The Creative Process: Where Do I Start?

These provocative 20-minute movies made by high school students provide an insider's look at youth culture. Made by four 17-year-old directors with help from a professional crew, Salt is a four-part filmzine: four films, four flavours, four windows into youth culture that explore alternative education, Montreal's flourishing independent music scene, the troubling practice of self-mutilation and a quest for the punk subculture.

This documentary film is an exploration of Québec’s feature film industry. The film takes a look at the people who have succeeded in this unique milieu (Geneviève Bujold is one) or failed; at its movies, which run the gamut from hard-core skinflicks to such highly acclaimed films as Mon Oncle Antoine, and at its audiences, which number in the millions.

In this feature-length film on the art of the documentary, director Pepita Ferrari interviews 33 leading documentarians and shows clips from over 50 films. From cinéma-vérité pioneers like Albert Maysles and Michel Brault to mavericks like Errol Morris and Nick Broomfield, it explores the challenges of capturing reality on film. Directors as diverse as Pakistani feminist Sabiha Sumar and new media guru Peter Wintonick reflect on ethical issues and the contested status of the “truth.”

Featured interviews include German iconoclast Werner Herzog; Chilean filmmaker Patricio Guzmán; British director Kim Longinotto and Alanis Obomsawin, the First Lady of First Nations cinema. Visit Capturing Reality for additional interviews and background.

This feature documentary is an inspired, genre-twisting film directed by Oscar®-nominee Sarah Polley. Polley's playful investigation into the elusive truth buried within the contradictions of a family of storytellers paints a touching and intriguing portrait of a complex network of relatives, friends, and strangers.

This short film pays tribute to director, screenwriter and actress Sarah Polley. Her latest film, Stories We Tell, a feature length documentary about her family history, premiered at the 2012 Venice Film Festival, then screened to unanimous acclaim at the Telluride Film Festival, the Toronto International Film Festival, and the Sundance Film Festival. It was called “a brilliant film: an enthralling, exquisitely layered masterpiece” by Maclean’s film critic Brian D. Johnson. Here, a whimsical, playful film tells the story of the kinds of stories Polley tells. Using humorous, simple line animation, the film comments on the messiness of life and art.

Produced by the NFB in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2013 Governor General's Performing Arts Awards.

This short film pays tribute to filmmaker Jean Pierre Lefebvre. A seminal figure in Canadian cinema, Lefebvre has received international acclaim for his innovative, thoughtful and fiercely independent films. Here, a montage consisting entirely of excerpts from his films offers a brief foray into the depths of a body of work that is ironic, critical, intuitive, sensual, and “political” in the broadest sense of the term.

Produced by the NFB in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2013 Governor General's Performing Arts Awards.

A feature documentary on Nigeria’s successful movie industry. The creative duo of Ben Addelman and Samir Mallal – the same team who made Discordia – profile the Lagos-based dream machine. Operating on low budgets and tight schedules, “Nollywood” specializes in a unique form of African B-movie that draws upon both traditional voodoo stories and contemporary urban themes.

With quiet intelligence and wry humour, retired documentary filmmaker Kathleen Shannon takes us through the arc of her life and career. Beginning with childhood, moving through her formative years, to her overwhelming desire to give women a chance to tell their stories, this film paints a vibrant portrait of one woman who blazed the way. It's a story of struggle, persistence, and success… and of course, of the NFB's Studio D.

This revealing portrait of NFB filmmaker Alanis Obomsawin was shown at a gala ceremony in 2008, where Obomsawin received the Governor General's Performing Arts Award for Lifetime Artistic Achievement. Her work has captured some of the most startling events in Canadian history, including the armed standoff between the Canadian Army and Mohawk warriors in 1993. Her films cross a spectrum of social issues, but they are always human. Obomsawin explains in the interview, "For me, a real documentary is when you're really listening to somebody; they are the ones that will tell you what the story is, not you."

This feature film is a portrait of John Grierson, the first Canadian Government Film Commissioner and founder of the National Film Board in 1939. Interweaving archival footage, interviews with people who knew him and footage of Grierson himself, this film is a sensitive and informative portrait of a dynamic man of vision.

Grierson believed that the filmmaker had a social responsibility, and that film could help a society realize democratic ideals. His absolute faith in the value of capturing the drama of everyday life was to influence generations of filmmakers all over the world. In fact, he coined the term "documentary film."

This short documentary takes a frank look at the difficulty of filmmaking before the digital era, when takes were precious and few. It’s pure havoc on a pier in the Halifax dockyards as a National Film Board crew attempts to film 1000 Halifax school children playing I Believe in Music on their ukuleles. The crew's efforts are confounded by two destroyers, one helicopter, several tugboats, bullhorns, walkie-talkies, and a rather critical lack of bathroom facilities.