Directed by John Kastner, this feature documentary about violence, mental illness, and the rights of victims tells the story of a troubled young man who stabbed a complete stranger 6 times in a crowded shopping mall while gripped by psychosis. Twelve years later, his victim, who miraculously survived, is terrified to learn that he’s out, living in the community under supervision. He’s applying for an absolute discharge, and if he succeeds, he’ll no longer be required to take the anti-psychotic drugs that control his mental illness. With unprecedented access to the patient, the victim, and the mental institution, the film looks at both sides of the debate and puts a human face on the complex ethical issues raised.
This feature documentary profiles four residents of the Brockville Mental Health Centre, a forensic psychiatric hospital for people who have committed violent crimes. Four patients—two men and two women—struggle to gain control over their lives so they can return to a society that often fears and demonizes them. Shrouded in stigma, institutions like this one are places into which patients disappear from public view for years.
Four-time Emmy winner John Kastner was granted unprecedented access to the Brockville facility for 18 months, allowing 46 patients and 75 staff to share their experiences with stunning frankness.
For more background information on this film, please visit the NFB.ca blog.
This gripping documentary takes a powerful look at the lives of people with substance use disorder in Vancouver’s Downtown Eastside. Filmmaker Veronica Alice Mannix follows Constable Al Arsenault and six other police officers on their daily beat, documenting their unique relationships with people who speak candidly about their painful past experiences, their drug addiction, and life on the street.
WARNING: This film discusses the topic of OCD. Viewer discretion is advised.
This feature documentary explores the daily lives of individuals living with Obsessive Compulsive Disorder (OCD), a misunderstood anxiety disorder characterized by intrusive thoughts, nagging fears and ritualistic behaviour. From the outside, its sufferers have no physical disabilities and have every appearance of being as functional as the next person. But inside, a daily war is waged for survival.
The people of the Attawapiskat First Nation, a Cree community in northern Ontario, were thrust into the national spotlight in 2012 when the impoverished living conditions on their reserve became an issue of national debate. With The People of the Kattawapiskak River, Abenaki director Alanis Obomsawin quietly attends as community members tell their own story, shedding light on a history of dispossession and official indifference. “Obomsawin’s main objective is to make us see the people of Attawapiskat differently,” said Robert Everett-Green in The Globe & Mail. “The emphasis, ultimately, is not so much on looking as on listening—the first stage in changing the conversation, or in making one possible.” Winner of the 2013 Donald Brittain Award for Best Social/Political Documentary, the film is part of a cycle of films that Obomsawin has made on children’s welfare and rights.
Also available on the Alanis Obomsawin: A Legacy DVD box set
Acclaimed Métis filmmaker Christine Welsh brings us a compelling documentary that puts a human face on a national tragedy – the epidemic of missing or murdered Indigenous women in Canada. The film takes a journey into the heart of Indigenous women's experience, from Vancouver's skid row, down the Highway of Tears in northern BC, and on to Saskatoon, where the murders and disappearances of these women remain unsolved.
This feature documentary tells the stories of 5 asylum seekers who flee their native countries to escape homophobic violence. They face hurdles integrating into Canada, fear deportation and anxiously await a decision that will change their lives forever.
Illuminating a new paradigm for domestic-violence prevention, A Better Man offers a fresh and nuanced look at the healing and revelation that can happen for everyone involved when men take responsibility for their abuse. It also empowers audience members to play new roles in challenging domestic violence, whether it’s in their own relationships or as part of a broader movement for social change.
To Learn more about A Better Man and access additional resources, visit A Better Man project
This feature documentary offers an intimate portrait of living with bipolar disorder. Filmmaker Pierre Goupil (Celui qui voit les heures, La vérité est un mensonge) reveals his uneasy relationship with his illness and his journey as an artist in a society that struggles to accept those on the fringe. A product of the 1960s intellectual scene, Goupil continues to question the world and fight for global solidarity. The Wind at My Door celebrates life amid suffering, while reaffirming the importance of social ties and political commitment. An ode to the freedom of individuals over the powers that would enslave them, Goupil's film acknowledges both the terrible winter and the long-awaited spring of renewed creation.
This feature documentary tells the story of 2 Inuit communities of the circumpolar north—one on Canada’s Baffin Island, the other in Northwest Greenland—that are linked by a migration led by an intrepid shaman. Navarana, an Inughuit elder and descendant of the shaman, draws inspiration and hope from the ties that still bind the 2 communities to face the consequences of rapid social and environmental change.
Click here for the Inuktitut version, Katinniq
Click here for the Greenlandic version, Katinngat
Ages 15 to 18
Health/Personal Development - Mental Health/Stress/Suicide
Media Education - Documentary Film
Social Studies - Law
Use the Canadian Mental Health Association website (cmha.ca) to research OCD (anxiety disorder) and schizophrenia in more detail. Have small groups research additional mental illnesses and create visual presentations. Conduct a “gallery walk” where the class moves around to each of the presentation stations. This film personalizes mental illness through the lens of Sean’s story; does this make “taking a side” on the crime more difficult? What does “not criminally responsible” mean to the students?