ƛaʔuukʷiatḥ Dugout Canoe

For thousands of years the great ocean-going canoe sustained the cultural and spiritual traditions of coastal First Nations. Yet this century has seen the virtual disappearance of these sacred vessels.

In the 1980s, Native peoples of the Northwest Coast embarked on an emotional voyage of rediscovery. Reclaiming their ancient maritime heritage, they carved majestic canoes from cedars that were living hundreds of years before Europeans arrived in the Pacific Northwest.

Crews from thirty First Nations then set out in 1993 on a remarkable journey, paddling hundreds of kilometres along ancient waterways to an historic gathering of more than three thousand people at Bella Bella, British Columbia.

Qatuwas - People Gathering Together powerfully documents this rebirth of the ocean-going canoe and celebrates the healing power of tradition and the resurgence of Northwest Coast indigenous culture.

Evelyne Papatie talks about her trip to the Mato Grosso forests of Brazil. In the rites and customs of the Ikepengs, she rediscovers the pride of being Anishnabe.

Since 2004, the travelling studios of Wapikoni Mobile have enabled Quebec First Nations youth to express themselves through videos and music. This short film was made with the guidance of these travelling studios and is part of the 2008 Selection - Wapikoni Mobile

Released in 1968 and often referred to as Canada’s first music video, The Ballad of Crowfoot was directed by Willie Dunn, a Mi’kmaq/Scottish folk singer and activist who was part of the historic Indian Film Crew, the first all-Indigenous production unit at the NFB. The film is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy. The IFC’s inaugural release, Crowfoot was the first Indigenous-directed film to be made at the NFB.

In this short film, filmmaker Jobie Weetaluktuk mixes archival and new footage to make a statement about the appropriation of Inuit culture throughout history.

Vistas is a series of 13 short films on nationhood from 13 Indigenous filmmakers from Halifax to Vancouver. It was a collaborative project between the NFB and APTN to bring Indigenous perspectives and stories to an international audience.

When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.

Mohawk high steel workers have a special place in North American history. The iconic New York skyline - with its great monuments to modernity - is the fruit of their labour.

While the men were scraping the skies, the women had their feet firmly on the ground - sustaining a vibrant Mohawk community in the heart of Brooklyn.

Little Caughnawaga evokes the neighbourhood's heyday - from the 1920s through to the 60s - and salutes the spirited women who kept the culture alive.

The Brooklyn Mohawks were mostly from Kahnawake, a community long associated with the dangerous world of high steel. In 1907 the small town lost 33 men in the Quebec Bridge disaster, an event that still looms large in collective memory.

Moving back and forth between Brooklyn and Kahnawake, director Reaghan Tarbell crafts an affectionate portrait of Little Caughnawaga ad a heartfelt tribute to the cultural resilience of her people.

This short documentary tells the story of Tony Chachai, a young Indigenous man in search of his identity. Moved by the desire to reconnect with his Atikamekw roots, he delivers a touching testimony on the journey that brought him closer to his family and community. On the verge of becoming a father himself, he becomes increasingly aware of the richness of his heritage and celebrates it by dancing in a powwow.

This film was produced as part of Tremplin NIKANIK, a competition for francophone First Nations filmmakers in Quebec.

In this feature-length documentary from Alanis Obomsawin, the filmmaker returns to the village where she was raised to craft a lyrical account of her own people. After decades of tirelessly recording others' stories, she focuses this film on her own.

A series of still images follows master Stl’atl’imx (Líl̓wat) basket maker Mathilda Jim, from the harvesting of materials to the creation of a functional work of art. Told in the Lil̓wat7úl language, this short documentary evokes the powerful connection between language, knowledge and culture.

This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Stl’atl’imx (Líl̓wat) Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about their culture, histories and knowledge.

Utilizing engineering ingenuity that is centuries old, Atikamekw elders Agatha and Cézar Néwashish build a small-scale version of a birch-bark canoe. With their expert hands, a stunning work of art is created.

This short is part of the Manawan series directed by Alanis Obomsawin

The remarkable construction of the venerable snowshoe is demonstrated from start to finish. Atikamekw Elders Mariane and Athanas Jacob take us into the forest to select the tree that will become a fresh new pair of snowshoes.

This short is part of the Manawan series directed by Alanis Obomsawin