Vivant au centre-ville de Toronto où elle étudie, Lina Li revient vers le confort du foyer et la cuisine de sa mère, à Thornhill. Dans ce film empreint de sincérité, la cinéaste et sa mère ont une conversation intime sur l’immigration au Canada, les incompréhensions, les obstacles à la communication, l’amour et le goût du chez-soi.
Ce film fait partie de la collection La courbe : des histoires de distanciation sociale qui nous rapprochent. Cliquez ici pour en voir plus.
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Living in downtown Toronto to attend school, Lina Li returns to the comfort of home in Thornhill and her mother's cooking. In this candid short, filmmaker Lina Li and her mother engage in an intimate conversation about immigration to Canada, misunderstandings, barriers to communicating, love and the taste of home.
Part of THE CURVE, a collection of social distancing stories that bring us together. Enjoy more works from this series here .
This short documentary is about newcomers to Canada and what they eat. Funny, mouth-watering and visually delectable, it takes us into the specialty food shops where the ingredients are bought, and into the homes where the food is prepared and served in the traditional way.
This full-length documentary is the 4th part of the Corporation, a film series about the inner workings of the Steinberg supermarket chain. This installment looks at the management of cultural conflict: how a major Canadian corporation comes to grips with one of the principal challenges it faces--the bilingual, bicultural nature of the Québec society in which it is headquartered. A close and remarkably candid view of how the president, Sam Steinberg, and his top and middle management handle a problem with parallels far beyond the borders of Québec.
This film follows a young couple from the time they suspect pregnancy to their child's first birthday. The value of good prenatal habits and medical care is emphasized. Good tips are also provided on day-to-day baby care.
Why does a housewife concerned for her family's welfare feed them so inadequately that she endangers their very lives? The film is a humorous and satirical attempt to remind the average housewife that it is not enough to be aware of modern food facts; they must also be applied in daily food purchasing and preparation.
As a young woman finds herself lost in daydreams while clumsily performing the tradition of making pierogies, she invokes the presence of her grandmother, who guides her through the messy ritual. The film is a fusion of hand-drawn animation, folk art and stereoscopic drawings made in space, by Calgary illustrator and filmmaker Kiarra Albina.
Produced as part of the 6th edition of the NFB’s Hothouse apprenticeship.
This film examines the problem of children who won't eat, and what can be done about it. Tommy should be hungry, but he just picks at his food. Going back to early babyhood, the film traces in detail, how eating habits are formed, how individual likes and dislikes must be taken into consideration, and that the worst habit of all is the permanent battle over food. After this analysis, Tommy still sits by his well-filled plate. In despair his mother takes him to the doctor, who explains that she is really the problem. She realizes that she has been tense, impatient with Tommy from the start. Now it will take painstaking care to build a new atmosphere of cooperation and friendliness, to learn understanding of Tommy's personal requirements at mealtimes, and all the time.
This short documentary profiles Ukrainian-Canadian Ted Baryluk, whose grocery store has been a fixture in Winnipeg's North End for over 20 years. In this photo study, Ted talks about his store, the customers who have come and gone and the social changes his multicultural neighbourhood has seen. But most of all he wonders what will become of his store after he retires. He hopes his daughter will take over, but she wants to move away. The film is a wistful rendering of a shopkeeper's relationship with his daughter and a fascinating portrait of a neighbourhood and its inhabitants.
This animated short, based on the book by Rachna Gilmore, is the story of Gita, an 8-year-old girl who can't wait to celebrate Divali - the Hindu festival of lights - in her new home in Canada. But it's nothing like New Delhi, where she comes from. The weather is cold and grey and a terrible ice storm cuts off the power, ruining her plans for a party. Obviously, a Divali celebration now is impossible. Or is it? As Gita experiences the glittering beauty of the icy streets outside, the traditional festival of lights comes alive in a sparkling new way.
Part of the Talespinners collection, which uses vibrant animation to bring popular children’s stories from a wide range of cultural communities to the screen.
This short animation is director Ann Marie Fleming’s animated adaptation of Bernice Eisenstein’s acclaimed illustrated memoir. Using the healing power of humour, the film probes the taboos around a very particular second-hand trauma, leading us to a more universal understanding of human experience. The film sensitively explores identity and loss through the audacious proposition that the Holocaust is addictive and defining.
At her family’s cabin on Wakaw Lake, Saskatchewan, renowned Fransaskois singer-songwriter Alexis Normand invites audiences into a series of candid exchanges about belonging and bilingualism on the Prairies. Weaving together old home movies with current conversations, French Enough illuminates the struggle and triumph of reclaiming francophone Canadian identity. As parents, children and grandchildren sing, play and celebrate, in both French and English, the act of carrying a language forward finally becomes a thing of freedom and joy.