Long métrage documentant la vie de sans-abri du nord de Vancouver. Dans un décor idyllique, ils ont transformé la collecte des bouteilles vides en une sous-culture florissante : la course de chariots d’épicerie. Ancien adepte de la planche à neige et réalisateur de films de sport, Murray Siple revient au cinéma pour relater l’histoire de ces itinérants amateurs de sensations fortes.
Murray Siple's feature-length documentary follows a group of homeless men who have combined bottle picking with the extreme sport of racing shopping carts down the steep hills of North Vancouver. This subculture shows that street life is much more than the stereotypes portrayed in mainstream media.
The film takes a deep look into the lives of the men who race carts, the adversity they face and the appeal of cart racing despite the risk. Shot in high-definition and featuring tracks from Black Mountain, Ladyhawk, Vetiver, Bison, and Alan Boyd of Little Sparta.
A moose hunt is the pretext for this film. Nine men and their Indian guide withdraw to the wilderness to spend one week together away from their daily routines. The film charts the social dynamics of this diverse group, how they relate to one another--alternately revealing and disguising their feelings. A rich mix of personalities lends relief to the human topography in this documentary about an annual event that brings out the best and worst in men. The filmmaker chose not to embellish what the camera recorded.
This animated short tells the story of an epic basketball game between kids attending Jewish camp and students of a notorious local Holocaust denier. Nine-year-old Hart is attending Jewish summer camp for the first time. He is both curious and afraid. What awaits him on the basketball court?
Director Murray Siples' love/hate letter to Vancouver weather captures both the mundane and the thrilling experience of living on the West (wet) Coast. The winter rain colours every aspect of city life, but people cope, wielding umbrellas like swords, clutching coats and hats against the constant deluge.
A personal take on one man's experience of the winter, Cold Fronts is a kaleidoscopic view of the collision point between nature and the city.
This film was produced in partnership with VANOC and Canada CODE for the 2010 Cultural Olympiad.
In this cinema vérité documentary, director Rosie Dransfeld captures the gritty and dangerous world of Edmonton's sex trade workers where, in a post-Pickton era, women now voluntarily provide police with DNA samples for future postmortem identification.
This feature documentary profiles four residents of the Brockville Mental Health Centre, a forensic psychiatric hospital for people who have committed violent crimes. Four patients—two men and two women—struggle to gain control over their lives so they can return to a society that often fears and demonizes them. Shrouded in stigma, institutions like this one are places into which patients disappear from public view for years.
Four-time Emmy winner John Kastner was granted unprecedented access to the Brockville facility for 18 months, allowing 46 patients and 75 staff to share their experiences with stunning frankness.
For more background information on this film, please visit the NFB.ca blog.
This gripping documentary takes a powerful look at the lives of people with substance use disorder in Vancouver’s Downtown Eastside. Filmmaker Veronica Alice Mannix follows Constable Al Arsenault and six other police officers on their daily beat, documenting their unique relationships with people who speak candidly about their painful past experiences, their drug addiction, and life on the street.
Directed by John Kastner, this feature documentary about violence, mental illness, and the rights of victims tells the story of a troubled young man who stabbed a complete stranger 6 times in a crowded shopping mall while gripped by psychosis. Twelve years later, his victim, who miraculously survived, is terrified to learn that he’s out, living in the community under supervision. He’s applying for an absolute discharge, and if he succeeds, he’ll no longer be required to take the anti-psychotic drugs that control his mental illness. With unprecedented access to the patient, the victim, and the mental institution, the film looks at both sides of the debate and puts a human face on the complex ethical issues raised.
This feature documentary by renowned director and cinematographer Vic Sarin is a personal yet global investigation into the history and current state of colourism: the discrimination within one ethnicity based on differences in skin tone. Sarin travels the globe to discuss this complex cross-cultural social issue with individuals whose lives it affects, including a Filipina entrepreneur whose business has flourished within the billion-dollar skin-whitening industry. Hue leads viewers on a thoughtful and surprising journey to the heart of a painful and pervasive social issue that not only polices appearance, but also class, gender, and geography.
This short documentary presents highlights of the 1954 British Empire and Commonwealth Games. In Vancouver, top-ranking athletes from the far corners of the British Commonwealth competed for new records. The film records outstanding feats in racing, jumping, pole-vaulting, swimming as well as the "miracle mile" duel between John Landy and Roger Bannister.
This feature-length documentary offers an inside look into the workings of a travelling circus. In 1976, directors Tony Ianzelo and Torben Schioler followed the various people involved with the Royal Brothers' Circus as they set up their tents and put on their show. Fascinating to watch, the film captures the 24-hour-a-day brand of magic that the circus evokes while revealing the nature of the people who run it.
For more background information on this film, please visit the NFB.ca blog.
Ages 17 to 17
Health/Personal Development - Mental Health/Stress/Suicide
Health/Personal Development - Substance Use and Abuse/Addiction
Media Education - Documentary Film
Social Studies - Social Policies and Programs
Before viewing, ask students to consider stereotypes of homeless people. Compare responses after viewing. Initiate debate: is there a legitimate place for the homeless in a healthy society? to what degree are these men free? Is their self-appointed job a valid one? Using various strategies (Thinking Hats, Four Corners, Value Lines), provoke thinking and writing about the ethical and social issues in the film, and how they apply to local communities.