Tuktu and the Trials of Strength

This short docu-fiction film tells the story of Tuktu, who is taken on a fishing trip to the ancient stone weir. There, he sees his father and other hunters spear fish in great numbers, and watches his father and his uncle make fire with an Inuit fire drill.

Please note that this is an archival film that makes use of the word “Eskimo,” an outdated and offensive term. While the origin of the word is a matter of some contention, it is no longer used in Canada. The term was formally rejected by the Inuit Circumpolar Council in 1980 and has subsequently not been in use at the NFB for decades. This film is therefore a time-capsule of a bygone era, presented in its original version. The NFB apologizes for the offence caused.

This short documentary is a portrait of Inuit hunter and artist Lypa Pitsiulak, who decided to return to the land several years ago. His goal was to rediscover his culture, teach his family survival skills in the harsh Arctic environment, and pull himself and his family away from the negative influences of white culture. The film portrays his lifestyle, his love for his family, and some of the sources of his artistic inspiration. It also highlights his beautiful prints and sculptures, with their fantastic interweaving of figures from the animal, spirit and human worlds.

This documentary short depicts the traditional games of the Inuit as they are practised 800 km north of the Arctic Circle by youth in competition from communities across the North. The film describes the skills required to play them, the traditions behind the games, and the spirit of co-operation, as opposed to hard competition, that inspires the participants.

This short documentary studies life in the village of Kangirsujuaq, Nunavik. In this community on the edge of the Arctic Ocean, children’s laughter fills the streets while the old people ponder the passage of time. They are nomads of the wide-open spaces who are trying to get used to the strange feeling of staying put. While the teenagers lap up Southern culture and play golf on the tundra to kill time, the Elders are slowly dying, as their entire culture seems to fade away.

Elisapie Isaac, a filmmaker born in Nunavik, decides to return to her roots on this breathtaking land. To bridge the growing gap between the young and the old, she speaks to her grandfather, now deceased, and confides in him her hopes and fears. Grappling with isolation, family relationships, resource extraction, land-based knowledges, the influence of Southern culture and the ongoing impacts of colonialism on Inuit ways of life, Elisapie Isaac offers a nuanced portrait of the North.

During the short Arctic summer on Baffin Island, the native Inuit enjoys four months of continuous daylight. But it is no time for relaxation, for provision must be made for the long, cold winter night ahead. In this film Idlouk, an Inuit hunter, tells of his life in this northern land. We watch as he stalks the seal so vital to his existence, and as he and other hunters set out in kayaks to harpoon the white whale and the narwhal. At camp we meet his wife, children and aged parents, each of whom has work to do in the unceasing struggle for survival in this harsh land.

Please note that this is an archival film that makes use of the word “Eskimo,” an outdated and offensive term. While the origin of the word is a matter of some contention, it is no longer used in Canada. The term was formally rejected by the Inuit Circumpolar Council in 1980 and has subsequently not been in use at the NFB for decades. This film is therefore a time-capsule of a bygone era, presented in its original version. The NFB apologizes for the offence caused.

A questioning filmmaker from Québec finds out how Vancouver's poets and painters look at life and art. Among the people seen are sculptor Donald Jarvis, painters Jack Shadbolt, Joy Long and Margaret Peterson, and printmaker Sing Lim.

This short film explores why Inuit games were more than just fun to pass the time; it required the athletes to be in peak physical condition to perform these ancient feats of strength.

When Canada was preparing to welcome the world to Expo 67 in Montreal, two artists who contributed their talents were Inuit stonecarvers Kumukluk Saggiak and Elijah Pudlat. They decorated a giant mural in the Canadian pavilion, Katimavik (the meeting place). This film shows the two carvers at work on their wall and also conveys some of their impressions of life in suburbia.

Please note that this is an archival film that makes use of the word “Eskimo,” an outdated and offensive term. While the origin of the word is a matter of some contention, it is no longer used in Canada. The term was formally rejected by the Inuit Circumpolar Council in 1980 and has subsequently not been in use at the NFB for decades. This film is therefore a time-capsule of a bygone era, presented in its original version. The NFB apologizes for the offence caused.

As the global pandemic reaches into the Arctic Archipelago, Inuk filmmaker Carol Kunnuk documents how unfamiliar new protocols affect her family and community. Her vividly specific soundtrack juxtaposes snippets from local radio broadcasts, issuing health advisories in both Inuktitut and English, with the sweet sounds of children at play. A richly detailed and tender account of disruption and adjustment.

In this feature-length documentary, 8 Inuit teens with cameras offer a vibrant and contemporary view of life in Canada's North. They also use their newly acquired film skills to confront a broad range of issues, from the widening communication gap between youth and their elders to the loss of their peers to suicide. In Inuktitut with English subtitles.

Documentaire personnel de l'artiste Élisapie Isaac. En pleine immensité boréale, au bord de la mer Arctique, un village : Kangirsujuaq, au Nunavik. Ici, traditions et modernité se croisent quotidiennement. Les rires des enfants habitent joyeusement les rues, les jeunes carburent à la culture « du Sud », alors que les vieux tentent encore de se faire à leur étrange sédentarité. Dans cette toundra à couper le souffle, la jeune cinéaste originaire de Salluit, maintenant installée à Montréal, décide de plonger au coeur de ses origines.

Ce film fait partie du projet Unikkausivut. Procurez-vous le coffret DVD Unikkausivut : Transmettre nos histoires.