Jamie Really Liked to Eat

Woolly's Gift takes youngsters step by step through the making of fabric for Annie's new dress. Students see Annie and her family shear Wooly, a mother sheep, and wash the wool. They see the wool carded, spun into yarn, dyed and woven, how leftover wool was bartered, and the daily activities of a pioneer girl.

This short film from WWII focuses on the increasingly important roles women occupy on the various war fronts. In England, their more active jobs include ferrying planes from factory to airfield and operating anti-aircraft guns. In Russia, they are fighting on the front lines as well as acting as parachute nurses, army doctors and technicians. In Canada women have joined active service auxiliaries, and thousands labour day and night in factories turning out the tools of war. From the Canada Carries On series.

This short archival film documents the Woman's Division of the Royal Canadian Air Force of 1943, 9,000 strong, an able corps trained for service at home and overseas. Their aim is to prepare themselves for an important role in the flying field after the war, when Canada's civil air power will prove an essential factor in the air communications of peacetime civilization. Part of the World in Action series.

The NFB's 29th Oscar®-nominated film.

In this animated short, director Peter Foldès depicts one man’s descent into greed and gluttony. Rapidly dissolving and ever-evolving images create a contrast between abundance and want. One of the first films to use computer animation, this satire serves as a cautionary tale against self-indulgence in a world still plagued by hunger and poverty.

Set to beautiful, pastoral images, We Are What We Eat introduces us to people bringing together their love of good food and passion for environmental protection. We meet wheat and strawberry producers, along with a wine grower and a chef — each doing things at their own pace, while resisting the demands of agribusiness.

Two well-known Quebec artists (filmmaker Jacques Godbout and playwright René-Daniel Dubois) look at the Battle of the Plains of Abraham. Whose version of this historic event should prevail? Is history best served by documentary or fiction? We also meet Baron Georges Savarin de Marestan and Andrew Wolfe-Burroughs, direct descendants of Montcalm and Wolfe, both of whom died in the battle that would give birth to Canada and to the province of Quebec. In French with English subtitles.

The NFB's 46th Oscar®-nominated film.

This historical drama features the first winter spent in Canada by a family of Irish immigrants deep in the Ottawa Valley. The year is 1830. Because the father is working in a logging camp, the mother has sole charge of the family. Sickness overtakes her, and she dies. The children are left on their own to survive. The film graphically illustrates the enormous hardships endured by the first settlers who had to cope with a climate with which they were unfamiliar. A beautiful, moving film.

This animated film by Martine Chartrand (Black Soul) recounts the friendship between a young Félix Leclerc and Frank Randolph Macpherson, a Jamaican chemical engineer and university graduate who worked for a pulp and paper company. An inveterate jazz fan, Macpherson inspired Leclerc, who wrote a song about the log drives and entitled it “MacPherson” in honour of his friend. Paint-on-glass animation shot with a 35mm camera.

Made at the end of WWII, this short film shows scenes of food queues, hunger riots and famine in liberated Europe, pointing out the political danger that lies in starvation conditions. Causes of food shortages and measures taken by the Allies to solve these problems are described.

For Alexander Galt it was the middle of the road, until he saw some hope for his dream of a united Canada. What was he like, this stubborn idealist? How did he measure up to other political strongmen of his time? In this film you sense the personal clashes and the interplay of political ambitions that left their mark on history.

The NFB’s 2nd Academy-Award winning film. In this short film, Norman McLaren employs the principles normally used to put drawings or puppets into motion to animate live actors. The story is a parable about two people who come to blows over the possession of a flower.

For more background info on this film, visit the NFB.ca blog.