Ce long métrage documentaire recueille l'essentiel de la pensée d'un bon nombre de peintres, sculpteurs, critiques d'art, architectes, directeurs de musées et de galeries que la rupture artistes-société inquiète. En outre, il donne au grand public l'occasion d'émettre ses opinions sur les œuvres dont la beauté et la signification échappent parfois. L'art pourra-t-il un jour sortir de son isolement? Plaidoyer en faveur du droit de tout être humain à l'expression, ce film réuni, entre autres, Armand Vaillancourt, Marcel Rioux, Gilles Hénault, Marcelle Ferron, Claude Jasmin et Jean-Paul Mousseau.
A general look at the Québec art scene--what painters and sculptors say about their work, about the place of art in society, and what has fired Québec's particular interest in art. The views of well-known artists are heard, as well as those of several museum directors, art critics, and some members of the lay public who confess to be not entirely in accord with the more modern art forms.
Interweaving poetry, painting, photography, music and sculpture, this feature documentary is an innovative look at the lives and work of Canadian men and women artists of Italian origin. Broaching issues of identity and culture, the film explores the relationship between the immigrant experience and the creative process.
This animated short by Theodore Ushev is like a whirlwind tour of Russian constructivist art and is filled with visual references to artists of the era, including Vertov, Stenberg, Rodchenko, Lissitsky and Popova.
A film featuring architect, sculptor, and musician Nobuo Kubota in a sound-sculpture performance. From within a cage-like structure filled with traditional musical instruments and sound-making devices fashioned from ordinary objects and toys, Kubota creates an aural/visual montage of musical notes and noises. Praised by music educators as a valuable tool for teaching creativity in sound exploration and musical innovation, the film reveals the infinite percussion possibilities of simple objects and presents a portrait of a versatile performer whose imagination has led him far beyond the confines of conventional music.
This feature-length documentary traces the journey of the Haisla people to reclaim the G'psgolox totem pole that went missing from their British Columbia village in 1929. The fate of the 19th century traditional mortuary pole remained unknown for over 60 years until it was discovered in a Stockholm museum where it is considered state property by the Swedish government.
Director Gil Cardinal combines interviews, striking imagery and rare footage of master carvers to raise questions about ownership and the meaning of Indigenous objects held in museums.For Robert Lepage, every production begins with a sense of exploration and discovery, whether it is an intimate one-man show, or a re-staging of Wagner's epic Ring Cycle. Lepage's work marries technology with ritual, magic with cutting-edge effects to completely reinvent theatrical space. Director J. Peter Allen borrows a page from Lepage's favourite creative mediums (film and stage) to fashion a subtly shifting view of the famed director, playwright, actor and filmmaker at work.
In this short documentary about The Tragically Hip, director David Battistella uses a split-screen and acid-etched colours to distil the iconic Canadian band’s essence. After decades together, through hotels, highways, gigs and recording sessions, The Hip’s members have forged a powerful brotherhood. "These guys are my life partners, musically" says bass guitarist Gord Sinclair. The Hip's brand of straight-ahead rock and roll has catapulted the band to international stardom, and ensured them a place in Canadian musical history, but at heart, they remain a bunch of guys from Kingston, Ontario, making music together just for fun.
This film was produced for the 2008 Governor General's Performing Arts Award.
Throughout his imposing career in the energy and financial sectors, Michael Koerner has dedicated himself to philanthropic work of similarly epic proportions. In his personal life, long-standing passions still burn as bright and steady as the North Star. Driven by generosity and an unadulterated curiosity, he seems heroically intent on evading the limelight.
Produced by the NFB in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2015 Governor General's Performing Arts Awards.
This animated short from Malcolm Sutherland is an engaging dance of shapes and sounds. The "game" is played by opening the box, unfolding the board and placing shapes on it that you manipulate with your hands. There are no winners or losers in this game; the fun is in the creative way the forms unfold. Features a score by Luigi Alleman and music by Ravi Shankar.
In this revealing study of Norval Morrisseau, filmed as he works among the lakes and woodlands of his ancestors, we see a remarkable Indigenous artist who emerged from a life of obscurity in the North American bush to become one of Canada's most renowned painters. Morrisseau the man is much like his paintings: vital and passionate, torn between his Ojibway heritage and the influences of the white man's world. Jack Pollock, the Toronto art gallery owner who discovered Morrisseau's paintings in the early 1960s, comments on what makes them so unique.
This short documentary features a visual tour of legendary Canadian painter Tom Thomson's favourite natural landscapes. The film traces Thomson's career, which began in Toronto, where he worked as a commercial artist. Later, Thomson's weekend sketching trips in the country turned into longer journeys farther north, and he finally settled in northern Ontario's Algonquin Park. Thomson spent less than four years as an artist and was barely 40 when a canoe accident ended his life. Fellow artists Lawren Harris, A.Y. Jackson and Arthur Lismer pay tribute to this genius, who, in Jackson's words, "contributed more to Canadian painting than any other artist."
Ages 15 to 17
Arts Education - Art
History and Citizenship Education - Modernization of Quebec Society (1929-1980)
Media Education - Popular Culture
This “collage” on the place of art in late-1960s Quebec society is an archival document that provides a good illustration of how people of the time misunderstood art and its growing importance in an awakening society. In addition to viewing the introduction of the film, which is an extremely valuable document for history classes, students can be asked to expound on their own points of view about art, their understanding of it and their relationship to it.