In episode 2 from the Wapos Bay series, Aboriginal Day festivities are getting underway, but there's even more cause for excitement in Wapos Bay. T-Bear unexpectedly spends the night in the fire tower after he climbs up and is too afraid to come down. Jacob goes up to get his son and realizes he's scared too. In an amusing twist, the story is reported as a political protest on TV. Meanwhile, Raven doesn't want to go fishing with her mother, Sarah, because she's frightened of the river. Sarah helps her daughter feel at ease in open water, one step at a time. Through their respective experiences, both Raven and T-Bear discover how important honesty, patience and courage are, especially when you're scared.
Wapos Bay is a Gemini Award-winning stop-motion animation series that follows the adventures of 3 kids from a Cree community in northern Saskatchewan.
This animated short tells the story of Maq, a Mi'kmaq boy who realizes his potential with the help of inconspicuous mentors. When an elder in the community offers him a small piece of pipestone, Maq carves a little person out of it. Proud of his work, the boy wants to impress his grandfather and journeys through the woods to find him. Along the path Maq meets a curious traveller named Mi'gmwesu. Together they share stories, medicine, laughter, and song. Maq begins to care less about making a good impression and more about sharing the knowledge and spirit he's found through his creation. Part of the Talespinners collection, which uses vibrant animation to bring popular children's stories from a wide range of cultural communities to the screen.
This short film presents a stunning display of a stop-motion animation as it vividly depicts the majesty of the hoop dance, a tradition symbolizing the unity of all nations.
Vistas is a series of 13 short films on nationhood from 13 Indigenous filmmakers from Halifax to Vancouver. It was a collaborative project between the NFB and APTN to bring Indigenous perspectives and stories to an international audience.This introspective short animation takes place In the village of Carcross, in the Tagish First Nation. Neighbourhood pillar Grandma Kay tell the local children the tale of how Crow brought fire to people. As the story unfolds, we also meet 12-year-old Tish, an introspective, talented girl who feels drawn to the elder. Here, past and present blend, myth and reality meet, and the metaphor of fire infuses all in a location that lies at the heart of this Native community’s spiritual and cultural memory.
In this animated short, young Winston, who suffers from chronic asthma, isn’t able to participate in the everyday activities of his peers and classmates. He copes with the predicament through his vivid imagination, with paper and crayons. On one particularly rainy afternoon, Winston discovers that the magic of imagination has the power to transform and empower, and his skills and talents save the day.
Part of the Talespinners collection, which uses vibrant animation to bring popular children’s stories from a wide range of cultural communities to the screen.
This animated short for children tells the story of Christopher, a little boy who didn't want to be called Christopher anymore. Such a common name! When Aunty Gail from Trinidad tells him a story about a Tiger, Christopher changes his name to Tiger. But then he finds a better name. When he has trouble cashing a birthday cheque, he realizes maybe he should stick with his original name... or maybe not?
Part of the Talespinners collection, which uses vibrant animation to bring popular children’s stories from a wide range of cultural communities to the screen.
In The Mountain of SGaana, Haida filmmaker Christopher Auchter spins a magical tale of a young man who is stolen away to the spirit world, and the young woman who rescues him. The film brilliantly combines traditional animation with formal elements of Haida art, and is based on a story inspired by a old Haida fable.
This short film portrays the experiences of Rhonda Gordon and her daughter, Angela, when a simple bus ride changes their lives in an unforeseeable way. When they are harassed by three boys, Rhonda finds the courage to take a unique and powerful stance against ignorance and prejudice. What ensues is a dramatic story of racism and empowerment.
As the only First Nations student in an all-white 1940s school, eight-year old Wato is keenly aware of the hostility towards her. She deeply misses the loving environment of the reserve she once called home, and her isolation is sharpened by her father’s serious illness. When Wato’s teacher reads from a history book describing First Nations peoples as ignorant and cruel, it aggravates her classmates’ prejudice. Shy and vulnerable Wato becomes the target of their bullying and abuse. Alone in her suffering, she finds solace and strength in the protective world of her magical dreams.
Inspired by personal experiences of writer and director Alanis Obomsawin, When All the Leaves are Gone combines autobiography, fiction and fable to create a deeply moving story about the power of dreams.
Waseteg is the story of a young Mi'kmaq girl whose name means “the light from the dawn.” Sadly, her mother dies while giving birth and, though her father works very hard to provide for his family, Waseteg is surrounded by the bitterness and loneliness felt by her sisters.
As a young girl, Waseteg looks for solace in nature, and dreams of the stories she’s heard in the village – including one about Walqwan, the mysterious boy living across the river. Eventually, with the gentle care of the boy's grandmother, Waseteg succeeds in finding Walqwan, discovering the Spirit Path, and restoring love to her family.
A short story about dreams, courage, identity, creation and embracing our Elders, Waseteg showcases Phyllis Grant's signature style of bold lines, bright colours and simple movements. The film is beautifully narrated by legendary filmmaker Alanis Obomsawin.
Richard Cardinal died by his own hand at the age of 17, having spent most of his life in a string of foster homes and shelters across Alberta. In this short documentary, Abenaki director Alanis Obomsawin weaves excerpts from Richard’s diary into a powerful tribute to his short life. Released in 1984—decades before the Truth and Reconciliation Commission—the film exposed the systemic neglect and mistreatment of Indigenous children in Canada’s child welfare system. Winner of the Best Documentary Award at the 1986 American Indian Film Festival, the film screened at New York’s Museum of Modern Art in 2008 as part of an Obomsawin retrospective, and continues to be shown around the world.
Manivald, a fox, is turning 33. Overeducated, unemployed and generally uninspired, he lives with his overbearing, retired mother and spends his days learning piano while she makes his coffee and washes his socks. It is an easy life, but not a good one. Their unhealthy co-dependence is about to collapse when the washing machine breaks down and Toomas, a sexy and adventurous wolf repairman, arrives to fix it, and them.
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