This animated short tells the true story of a Cree family's strange encounter one winter night, which results in a conversation beyond words.
This animated short tells the story of Maq, a Mi'kmaq boy who realizes his potential with the help of inconspicuous mentors. When an elder in the community offers him a small piece of pipestone, Maq carves a little person out of it. Proud of his work, the boy wants to impress his grandfather and journeys through the woods to find him. Along the path Maq meets a curious traveller named Mi'gmwesu. Together they share stories, medicine, laughter, and song. Maq begins to care less about making a good impression and more about sharing the knowledge and spirit he's found through his creation. Part of the Talespinners collection, which uses vibrant animation to bring popular children's stories from a wide range of cultural communities to the screen.
Waseteg is the story of a young Mi'kmaq girl whose name means “the light from the dawn.” Sadly, her mother dies while giving birth and, though her father works very hard to provide for his family, Waseteg is surrounded by the bitterness and loneliness felt by her sisters.
As a young girl, Waseteg looks for solace in nature, and dreams of the stories she’s heard in the village – including one about Walqwan, the mysterious boy living across the river. Eventually, with the gentle care of the boy's grandmother, Waseteg succeeds in finding Walqwan, discovering the Spirit Path, and restoring love to her family.
A short story about dreams, courage, identity, creation and embracing our Elders, Waseteg showcases Phyllis Grant's signature style of bold lines, bright colours and simple movements. The film is beautifully narrated by legendary filmmaker Alanis Obomsawin.
This animated short tells the story of a ferocious polar bear turned to stone by an Inuk shaman. The tale is based on emerging filmmaker Echo Henoche's favourite legend, as told to her by her grandfather in her home community of Nain, Nunatsiavut, on Labrador's North Coast. Hand-drawn and painted by Henoche in a style all her own, Shaman is the first collaboration between the Labrador artist and the NFB.
In The Mountain of SGaana, Haida filmmaker Christopher Auchter spins a magical tale of a young man who is stolen away to the spirit world, and the young woman who rescues him. The film brilliantly combines traditional animation with formal elements of Haida art, and is based on a story inspired by a old Haida fable.
This introspective short animation takes place In the village of Carcross, in the Tagish First Nation. Neighbourhood pillar Grandma Kay tell the local children the tale of how Crow brought fire to people. As the story unfolds, we also meet 12-year-old Tish, an introspective, talented girl who feels drawn to the elder. Here, past and present blend, myth and reality meet, and the metaphor of fire infuses all in a location that lies at the heart of this Native community’s spiritual and cultural memory.
Sigwan tells the touching story of a young girl who is comforted and counselled by the animals of the forest. Written and directed by distinguished filmmaker Alanis Obomsawin, the film addresses issues of exclusion and prejudice that exist within many communities worldwide. Visually breathtaking and in High-Definition, Sigwan is a simple, transformative parable of acceptance.
This feature-length documentary pays tribute to CBQM, the radio station that operates out of Fort McPherson, a small town about 150 km north of the Arctic Circle in the Canadian Northwest Territories. Through storytelling and old-time country music, filmmaker and long-time listener Dennis Allen crafts a nuanced portrait of the "Moccasin Telegraph," the radio station that is a pillar of local identity and pride in this lively northern Teetl'it Gwich'in community of 800 souls.
In this revealing study of Norval Morrisseau, filmed as he works among the lakes and woodlands of his ancestors, we see a remarkable Indigenous artist who emerged from a life of obscurity in the North American bush to become one of Canada's most renowned painters. Morrisseau the man is much like his paintings: vital and passionate, torn between his Ojibway heritage and the influences of the white man's world. Jack Pollock, the Toronto art gallery owner who discovered Morrisseau's paintings in the early 1960s, comments on what makes them so unique.
Ages 10 to 17
English Language Arts - Children's Stories/Fables
History and Citizenship Education - Culture and Currents of Thought (1500-present)
Media Education - Film Animation
Consider how humour is used to contribute to the mood of the story and the reaction of the family to the extraterrestrial presence. Examine how the animator has given unity to the film by making transitions via geometrically similar objects: girl’s embroidery hoop, the teapot, the drum, and the flying saucer. How does the tone of the story remain credible even though the characters are incredulous to this odd occurrence?