Long métrage documentaire de Mina Shum sur un tournant dans les relations raciales canadiennes et l’un des épisodes les plus contestés de l’histoire de la nation. À Montréal, un groupe d’étudiants issus des Caraïbes soupçonnent leur professeur de racisme et occupent une section de l’école en guise de protestation. Des décennies plus tard, les acteurs principaux du mouvement de contestation se remémorent les événements, cherchant à comprendre ce qui s’est passé et à mesurer le progrès réalisé depuis.
Director Mina Shum makes her foray into feature documentary by reopening the file on a watershed moment in Canadian race relations – the infamous Sir George Williams Riot. Over four decades after a group of Caribbean students accused their professor of racism, triggering an explosive student uprising, Shum locates the protagonists and listens as they set the record straight, trying to make peace with the past.
This short documentary profiles a different tool for getting work. In an immigration-rich society, the agency Voice Job offers an alternative to the traditional job search. This film was made as part of the Work For All project 2006, an NFB and HRSDC-Labour initiative to combat racism in the workplace.
Being young is tough, especially if you're Black, Latino, Arab or Asian. In a city like Montreal, you can get targeted and treated as a criminal for no good reason. Zero Tolerance reveals how deep seated prejudice can be. On one side are the city's young people, and on the other, its police force. Two worlds, two visions. Yet one of these groups is a minority, while the other wields real power. One has no voice, while the other makes life-and-death decisions.
When a policy of zero tolerance to crime masks an intolerance to young people of colour, the delicate balance between order and personal freedom is upset. A blend of cinéma vérité and personal testimonies, this hard-hitting film will broaden your mind and change your way of thinking. In French with English subtitles.
Against the backdrop of the camera’s meditative wandering through the places that created Quebec, Where the Land Ends explores and questions the historical narrative, as a group of young people who were not old enough to vote in the 1995 referendum express their views. They seem to have decided, on their own, to create a new “Terre des Hommes” (Man and His World).
This documentary tells the story of the frustration and injustice experienced by Japanese Canadians, who fought long and hard to be accepted as Canadians.
This documentary is the story of two Mennonite brothers from Manitoba who were forced to make a decision in 1939, as Canada joined World War II. In the face of 400 years of pacifist tradition, should they now go to war? Ted became a conscientious objector while his brother went into military service. Fifty years later, the town of Winkler dedicates its first war memorial and John begins to share his war experiences with Ted.
Filmmaker Karen Cho travels from Montreal to Vancouver to uncover stories from the last survivors of the Chinese Head Tax and Exclusion Act, a set of laws imposed to single out the Chinese as unwanted immigrants to Canada from 1885 to 1947. Through a combination of history, poetry and raw emotion, this documentary sheds light on an era that shaped the identity of generations.
Filmmaker Albert Kish revisits Montreal's St Lawrence Boulevard in the '70s. The street, also known as "The Main," is a little Europe with many languages, foods and small courtesies that make a stranger feel at home.
This 1996 documentary takes a nostalgic ride through history to present the experiences of Black sleeping-car porters who worked on Canada's railways from the early 1900s through the 1960s. There was a strong sense of pride among these men and they were well-respected by their community. Yet, harsh working conditions prevented them from being promoted to other railway jobs until finally, in 1955, porter Lee Williams took his fight to the union.
Claiming discrimination under the Canada Fair Employment Act, the Black workers won their right to work in other areas. Interviews, archival footage and the music of noted jazz musician Joe Sealy (whose father was a porter) combine to portray a fascinating history that might otherwise have been forgotten.
In the stark Labrador interior, a growing number of Filipino workers have recently landed in Happy Valley-Goose Bay, travelling halfway around the world for jobs they hope will offer their families new opportunities and a better life. Becoming Labrador follows a handful of those women and men as they make a place for themselves in Labrador while dealing with the unexpected costs of living far from their family.
Karen Cho, a fifth-generation Canadian of mixed heritage, discovered that half her family wasn't welcome in the country they called home. While Canada encouraged and rewarded immigration from Europe, it imposed laws that singled out the Chinese as unwanted and unwelcome. Cho's film, In the Shadow of Gold Mountain, takes her from Montreal to Vancouver to uncover stories from the last living survivors of the Chinese Head Tax and Exclusion Act. This dark chapter in our history, from 1885 until 1947, plunged the Chinese community in Canada into decades of debt and family separation. At the centre of the film are personal accounts of extraordinary Chinese Canadians who survived an era that threatened to eradicate their entire community. Through a rich melding of history, poetry and raw emotion, this documentary sheds light on an era that shaped the identity of generations, with deeply moving testimonials, it reveals the profound ways this history still casts its shadow.
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