Dans ce court métrage d’animation, un jeune garçon s'en donne à cœur joie en compagnie d'un singe, d'un cheval, d'un serpent et d'un marsouin. Il y a peu de choses que l'enfant puisse faire et que l'un ou l'autre des animaux ne réussisse avec avantage. Mais lorsque arrive une machine magique inventée par l'homme, le garçonnet n'est plus prisonnier de son milieu, alors que les animaux le demeurent.
Film sans paroles sur l'athlète David Murray, alors qu'il s'attaque à une épreuve de ski à Kitzbühel, en Autriche, en vue de la Coupe du Monde. Spectaculaire à tout point de vue, une telle descente requiert beaucoup de préparation mentale et physique et réserve bien des surprises: personne n'est à l'abri d'une forte tension ou d'une chute malencontreuse.
An animated cartoon to help children explore why and how animals move as they do. A little boy discovers that he cannot compete with a monkey, a snake or a horse by imitating the way they move. He can only outdistance them when he climbs into a vehicle that can travel in any environment, proving that the human capacity for technological invention creates a wholly different relationship to our environment.
Le 26e film de l’ONF à être nommé aux Oscars®
Court métrage d’animation sur la marche et ses plaisirs. Les couleurs en détrempe sont l'une des techniques impressionnantes utilisées dans ce film par Ryan Larkin. Pas de commentaires. Une trame sonore qui comble le silence.
The NFB's 25th Oscar®-nominated film.
A humorous animation film about a fellow who builds his house in the best suburb he can afford. He has a picture bride, a picture window and a garden as pretty as a picture, but he wanted something special and, like Jack and the Beanstalk, he finally got it! What he got is a moral for all.
This short film was produced for The Department of National Health and Welfare to warn against the dangers of cigarette smoking. Set against the backdrop of a typical '60s-era horror movie, a young woman is seen lighting up cigarette after cigarette. When a vampire appears at the stroke of midnight, she faints from sheer terror. But when the vampire closes in for the kill, he is hit with a nasty surprise...
Bretislav Pojar's animated short explores the human phenomenon of resorting to violence over reason. The cubes live happily amongst themselves until one of them encounters a ball. War erupts and they fight until they all become the same again – this time in the form of hexagons. All is right in the world until one of them stumbles upon a triangle… Winner of the 1973 Grand Prix du Festival for Short Film at the International Film Festival in Cannes.
This short documentary explores homophobic language and its consequences among teenagers. Name-calling and cruel language hurt, say the teens who speak in this video. Homophobic language is a common verbal put-down among young people, but many adults feel uncomfortable responding. This video is a tool for teachers, counsellors and youth groups to explore the origins of the words, how young people feel about them and how to overcome the pain they cause.
Meet Tony Rossi, a 10-year-old boy who can only distinguish light from shadow. Despite this difficulty, he leads a very active life. The short documentary shows the ingenious ways in which Tony manages his life. This film is part of the Children of Canada series.
This animated short by Diane Obomsawin tells the story of Kaspar, a young man who discovers life - and light - after spending his entire life in a dark cave with a small wooden horse as only company. Based on the story of Kaspar Hauser, the famous 19th century orphan who has inspired countless artists.
This animated short tells the story of an epic basketball game between kids attending Jewish camp and students of a notorious local Holocaust denier. Nine-year-old Hart is attending Jewish summer camp for the first time. He is both curious and afraid. What awaits him on the basketball court?
In this short film, Toronto artist Petra Tolley, who has Down syndrome, performs a soliloquy that encapsulates her distinctive take on the social self. Drawing from her emotional experiences, she illustrates what it feels like to be “in the middle.” Employing rotoscopy, hand-drawn animation techniques and subtle stereoscopic 3D, the film captures Petra as she engages the camera with unflinching directness and dignity.