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In this animation film, Norman McLaren imparts unusual activity to an old French-Canadian nonsense song. Simple white cut-outs on pastel backgrounds, many by Evelyn Lambart, provide lively illustrations. The folksong "Mon Merle" is sung in French by the Trio Lyrique of Montreal.

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

Le 26e film de l’ONF à être nommé aux Oscars®

Court métrage d’animation sur la marche et ses plaisirs. Les couleurs en détrempe sont l'une des techniques impressionnantes utilisées dans ce film par Ryan Larkin. Pas de commentaires. Une trame sonore qui comble le silence.

Film d'animation illustrant l'écrasement de l'homme moderne par le rouleau compresseur de la performance. Entre figuration et abstraction, Drux Flux s'inspire de L'homme unidimensionnel du philosophe Herbert Marcuse. Le cinéaste déconstruit les paysages industriels et met en cause la suprématie de la technique au dépend de l'humanité.

There was a time when the general store was the crossroads of life, a place where a boy could learn all he needed for the way ahead--especially when his uncle was the storekeeper, and also the undertaker, and the nephew often called upon to lend a hand. This film recalls such a store in a village in the asbestos mining area of Quebec in the early 1940s. The film presents a hundred-and-one vignettes of village life--all the bitter-sweet nostalgia with which a man might remember the events that thrust him into manhood. The action takes place on Christmas Eve--the one time of the year when the mine closed its doors, and the store bustled with humanity. For a few hours the villagers could forget their poverty and converge on the store for gossip and revelry. In the midst of it all was Uncle Antoine, customary ebullience and ribald humour whetted by occasional recourse to the gin bottle, and always somewhere in the background, his nephew Jacques taking it all in. But for Jacques this night was to bring sudden initiation into some of the harsher, cruder realities of life, even acquaintance with tragedy and death. Mon oncle Antoine is about a Quebec that makes no headlines but reflects the whole of life, the ebb and flow of hope and despair that might be in anyone's memory.

The NFB's 13th Oscar®-nominated film.

In this short film, a chair, animated by Evelyn Lambart, refuses to be sat upon, forcing a young man to perform a sort of dance with the chair. The musical accompaniment is by Ravi Shankar and Chatur Lal. This virtuoso film is the result of a collaboration between Norman McLaren and Claude Jutra.

This short 1966 documentary dedicated "to all victims of intolerance” depicts the dawn of skateboarding in Montreal. A new activity frowned upon by police and adults, skateboarding gave youngsters a thrilling sensation of speed and freedom. This film - the first Canadian documentary ever made about the sport - captures the exuberance of boys and girls having the time of their lives in free-wheeling downhill locomotion.

This feature documentary about education explores the mid-century state of learning in the classrooms of North America. New approaches to learning and the emerging technologies that facilitate them are explored, including the new roles of the computer, tape recorder and television. Directed by Quebec cinema giant Claude Jutra (Mon Oncle Antoine), the film was produced with the collaboration of researchers studying all forms of education, from infancy to adulthood.

Claude Jutra's sweeping portrait of village life in 1940s Quebec has been called one of the greatest Canadian films of all time. Recalling a time when the local general store was the crossroads of life, the film illustrates the way a young boy sees the world and those closest to him – first through the eyes of a teenager, and later, as events change him, through the eyes of an adult. In French with English subtitles.

Prompted by the filmmaker, nine teenagers individually act out their secret dreams and, between times, talk about their world as they see it. Babette conceives of herself as an abbess defending her fortress, a convent; Michelle is transported in a dream of love where all time ceases; Philippe is the revolutionary, defeating all the institutions that plague him, and so on, through all their fantasies. All the actual preoccupations of youth are raised: authority, drugs, social conflict, sex. With English subtitles.

In this short animation a single room is the setting for a lyrical dance through time about family roots. The objects in the room swirl, rearrange and change themselves to reflect the passing seasons, years and generations. As Victorian Christmas fantasies give way to computer-age realities, the procession of objects reaffirms the values that endure the vagaries of fashion and the ravages of time.