Un pays sans bon sens!

Through the coming of age of a twenty-year-old man, this film symbolizes the political coming of age of the people of Québec. In French with English subtitles.

Soundtrack album, John's Coltrane's Blue World, available from Impulse! / Universal Music Enterprises.

In this feature-length documentary by Alanis Obomsawin, it's the summer of 2000 and the country watches in disbelief as federal fisheries wage war on the Mi'kmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Casting her cinematic and intellectual nets into history to provide context, Obomsawin delineates the complex roots of the conflict with passion and clarity, building a persuasive defence of the Mi'kmaq position.

The people of the Attawapiskat First Nation, a Cree community in northern Ontario, were thrust into the national spotlight in 2012 when the impoverished living conditions on their reserve became an issue of national debate. With The People of the Kattawapiskak River, Abenaki director Alanis Obomsawin quietly attends as community members tell their own story, shedding light on a history of dispossession and official indifference. “Obomsawin’s main objective is to make us see the people of Attawapiskat differently,” said Robert Everett-Green in The Globe & Mail. “The emphasis, ultimately, is not so much on looking as on listening—the first stage in changing the conversation, or in making one possible.” Winner of the 2013 Donald Brittain Award for Best Social/Political Documentary, the film is part of a cycle of films that Obomsawin has made on children’s welfare and rights.

The people of the Attawapiskat First Nation, a Cree community in northern Ontario, were thrust into the national spotlight in 2012 when the impoverished living conditions on their reserve became an issue of national debate. With The People of the Kattawapiskak River, Abenaki director Alanis Obomsawin quietly attends as community members tell their own story, shedding light on a history of dispossession and official indifference. “Obomsawin’s main objective is to make us see the people of Attawapiskat differently,” said Robert Everett-Green in The Globe & Mail. “The emphasis, ultimately, is not so much on looking as on listening—the first stage in changing the conversation, or in making one possible.” Winner of the 2013 Donald Brittain Award for Best Social/Political Documentary, the film is part of a cycle of films that Obomsawin has made on children’s welfare and rights.

Also available on the Alanis Obomsawin, A Legacy DVD box set

This feature-length documentary from Inuvialuit filmmaker Dennis Allen is an emotional and revealing exploration of addiction among Indigenous people in Canada.

After years of struggle and shame, 5 Indigenous Canadians bravely come forward with their stories of substance abuse, presenting the sensitive topic of alcoholism in an honest and forthright manner. Alex, Paula, Desirae, Stephen, and Dennis himself maintain a deep and devoted commitment to their traditional culture to achieve long-term sobriety. Through their voices, this insightful doc offers an inspirational beacon of hope for others.

In community archives across British Columbia, local knowledge keepers are hand-fashioning a more inclusive history. Through a collage of personal interviews, archival footage and deeply rooted memories, the past, present and future come together, fighting for a space where everyone is seen and everyone belongs. History is what we all make of it.

This full-length documentary tells the story of 2 Afghans who return to Afghanistan in search of their families after a 16-year exile. Like many Afghan children, Soorgul and Amir were sent to Tajikistan during the Soviet occupation of their country. When the Soviet Union collapsed, the civil wars that broke out on both sides of the border left the children stranded, unable to leave the country until Canada accepted them as refugees.

The Sweetest Embrace tells an intimate story set against one of the world's most harsh and yet beautiful landscapes, in a land where life has been shaped by war and hardship but where spirit remains resilient.

This short film looks at the plans made at Dumbarton Oaks in 1945 for a renewed international organization devoted to world peace - the United Nations.

Danny Williams was the charismatic and unflinching Premier of Newfoundland and Labrador from 2003 to 2010. By the time he left office, he had become the most popular—and controversial—Canadian politician of his era.

Laced with humour and revealing back-room anecdotes, Danny is the story of how Williams turned a “have not” into a “have” province. Known as a fighter, Williams famously took on prime ministers and Big Oil to ensure that benefits from the province’s abundant natural resources flowed back to its people. His mantra “no more giveaways” was key to his unprecedented popularity, but pride in his province made Williams a hero to its people.

High Wire examines the reasons that Canada declined to take part in the 2003 US-led military mission in Iraq, shining a spotlight on the diplomatic tug of war that took place behind the scenes with our neighbours to the south, who have often adopted an interventionist foreign policy to serve their own economic and geopolitical interests. Canada’s historic refusal could have had disastrous consequences, but a number of key players and other analysts remind us of the terrible price we pay when diplomacy fails.

On June 11 and 20, 1981, the Quebec Provincial Police (QPP) raided Restigouche Reserve, Quebec. At issue were the salmon-fishing rights of the Mi’kmaq. Because salmon has traditionally been a source of food and income for the Mi’kmaq, the Quebec government’s decision to restrict fishing aroused consternation and anger. Released in 1984, this groundbreaking and impassioned account of the police raids brought Alanis Obomsawin to international attention. The film features a remarkable on-camera exchange between Obomsawin herself and provincial Minister of Fisheries Lucien Lessard, the man who’d ordered the raid. Decades later, Jeff Barnaby, director of Rhymes for Young Ghouls, cited the film as an inspiration. “That documentary encapsulated the idea of films being a form of social protest for me... It started right there with that film.”