A fifth of Canadians live at the subsistence level. This is a look at that world, where the street is home, and where poor shelter, poor food, poor schools and poor health are the only certainties of life. Children, old people, the sick and the drifters are caught in it. It is a world filmed throughout Canada so that people who are not part of it can see it, think about it, and maybe help to change it.
This feature documentary is considered to be the forerunner of the NFB's Challenge for Change Program. The film offers in inside look at 3 weeks in the life of the Bailey family. Trouble with the police, begging for stale bread, and the birth of another child are just some of the issues they face. Through it all, the father tries to explain his family's predicament. Although filmed in Montreal, the film offers an anatomy of poverty as it occurs throughout North America.
Street Lessons is a powerful, 10 minutes documentary that examines the meaning of an education lost as seen through the eyes of Buddy Dwan, a 43 year-old homeless man - who dropped out of school at the age of 13. Buddy offers candid reflections on the personal cost of missing out on a decent education and delivers poignant "street lectures" to young people about the need to stay in school. Through Buddy's voice we are privileged to gain a rare and new perspective on the value of an education.
This feature documentary is a portrait of the downtown Toronto neighbourhood of Dundas and Sherbourne, where the gap between rich and poor is growing wide. There, middle-class homeowners, angry radicals, desperate drug addicts and people simply looking for a place to lay their head are embattled in a bitter struggle for space. Angel, a prostitute and drug addict, dodges the law. Bed-and-breakfast owner Renée rails against the sex and drug trade. Community organizer John Clarke advocates direct action in defence of the poor. And at the eye of this storm is Reverend Jeannie Loughrey, whose drop-in centre provides much-needed help for the poor, yet homeowners accuse the centre of harbouring criminals and are lobbying to shut it down. Contains coarse language and scenes of drug use.
This feature-length film about poverty in Montreal is set against a soundtrack that includes rap, blues, rock, and country and western music. The film deals with the universal themes of hunger, hope and love and is named after an actual Montreal restaurant that's been serving those in need for over 25 years. In French with English subtitles.
A fifth of Canadians live at the subsistence level. This is a look at that world, where the street is home, and where poor shelter, poor food, poor schools and poor health are the only certainties of life. Children, old people, the sick and the drifters are caught in it. It is a world filmed throughout Canada so that people who are not part of it can see it, think about it, and maybe help to change it.
This short film tells the story of how actor, singer, producer, and activist Tom Jackson came to use his gift of song to contribute millions of dollars to the fight against poverty and homelessness. With a rich soundtrack of music and Tom's spoken word, the film focuses on the importance of using our talents and skills to give back to society.
Produced by the NFB in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2014 Governor General's Performing Arts Awards.This documentary is a portrait of Point St. Charles, one of Montreal’s notoriously bleak neighbourhoods. Many of the residents are English-speaking and of Irish origin; many of them are also on welfare. Considered to be one of the toughest districts in all of Canada, Point St. Charles is poor in terms of community facilities, but still full of rich contrasts and high spirits – that is, most of the time.
This cinéma vérité documentary is an intimate look inside one family’s struggle with poverty. Kay Rice, her partner Karl and 6 children move from town to town in search of affordable housing. Unable to find steady work, the Rices rely on food banks and charity to make ends meet. "I know we're poor, but it's what we are, not who we are," says Kay, as she embarks on a fresh start by fixing up a rundown rental home. When things turn sour with the landlord, Kay fears his veiled threats may mean losing her children and decides to take him to court. In capturing the stark realism of a life with few options, No Place Called Home puts a face on what it means to be poor in Canada.
"Today the rate of change and the areas of life molded by it are increasing astronomically ..." states the introduction to this film. Impressions of all that constitutes the environment of modern man are conveyed in the film in a kaleidoscope of movement and sound--a montage of pictures from the urban and industrial scene, reflecting the creativity and inventiveness of which people are capable but which in turn demand adaptation and adjustment if we are to survive.
This visual love letter crafted by filmmaker Luc Bourdon uses clips from 120 NFB films to pay tribute to the city of Montreal in the '50s and '60s, with hat tips to its famous figures, places and residents.
At the age of 5, Hannah Taylor spotted her first homeless person in the back alleys of Winnipeg. This experience not only troubled her, but it drove her to do nothing less than change the world. The Ladybug Foundation, the charity Hannah helped establish, has raised over a million dollars to date. With her huge heart and can-do attitude, she preaches a simple message of "Share a little of what you have and always care about others." As this short documentary proves, we all have a lot to learn from Hannah's story.