Le réalisateur oscarisé Chris Landreth est de retour avec une touchante histoire de rédemption qui nous entraîne au cœur de la relation entre un homme et une femme emprisonnés dans un tourbillon de destruction mutuelle après 26 ans de mariage. Avec The Spine, Landreth poursuit sa quête d’une esthétique visuelle étrange, magnifique et hautement originale, utilisant l’imagerie numérique pour créer des personnages dont l’apparence devient la métaphore de leur état d’âme.
In this animated short, Oscar® winner Chris Landreth returns with a poignant story of redemption that takes us into the relationship between a man and a woman trapped in a spiral of mutual destruction after 26 years of marriage. The Spine continues Landreth's pursuit of a twisted, beautiful and highly original visual aesthetic, using digital imagery to create characters whose physical appearances are metaphors for their unique souls.
The NFB’s 10th Academy-Award winning film.
This Oscar®-winning animated short from Chris Landreth is based on the life of Ryan Larkin, a Canadian animator who produced some of the most influential animated films of his time. Ryan is living every artist's worst nightmare - succumbing to addiction, panhandling on the streets to make ends meet. Through computer-generated characters, Landreth interviews his friend to shed light on his downward spiral. Some strong language. Viewer discretion is advised.
In this short animation, Oscar®-winning director Chris Landreth (Ryan, 2004) uses a common social gaffe—forgetting somebody’s name—as the starting point for a mind-bending romp through the unconscious. Inspired by the classic TV game show Password, the film features a wealth of animated celebrity guests who try to prompt our beleaguered protagonist to remember his old pal's name. Finally, he realizes he must surrender to his predicament and jump head-first into his subconscious to find the answer.
The NFB's 53rd Oscar®-nominated film.
This wonderful wacky animation film looks at two simultaneous conflicts, a macrocosm of global nuclear war and a microcosm of a domestic quarrel, and how each conflict is resolved. Filled with warmth and unexpectedly off-the-wall humour, the film leaves it to viewers to decide which Snit has really been the Big One.
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In this short animation a single room is the setting for a lyrical dance through time about family roots. The objects in the room swirl, rearrange and change themselves to reflect the passing seasons, years and generations. As Victorian Christmas fantasies give way to computer-age realities, the procession of objects reaffirms the values that endure the vagaries of fashion and the ravages of time.
This short animation presents the haunting story of two brothers who share the scars, though not the memories, of an untold history that has driven them to existential extremes. Combining high-speed camerawork, striking art direction and intricate animation sequences, acclaimed visual artist and filmmaker Randall Lloyd Okita crafts a poetic elegy to connectedness and survival.
This animated short by Norman McLaren features synchronization of image and sound in the truest sense of the word. To make this film, McLaren employed novel optical techniques to compose the piano rhythms of the sound track, which he then moved, in multicolor, onto the picture area of the screen so that, in effect, you see what you hear.
The NFB's 29th Oscar®-nominated film.
In this animated short, director Peter Foldès depicts one man’s descent into greed and gluttony. Rapidly dissolving and ever-evolving images create a contrast between abundance and want. One of the first films to use computer animation, this satire serves as a cautionary tale against self-indulgence in a world still plagued by hunger and poverty.
This animated short by Theodore Ushev depicts the maelstrom of anguish that tormented Arthur Lipsett, a famed Canadian experimental filmmaker who died at the age of 49. His descent into depression and madness is explored through a series of images as well as sounds taken from Lipsett's own work.
In this short animation, a girl is so carried away by her love of music that she forgets about her household chores. Her father tells her to finish the dishes. Instead of washing them, she turns them into musical instruments, and he finally recognizes her talent. Based on Article 29 of the UN Convention on the Rights of the Child, this film illustrates children's right to develop their talents and abilities to their fullest potential.
This short animation illustrates the reactions of one individual whose doctor has just told him he will soon die. In a terse and sometimes humorous dialogue with his doctor, Nesbitt Spoon runs the gamut of emotions commonly experienced by people trying to deal with this devastating yet universal situation.
Ages 15 to 17
Arts Education - Visual Arts
Family Studies/Home Economics - Relationships
History and Citizenship Education - Culture and Currents of Thought (1500-present)
Students studying relationships can discuss and analyze the issues that exist between the film's characters. Potential topics to be explored include self-esteem and co-dependence. This film also touches on emotional abuse, and while physical scars are often visible, in this film the emotional scars manifest themselves in the physical appearance of the characters. Students of film and animation can discuss the film's unique visual style and symbolism.