In this feature-length documentary, filmmaker Loretta Sarah Todd takes viewers on a visually lush journey, exploring the significance of land, memory, and knowledge to the Kainai Blood Nation of Southern Alberta.
The catalyst for this expressionistic journey is the return of belongings of the Kainai, collected by Europeans during colonial times and kept in distant museums. As the community's elders examine the objects and share stories first-hand, they reveal how the rich threads of Kainai life thrive from one generation to the next.In this short documentary, filmmaker Shannon Letandre examines the importance of traditional knowledge and how it can be shared from generation to generation. First Stories is an emerging filmmaker program for Indigenous youth which produced 3 separate collections of short films from Manitoba, Saskatchewan, and Alberta. Produced in association with CBC, APTN, SCN, SaskFilm and MANITOBA FILM & SOUND.
This short documentary presents the empowering story of Rodney "Geeyo" Poucette's struggle against prejudice in the Indigenous community as a two-spirited person (gay, lesbian, bisexual, and transgender). First Stories is an emerging filmmaker program for Indigenous youth which produced 3 separate collections of short films from Manitoba, Saskatchewan, and Alberta. Produced in association with CBC, APTN, SCN, SaskFilm and MANITOBA FILM & SOUND.
Released in 1968 and often referred to as Canada’s first music video, The Ballad of Crowfoot was directed by Willie Dunn, a Mi’kmaq/Scottish folk singer and activist who was part of the historic Indian Film Crew, the first all-Indigenous production unit at the NFB. The film is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy. The IFC’s inaugural release, Crowfoot was the first Indigenous-directed film to be made at the NFB.
This feature-length documentary chronicles the Sundance ceremony brought to Eastern Canada by William Nevin of the Elsipogtog First Nation of the Mi'kmaq. Nevin learned from Elder Keith Chiefmoon of the Blackfoot Confederacy in Alberta. Under the July sky, participants in the Sundance ceremony go four days without food or water. Then they will pierce the flesh of their chests in an offering to the Creator. This event marks a transmission of culture and a link to the warrior traditions of the past.
"Some say when a child dies, you lose your future, and when an elder dies, you lose your past." Life Givers: Honouring Our Elders and Children is a poignant short film that testifies to the need to grieve and honour the memory of loved ones.
This powerful short documentary showing Indigenous youth resistance and emerging voices that will continue to define the landscape of Indigenous cultural and political activism for the next generation. Members of the National Youth Council, including Duke Redbird and Harold Cardinal, have a powerful exchange with a hostile white priest about the failures of the education system in relation to Indigenous people. The group tackles issues including segregated residential schools, the denial of citizenship rights, loss of language, and mass incarceration, many of which persist or continue to be stumbling blocks in the relationship between Indigenous people and the Government of Canada today.
Richard Cardinal died by his own hand at the age of 17, having spent most of his life in a string of foster homes and shelters across Alberta. In this short documentary, Abenaki director Alanis Obomsawin weaves excerpts from Richard’s diary into a powerful tribute to his short life. Released in 1984—decades before the Truth and Reconciliation Commission—the film exposed the systemic neglect and mistreatment of Indigenous children in Canada’s child welfare system. Winner of the Best Documentary Award at the 1986 American Indian Film Festival, the film screened at New York’s Museum of Modern Art in 2008 as part of an Obomsawin retrospective, and continues to be shown around the world.
In this short film, we meet 29-year-old Patrick Ross, an ex-prison inmate-turned-artist. Watch Patrick as he creates one of his extraordinary paintings while sharing his thoughts on his art, his time in jail, and his hopes for the future. First Stories is an emerging filmmaker program for Indigenous youth which produced 3 separate collections of short films from Manitoba, Saskatchewan, and Alberta. Produced in association with CBC, APTN, SCN, SaskFilm and MANITOBA FILM & SOUND.
In this short film, filmmaker Tessa Desnomie celebrates the life and times of her grandmother, Jane Merasty. Born and raised on the trapline, this Woodlands Cree woman has witnessed significant changes throughout her vigorous 80 years. First Stories is an emerging filmmaker program for Indigenous youth which produced 3 separate collections of short films from Manitoba, Saskatchewan, and Alberta. Produced in association with CBC, APTN, SCN, SaskFilm and MANITOBA FILM & SOUND.
This short film tells the story of Rocky Morin, a drummer who first felt the pull of the drum almost 15 years ago and hasn't looked back since. It's a powerful reminder of the need to maintain a strong connection to one's roots. First Stories is an emerging filmmaker program for Indigenous youth which produced 3 separate collections of short films from Manitoba, Saskatchewan, and Alberta. Produced in association with CBC, APTN, SCN, SaskFilm and MANITOBA FILM & SOUND.
This feature-length documentary explores the diabetes epidemic within Indigenous communities in Canada. Ojibway filmmaker Brion Whitford lives with the pain of advanced diabetes, but shunned traditional Indigenous medicine and healing practices. But as his health deteriorated, he had a change of heart. Join Brion as he connects with his culture, comes to grips with his own mortality, and tries to re-establish balance in his life.
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