This documentary travels deep into the mountains and deserts of Kurdistan, where armed female guerillas from the Kurdistan Workers’ Party (PKK) defend Kurdish territory against ISIS. These women share their most intimate thoughts with filmmaker Zaynê Akyol, resulting in an immersive audience experience. By offering a window into this largely unknown world, the film exposes the hidden feminist face of a revolutionary group united by a common vision of freedom.
On August 9, 2016, a young Cree man named Colten Boushie died from a gunshot to the back of his head after entering Gerald Stanley’s rural property with his friends. The jury’s subsequent acquittal of Stanley captured international attention, raising questions about racism embedded within Canada’s legal system and propelling Colten’s family to national and international stages in their pursuit of justice. Sensitively directed by Tasha Hubbard, nîpawistamâsowin: We Will Stand Up weaves a profound narrative encompassing the filmmaker’s own adoption, the stark history of colonialism on the Prairies, and a vision of a future where Indigenous children can live safely on their homelands.
Feminism has shaped the society we live in. But just how far has it brought us, and how relevant is it today? This feature documentary zeroes in on key concerns such as violence against women, access to abortion, and universal childcare, asking how much progress we have truly made on these issues. Rich with archival material and startling contemporary stories, Status Quo? uncovers answers that are provocative and at times shocking.
This short documentary tells the story of Tony Chachai, a young Indigenous man in search of his identity. Moved by the desire to reconnect with his Atikamekw roots, he delivers a touching testimony on the journey that brought him closer to his family and community. On the verge of becoming a father himself, he becomes increasingly aware of the richness of his heritage and celebrates it by dancing in a powwow.This film was produced as part of Tremplin NIKANIK, a competition for francophone First Nations filmmakers in Quebec.
The people of the Attawapiskat First Nation, a Cree community in northern Ontario, were thrust into the national spotlight in 2012 when the impoverished living conditions on their reserve became an issue of national debate. With The People of the Kattawapiskak River, Abenaki director Alanis Obomsawin quietly attends as community members tell their own story, shedding light on a history of dispossession and official indifference. “Obomsawin’s main objective is to make us see the people of Attawapiskat differently,” said Robert Everett-Green in The Globe & Mail. “The emphasis, ultimately, is not so much on looking as on listening—the first stage in changing the conversation, or in making one possible.” Winner of the 2013 Donald Brittain Award for Best Social/Political Documentary, the film is part of a cycle of films that Obomsawin has made on children’s welfare and rights.
Also available on the Alanis Obomsawin: A Legacy DVD box set
Set in the northern region of Afghanistan, this feature drama tells the story of a young bride-to-be who strays from local customs after befriending an Afghan-Canadian translator. Part lament against injustice, part testament to the spirit of a people who have survived decades of war, this film is a compelling drama in which East and West, love and honour, modernity and custom clash with tragic consequences.
This short documentary offers an Indigenous perspective on the devastating experience of searching for a loved one who has disappeared. Volunteer activist Kyle Kematch and award-winning writer Katherena Vermette have both survived this heartbreak and share their histories with each other and the audience. While their stories are different, they both exemplify the beauty, grace, resilience, and activism born out of the need to do something.
This feature documentary by renowned director and cinematographer Vic Sarin is a personal yet global investigation into the history and current state of colourism: the discrimination within one ethnicity based on differences in skin tone. Sarin travels the globe to discuss this complex cross-cultural social issue with individuals whose lives it affects, including a Filipina entrepreneur whose business has flourished within the billion-dollar skin-whitening industry. Hue leads viewers on a thoughtful and surprising journey to the heart of a painful and pervasive social issue that not only polices appearance, but also class, gender, and geography.
The Road Forward, a musical documentary by Marie Clements, connects a pivotal moment in Canada’s civil rights history—the beginnings of Indian Nationalism in the 1930s—with the powerful momentum of First Nations activism today. The Road Forward’s stunningly shot musical sequences, performed by an ensemble of some of Canada’s finest vocalists and musicians, seamlessly connect past and present with soaring vocals, blues, rock, and traditional beats. A rousing tribute to the fighters for First Nations rights, a soul-resounding historical experience, and a visceral call to action.
Beauty explores the lives of five gender-creative kids, each uniquely engaged in shaping their own sense of what it means to be fully human. Whether it’s dealing with bullies, explaining themselves to their parents, or navigating the uncharted waters of relationships, Bex, Lili, Fox, Tru and Milo talk about their experiences and struggle to live in authenticity.
When it comes to world-class marathon runners, Kenyans are considered the cream of the crop. Particularly those from Kenya’s Rift Valley. These athletes have won marathons in London, New York and Berlin, and have set countless world records. But some of Kenya’s top runners aren’t running for fame and fortune. Some are wanted warriors, running for their lives. For years, Julius Arile and Robert Matanda thrive among the roaming bands of warriors that terrorize the North Kenyan countryside. By the time they reach their mid-twenties, stealing cattle, raiding and running from the police is the only life they know. So when both warriors suddenly disappear from the bush, many of their peers assume they are dead or have been arrested. Instead, they trade in their rifles for sneakers—in the hopes of making it big as professional marathon runners. Years of fleeing from the police have prepared the men for running marathon distances, but do they have what it takes to overcome the corruption, mistrust and jealousy that threaten to derail their careers? Or will they give up on their dreams and return to a life of easy power and money? Told entirely by its central characters, Gun Runners is the American Dream, Kenyan-style.