of archival images, home movies and family photographs from Iraq, Baghdad Twist is a short film that pulls back the curtain on Iraq's once thriving Jewish community. Baghdad-born filmmaker Joe Balass takes us on a journey through the fragmented memories of an Arab exile. This powerful collage forms a portrait of a time and place that no longer exists.

Monika Delmos's documentary captures a year in the life of two teenage refugees, Joyce and Sallieu, who have left their own countries to make a new life in Ontario. Joyce, 17, left the Democratic Republic of Congo to avoid being forced into prostitution by her family. Sallieu, 16, had witnessed the murder of his mother as a young boy in wartorn Sierra Leone.

Delmos follows them as they bear the normal pressures of being a teenager while simultaneously undergoing the refugee application process. She shows how the guidance and support of a handful of people make a real difference in the day-to-day lives of these children.

When it comes to world-class marathon runners, Kenyans are considered the cream of the crop. Particularly those from Kenya’s Rift Valley. These athletes have won marathons in London, New York and Berlin, and have set countless world records. But some of Kenya’s top runners aren’t running for fame and fortune. Some are wanted warriors, running for their lives. For years, Julius Arile and Robert Matanda thrive among the roaming bands of warriors that terrorize the North Kenyan countryside. By the time they reach their mid-twenties, stealing cattle, raiding and running from the police is the only life they know. So when both warriors suddenly disappear from the bush, many of their peers assume they are dead or have been arrested. Instead, they trade in their rifles for sneakers—in the hopes of making it big as professional marathon runners. Years of fleeing from the police have prepared the men for running marathon distances, but do they have what it takes to overcome the corruption, mistrust and jealousy that threaten to derail their careers? Or will they give up on their dreams and return to a life of easy power and money? Told entirely by its central characters, Gun Runners is the American Dream, Kenyan-style.

Filmmaker Paul Émile d'Entremont's documentary presents Reema, a lively and sensitive young girl confronted with difficult questions about her identity. After spending the first 16 years of her life with her Canadian mother, Reema re-connects with her Iraqi father by spending 2 months with him in Jordan. On returning home to Nova Scotia, she realizes she will always have a double identity, and that it is both a burden and a treasure.

This documentary is about Canadian artist Deryk Houston, who in 1999, had a life-altering journey to Baghdad. Unable to remain an outside observer of the crisis in Iraq, Deryk travelled to witness first-hand the impact of international sanctions on the Iraqi people. Compelled to speak out, the artist embarked upon a unique nature art project designed to call attention to the situation of the children of Iraq. Using rocks, gravel and hay, Deryk began to create large-scale art installations in the image of a mother and child against diverse landscapes around the world.

This full-length documentary tells the story of 2 Afghans who return to Afghanistan in search of their families after a 16-year exile. Like many Afghan children, Soorgul and Amir were sent to Tajikistan during the Soviet occupation of their country. When the Soviet Union collapsed, the civil wars that broke out on both sides of the border left the children stranded, unable to leave the country until Canada accepted them as refugees.

The Sweetest Embrace tells an intimate story set against one of the world's most harsh and yet beautiful landscapes, in a land where life has been shaped by war and hardship but where spirit remains resilient.