In this poetic short, animator Franck Dion (Edmond was a Donkey) invites us to share the journey of Jacqueline, an elderly woman living with degenerative dementia. Jacqueline isn’t quite in her right mind anymore, but she’s determined to take the train to the seaside, as she has done every summer. Only this year, she’s constantly being followed by some woman who claims to be her daughter, and the trip takes some unexpected and phantasmagorical turns.
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Co-produced by Papy3D Productions, the National Film Board of Canada and ARTE France.
Uncle Thomas: Accounting for the Days is about the special relationship between Regina Pessoa and her uncle. The film is a testament to her love for this eccentric, who was an artistic inspiration and played a key role in her becoming a filmmaker. A moving tribute to a poet of the everyday.
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After losing his best friend, an elderly pug named Henry must depend on his owner for help and companionship. Writer/director Ann Marie Fleming (Window Horses) makes visible the tender work of caretaking in her new animated short, Old Dog. All dogs (and people) should be so lucky and so loved.
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After Catherine’s fatal car accident, she speaks from the beyond to her grieving husband, Philip, who must endure the family ritual of the funeral. The Procession is an elegant poem in black, white, and pink that shows us how, despite the pressure to keep up appearances, love finds a way.
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In this short animation based on Marie-Francine Hébert's 2003 book of the same name, a friendship unites two little girls from opposing clans in a village where tensions are mounting. The citizens with the red shoes clearly despise those without, and one fateful morning, one of the girls and her family are accosted at gunpoint by their oppressors. The little girl barely has time to grab her beloved pet fish before the men are herded to one side and the women and children to the other. So begins our protagonist's long and painful journey as she seeks shelter for herself, her mother, and her fish. This modern tale compassionately and poetically addresses intolerance and the consequences of war.
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The Physics of Sorrow tracks an unknown man’s life as he sifts through memories of his youth in Bulgaria through to his increasingly rootless and melancholic adulthood in Canada.
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Standing before an open window, a woman gazes at black clouds darkening the horizon. She loves two men—the one who shares her present, and the one who marked her past. Frozen, she struggles against surging memories evoked by objects, the sky—everything. In the clouds, a passionately intertwined couple appears.
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TRIGGER WARNING: This film contains the following subject matter: Suicide and self harm.
If you are affected by the topics addressed in the film, we encourage you to reach out to someone you trust.
If you’re in need of crisis support, please visit Crisis Services Canada
Shannon Amen unearths the passionate and pained expressions of a young woman overwhelmed by guilt and anxiety as she struggles to reconcile her sexual identity with her religious faith. A loving elegy to a friend lost to suicide.
Madeleine the human cannonball puts on a spectacular travelling show with her husband. But at home, every day seems to unfold just like the one before it. The Cannonball Woman is a bittersweet stop-motion animated film about love standing the test of time.
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The NFB’s 74th Oscar®-nominated film.
This short film tells the story of Vaysha, a young girl born with one green eye and one brown eye. But colour isn’t the only thing that’s different about Vaysha’s gaze. While her left eye sees only the past; her right sees only the future. Like a terrible curse, Vaysha’s split vision prevents her from inhabiting the present. Blinded by what was and tormented by what will be, she remains trapped between two irreconcilable temporalities. “Blind Vaysha,” they called her.
In this metaphoric tale of timeless wisdom and beauty based on the eponymous short story by Georgi Gospodinov, filmmaker Theodore Ushev reminds us of the importance of keeping our sights on the present moment.
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Mamie lives in Gaspésie in a house that faces away from the sea. Her granddaughter wonders: “Why isn’t Mamie interested in me or her other grandchildren? Why won’t she give me any affection or her beautiful blanket? What happened that made Mamie so indifferent?” Just like her home, Mamie shuts herself off and won’t let anyone into heart. If it’s true that we are the summary of our experiences and those we allow into our lives, what remains if we don’t let anyone in? In this wonderful animation of hand-painted watercolours, the filmmaker reaches back into her own childhood memories to share a personal and touching story about the break in “passing things on” between her and her grandmother. Mamie was directed by Janice Nadeau and co-produced by the NFB and Folimage.
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The NFB's 55th Oscar®-nominated film.
This animated romantic comedy about two golden agers proves that passion is not exclusively for the young. With humour and empathy, it tells of George's affection for his female neighbour and the outcome of his decision to quit daydreaming and take action.