This short documentary by Terence Macartney-Filgate focuses on the men and women who dedicated their lives and service to the Salvation Army. Part of the Candid Eye series.
Alanis Obomsawin turns her lens to Le Patro Le Prévost, a recreational centre in the Villeray quarter of Montreal. On the eve of its 80th anniversary in 1989, Le Patro is a vital focal point in the predominantly working-class neighbourhood. Beloved by the many generations who use the facilities and partake in activities daily, Le Patro encourages a strong sense of togetherness through principles of cooperation, respect and sharing. Obomsawin presents a tender portrait of a neighbourhood of diverse residents and the community centre many of them consider a second home.
The followers of religious leader Jacob Hutter live in farm communities, devoutly holding to the rules their founder laid down four centuries ago. Through the kindness of a Hutterite colony in Alberta, this film, in black and white, was made inside the community and shows all aspects of the Hutterites' daily life.
This documentary portrays the front-line street workers who serve the needy under the umbrella of the Salvation Army. One of the world's largest social agencies, the Army is a religious institution that serves the practical needs of people first, believing that religion is of no use to anyone who is hungry, homeless and hopeless.
Join filmmaker Rosemary House as she peers into the hearts and minds of people on both sides of the street – those who help and those who need help. Shot in Toronto at Christmastime, the film chronicles the small hopes and tiny victories of life lived below the poverty line and the daily rewards for those who work to serve others.
This short film from the Canada Vignettes series chronicles the history of Labrador's Inuit and the role of the Moravian missionaries.
Please note that this is an archival film that makes use of the word “Eskimo,” an outdated and offensive term. While the origin of the word is a matter of some contention, it is no longer used in Canada. The term was formally rejected by the Inuit Circumpolar Council in 1980 and has subsequently not been in use at the NFB for decades. This film is therefore a time-capsule of a bygone era, presented in its original version. The NFB apologizes for the offence caused.
This short documentary tells the story the once-thriving town of Okak, an Inuit settlement on the northern Labrador coast. Moravian missionaries evangelized the coast and encouraged the growth of Inuit settlements, but it was also a Moravian ship that brought the deadly Spanish influenza during the world epidemic of 1919. The Inuit of the area were decimated, and Okak was abandoned. Through diaries, old photos and interviews with survivors, this film relates the story of the epidemic and examines the relations between natives and missionaries.
At the age of 5, Hannah Taylor spotted her first homeless person in the back alleys of Winnipeg. This experience not only troubled her, but it drove her to do nothing less than change the world. The Ladybug Foundation, the charity Hannah helped establish, has raised over a million dollars to date. With her huge heart and can-do attitude, she preaches a simple message of "Share a little of what you have and always care about others." As this short documentary proves, we all have a lot to learn from Hannah's story.
In this personal documentary, award-winning photographer and filmmaker Nance Ackerman invites us into the lives of a determined family for a profound experience of child poverty in one of the richest countries in the world. 20 years after the House of Commons promised to eliminate poverty among Canadian children, 8-year-old Isaiah is trying hard to grow up healthy, smart and well adjusted despite the odds stacked against him. Isaiah knows he's been categorized as "less fortunate," and his short life has seen more than his share of social workers, food banks and police interventions. His parents struggle to overcome a legacy of stereotypes, abuse and dysfunction. More than anything, they want Isaiah and his siblings to have access to opportunities they never had. Ackerman spent 2 years with Isaiah and his family. As her portrait of the family unfolds with the help of Isaiah's creative input, curiosity and zest for life, so do Ackerman's own feelings about the responsibilities of Canadians to raise all children as our best investment in the nation's future.
This installment of the Eye Witness series focuses on Indigenous children at Fort Simpson; a miniature naval battle between radio-operated vessels attended by the Royal Canadian Sea Cadets in Montreal; a drive-in theatre near Ottawa used to provide church services to passing motorists; and how Toronto's subway system is starting to take shape.
This feature documentary is a portrait of the downtown Toronto neighbourhood of Dundas and Sherbourne, where the gap between rich and poor is growing wide. There, middle-class homeowners, angry radicals, desperate drug addicts and people simply looking for a place to lay their head are embattled in a bitter struggle for space. Angel, a prostitute and drug addict, dodges the law. Bed-and-breakfast owner Renée rails against the sex and drug trade. Community organizer John Clarke advocates direct action in defence of the poor. And at the eye of this storm is Reverend Jeannie Loughrey, whose drop-in centre provides much-needed help for the poor, yet homeowners accuse the centre of harbouring criminals and are lobbying to shut it down. Contains coarse language and scenes of drug use.
This short documentary follows Jimmy Quinlan, one of the estimated 5000 men and women who lived in the streets and alleys of Montreal in the late 1970s. The film casts a harsh light on the realities of life on the street, as Jimmy battles his addictions; sobriety is a goal he's tried to achieve before and will probably have to try again. In and out of shelters, Jimmy's life is anything but stable, but his unique personality shines through in this affecting portrait.
This feature-length film about poverty in Montreal is set against a soundtrack that includes rap, blues, rock, and country and western music. The film deals with the universal themes of hunger, hope and love and is named after an actual Montreal restaurant that's been serving those in need for over 25 years. In French with English subtitles.