Edmond Was a Donkey

A modern adaptation of the myth of Hercules, BAM tells the story of a young boxer struggling to negotiate between his shy, bookish nature and a divinely violent temper.  Where does this rage come from? Is it psychological or environmental - or is it something altogether more primordial?

In this poetic short, animator Franck Dion (Edmond was a Donkey) invites us to share the journey of Jacqueline, an elderly woman living with degenerative dementia. Jacqueline isn’t quite in her right mind anymore, but she’s determined to take the train to the seaside, as she has done every summer. Only this year, she’s constantly being followed by some woman who claims to be her daughter, and the trip takes some unexpected and phantasmagorical turns.

Click here to discover more titles from Get Animated! 2020.

Co-produced by Papy3D Productions, the National Film Board of Canada and ARTE France.

2/3 OF US DON’T KNOW WE’RE ASSHOLES. An unapologetic poke at the self-consumed selfie culture.

WE DRINK TOO MUCH. An unapologetic take on the vicious cycle of earning too little and consuming too much.

An allegory of mankind heading for disaster, this animated short is a tragic vision inspired by the 4th movement of Mussorgsky’s Pictures at an Exhibition. Drawing on the composer’s brilliant ability to evoke work and labour in his music, animator Patrick Bouchard brings earth to life through animated clay sculptures, creating a tactile nightmare in which man is his own slave driver.

This funny short animation was written and created by Tali (At Home with Mrs. Hen) and is inspired by the filmmaker’s misadventures as a school bus driver in the Eastern Townships. Our protagonist dreams of becoming a bus driver in order to cruise down quiet country lanes and connect with nature, her young charges and their parents. But her idyllic view of her new job is sorely tested after she meets her surly boss, named Killer, and discovers that winding roads can prove treacherous in winter, especially with a faulty clutch. Through her cheeky humour and oblique look at the reality of people living in the Quebec countryside, Tali delivers a film that is unique, witty and touching.

This animated short is a story about the eternal search for home. Hollow Land begins, as all such searches must, with the dream of utopia. Solomon and Berta are two seekers who arrive—their treasured bathtub improbably in tow—in a land that promises respite from their many journeys. From the first optimistic moments after their arrival, to the final haunting scene at sea, Hollow Land captures the state of being displaced—whether by circumstance or by choice.

This short animation adapted from a short story by Heather O’Neill, who also narrates the film, follows three fallen angels seeking companionship in Montreal’s red-light district. The survivor of traumatic childhood experiences, Johnny is a handsome thief who finds himself drawn to Mia’s fragile beauty. Both have a soft spot for Johnny’s best friend and partner in crime, Pinky. But when one of Pinky’s endearing quirks sets off a tragicomic chain of events, Johnny plots his revenge with methodical detachment. Peopled with characters living on the margins of society, this film casts light on the frailty of human relationships. The film features hand-drawn pencil and pastel animation rendered in stereoscopic 3D.

An elderly Japanese man boards a ferry bound for an unknown island. As he looks out over the water, the falling rain triggers a string of memories, including of a childhood experience in Fukuoka and a brief encounter many years later, aboard a smoke-filled seaside train. The only constant is the rain, a woman and Mount Fuji. When the man arrives on the island, it begins to pour, and a mysterious woman on a motorbike greets him…

Directed by Latvian filmmaker Vladimir Leschiov, Rainy Days looks at three key moments in its protagonist’s life, when events that should have happened never come to pass, yet change the course of his existence. The unique animation technique used to create the film, consisting of black tea and ink on paper and precise, delicate drawn lines, conjures a warm and tranquil atmosphere that mirrors the man’s graceful acceptance of his fate—and his awareness that all we have is what is.

In this short animated film, a Grade 7 boy’s mind starts to wander while dissecting a frog in Biology class. What would you do if you suddenly found yourself charged with God-like powers? Would you use them for good? For bad? Perhaps a little of both? The possibilities seem endless. Oh to have the power to toy with life and death, to create monsters who can punish those who torment him daily, or better yet, to create that one perfect day with Lily, the love of his 12-year-old life!

Drawing inspiration from the filmmaker’s own memories and using a variety of animation techniques, from traditional animation to stop-motion puppets and more, this darkly whimsical short explores the difficult gateway between childhood and adolescence, when the approaching power of adulthood is often mistaken for omnipotence.

If I Was God is the latest offering from two-time Oscar®-nominated animator (The Cat Came Back, Strange Invaders) and long-time NFB collaborator Cordell Barker.

This ultra-short film is an unapologetic confrontation of cultural appropriation and everything that's wrong with hipsters in headdresses. The takeaway? Just don't do it.