Court métrage documentaire sur le Griffintown des années 1970, un quartier alors ignoré et dévasté. Une population réduite mais opiniâtre s'acharne à y vivre. Un professeur d'architecture de l'Université McGill y a installé sa classe et collabore à la lutte du comité de citoyens. Le sort du quartier, lié à la tyrannie de l'industrie au niveau du zonage, préfigure, dit-on, une menace qui plane sur le tissu urbain de toute une ville.
This full-length documentary from the Challenge for Change program addresses housing issues affecting Montreal in the mid-1970s. As the city is restoring older apartments through direct action and government subsidies, new, low-rent housing is being integrated into old neighborhoods.
In this documentary short, Vancouver architect Stanley King demonstrates his method for involving the public in urban design. Called the "draw-in/design-in”, the method is applied to a downtown Vancouver area slated for redevelopment. How can it be made to best serve the needs of the people who will use it? Here, sketches prepared by students and refined by adults are used to guide city planners.
In the third installment, "Glass" examines the recent proliferation of luxury condos and the growing segregation between the rich and poor. The film is narrated by the singer-songwriter of Cold Specks, and is directed by Katerina Cizek in collaboration with the New York Times em>.
In the second installment, "Concrete" explores how, in New York City and globally, residential high-rises and public housing attempted to foster social equality in the 20th century. The film is narrated and directed by Katerina Cizek in collaboration with the New York Times em>.
People, housing, funds and expertise: getting them together isn't easy, but it can be done. The film deals with the planning and procedures involved in setting up a co-op, whether that means building one, or buying and rehabilitating existing housing. People living in different kinds of co-ops talk about them, and how they function.
This short documentary presents Ottawa through the eyes of a veteran tourist guide who knows all the answers, from the height of the Peace Tower to the reason the Rideau Canal was built.
In the final installment, "Home" consists of images from New York Times readers, who submitted personal pictures of their lives in high-rises from around the world. Montreal musician Patrick Watson wrote the music for the film.
This short documentary affords us an unusual and privileged view of the old city of Jerusalem, before and after the redevelopment of certain key sectors took place in the early 1970s. The man appointed to try to reconcile the need for change with traditional values is Montreal architect Moshe Safdie. His plans, shown in scale models, are in harmony with ancient architecture and encompass the “innocent doorways” that lead from walled streets to pleasant courtyards.
In the first installment, "Mud" traces the historical roots of the residential highrise, from the biblical Tower of Babel to the tenement buildings of New York. The film is narrated by singer-songwriter Feist, and is directed by Katerina Cizek in collaboration with the New York Times em>.
This feature-length documentary examines the reality of New York City in the 1970s, a place that had become a symbol of urban disaster. The 2 projects profiled attempt to tackle the problem of America’s biggest city: in a dilapidated part of the Bronx, a co-operative citizens’ movement tries to rejuvenate urban life; and WNET-TV uses its programming as an open forum for the public debate on urban issues.
Individualized for profit, yet harmonious in its whole, Düsseldorf has met and largely conquered the conflicting demands of economic growth and human environment.