Le message de Cornipoli

Claude Jutra's sweeping portrait of village life in 1940s Quebec has been called one of the greatest Canadian films of all time. Recalling a time when the local general store was the crossroads of life, the film illustrates the way a young boy sees the world and those closest to him – first through the eyes of a teenager, and later, as events change him, through the eyes of an adult. In French with English subtitles.

Academy Award®-winning director Beverly Shaffer presents Benoit, a highly accomplished 11-year-old boy from Joliette. A member of the Orchestre symphonique des jeunes de Joliette, he still finds time for his busy social life with peers and elders alike. Part of the Children of Canada series, the film is in French with English subtitles.

This documentary from Martin Duckworth features young adults from two distinct Winnipeg neighbourhoods on either side of the Red River who struggle to overcome geographical and cultural barriers. High school students from the predominantly Indigenous North End and their peers from the Francophone district of St. Boniface work together to produce a play on the origins of the Métis.

Their collaboration raises questions about how these youths foresee their role and place within their respective communities and how these minority communities co-exist with the predominant culture. The film also tackles issues of intolerance, racism and discrimination.

There was a time when the general store was the crossroads of life, a place where a boy could learn all he needed for the way ahead--especially when his uncle was the storekeeper, and also the undertaker, and the nephew often called upon to lend a hand. This film recalls such a store in a village in the asbestos mining area of Quebec in the early 1940s. The film presents a hundred-and-one vignettes of village life--all the bitter-sweet nostalgia with which a man might remember the events that thrust him into manhood. The action takes place on Christmas Eve--the one time of the year when the mine closed its doors, and the store bustled with humanity. For a few hours the villagers could forget their poverty and converge on the store for gossip and revelry. In the midst of it all was Uncle Antoine, customary ebullience and ribald humour whetted by occasional recourse to the gin bottle, and always somewhere in the background, his nephew Jacques taking it all in. But for Jacques this night was to bring sudden initiation into some of the harsher, cruder realities of life, even acquaintance with tragedy and death. Mon oncle Antoine is about a Quebec that makes no headlines but reflects the whole of life, the ebb and flow of hope and despair that might be in anyone's memory.

This feature-length documentary tells the story of two very different men brought together by New Brunswick's decision to hand the management of millions of acres of Crown land to six multinationals. One man is an Acadian woodlot owner retired after nearly 40 years in a pulp mill; the other is a painter and winemaker with homes in France and New Brunswick.

The activitists travel to Finland, home of UPM-Kymmene, one of the largest licence holders of New Brunswick Crown lands, to urge company officials to practise responsible forestry. They also go head-to-head with the provincial government to secure a new community-based forestry policy that is environmentally sustainable and produces more jobs than the highly mechanized techniques used today.

A feature drama about a girl torn between two cultures, the English-speaking community of Vancouver where she grew up and the French-speaking Québec where the film opens. Her uncertainty extends to her lovers, one from Vancouver who wants to take her home and the other from Québec who would like to continue their pleasant, if inconclusive affair. The settings show a Québec winter and British Columbia spring.

Part comic adventure, part travelogue, this short film features the folkloric character of Ti-Jean, a French-Canadian kid endowed with magic powers. He travels west, drawing upon his superhuman strength to save a farmer’s crops. In their day (the 1950s) the Ti-Jean films were among the NFB’s most popular titles.

This feature documentary pays homage to the special character of an enduring people: the Acadians. Two hundred years after Expulsion of the Acadians by the British (1755–1764), Acadian culture is still very much alive. But why do Acadians—whose ancestors founded the first colony in North America—have to keep making a racket to tell the world they're still here?

In this documentary short, summer trippers line up for the famous local fried clams and whole families dig for the white mollusc in the tangy air of the sandbars. But as the clams dwindle, so do these tableaux from Maritime culture. For commercial fishermen it's the end of a livelihood; for others, it's the death of a tradition. Can this really be the end of a resource that used to be as plentiful as the air we breathe? In French with English subtitles.

This documentary was made as part of the Tremplin program, with the collaboration of Radio-Canada.

Acadians have been enamoured of their community radio station, CJSE, for 16 years now. The station is well rooted in the community and has become a unique observer of its day-to-day reality, evolution, culture and struggles, providing listeners with an image that corresponds to their ever-changing identity. This documentary was made as part of the 2012 Tremplin competition and produced with the collaboration of Radio-Canada. In French with English subtitles.

This documentary was made as part of the Tremplin program, with the collaboration of Radio-Canada.

This short documentary links family memories to the evolution of Acadian French. Bittersweet Blues reveals the dilemma that Acadians face: do they adopt normative French in order to be better understood, or proudly continue to use their own language, which reflects the colourful flavour of their own authentic culture?

This film was made as part of the Tremplin program, in collaboration with Radio-Canada.