Rusting World

This documentary takes an in-depth look at the witch hunts that swept Europe just a few hundred years ago. False accusations and trials led to massive torture and burnings at the stake and ultimately to the destruction of an organic way of life. The film questions whether the widespread violence against women and the neglect of our environment today can be traced back to those times. Part two of a series of three films on women and spirituality, which includes Goddess Remembered and Full Circle.

This animated short film attempts to answer the eternal questions, What is dying? and How does it feel? Based on recent studies, case histories and some of the ancient myths, the afterlife state is portrayed as an awesome but methodical working-out of all the individual's past experiences. Film without words.

Borrowing from classical mythology, this very short film illustrates the story of Syrinx, the nymph who attempts to escape the goat-god Pan’s amorous advances by fleeing to a nearby river for help, only to be transformed into hollow reeds. Syrinx is the first film by Ryan Larkin, an Oscar®-nominated director who began his animation career in Norman McLaren’s student group. The technique employed is charcoal sketches on paper; the accompanying music is Claude Debussy’s “Syrinx” for solo flute.

This documentary is a salute to 35,000 years of the goddess-worshipping religions of the ancient past. The film features Merlin Stone, Carol Christ, Luisah Teish and Jean Bolen, all of whom link the loss of goddess-centric societies with today's environmental crisis. This is the first part of a 3-part series that includes The Burning Times and Full Circle.

This feature documentary records the turbulent history and remarkable achievements of women in religion, from pre-Christian Celtic communities to the radical sisters of the 1980s. The history of nuns mirrors that of all women - in what we are taught about the past, women are almost invisible. Although today's one million nuns outnumber priests two to one, they still struggle to be heard by the all-male Roman Catholic hierarchy from which they are excluded. In Behind the Veil: Nuns, contemporary nuns speak candidly of their lives, their challenges, and their predecessors.

A film without commentary in which multiple images, sometimes complementary, sometimes contrasting, draw the viewer through the different stages of a labyrinth. The tone of the film moves from great joy to wrenching sorrow; from stark simplicity to ceremonial pomp. It is life as it is lived by the people of the world, each one, as the film suggests, in a personal labyrinth.

In the Labyrinth was first released as a multi-screen presentation for Chamber III of the Labyrinth at Expo 67. These separate images were integrated into a single strand of film, using a "five-on-one" cinematic technique.

This animated short challenges enduring myths, spawned by fairy tales and romances, about women in medieval society. It explores the differences and similarities between that distant period and our own, and shows what medieval women’s lives were really like.

In this animated short, Evelyn Lambart uses her well-known style of animation – paper figures and brightly colored backgrounds – to revisit Aesop’s tale of 2 mice with vastly different lifestyles. Ultimately, the film suggests it is far better to live simply and in peace than to live in luxury amidst danger.

Court métrage d'animation dont le héros, espiègle petit bonhomme né de papiers découpés, se prête à plusieurs métamorphoses qui reflètent le côté humain et humoristique d'un enfant devant la vie. Pas de parlé, mais les seuls accents d'une guitare enjouée...

In this film, Jean-Pierre Ferland sings Les Fleurs de macadam, about the industrial workers of Montréal who are tied to the grind and grime of the city.

In this short film, artist Jobie Weetaluktuk turns his gaze on his family and the power of ritual through the story of a young woman and her unplanned child.

In Inukjuak, an Inuit community in the Eastern Arctic, a baby boy has come into the world and they call him Timuti, a name that recurs across generations of his people, evoking other Timutis, alive and dead, who will nourish his spirit and shape his destiny.