Ronde carrée

In this short animation film, the "boogie" is played by Albert Ammons and the "doodle" is drawn by Norman McLaren. Made without the use of a camera, Boogie-Doodle is a rhythmic, brightly coloured film experiment.

Le 26e film de l’ONF à être nommé aux Oscars®

Court métrage d’animation sur la marche et ses plaisirs. Les couleurs en détrempe sont l'une des techniques impressionnantes utilisées dans ce film par Ryan Larkin. Pas de commentaires. Une trame sonore qui comble le silence.

In this animated short, the viewer is placed in a landscape whose scenery constantly morphs and mutates and the helter-skelter world evokes the chaos of modern life.

Court métrage d'animation dont le héros, espiègle petit bonhomme né de papiers découpés, se prête à plusieurs métamorphoses qui reflètent le côté humain et humoristique d'un enfant devant la vie. Pas de parlé, mais les seuls accents d'une guitare enjouée...

In this short animation film the triangle achieves the distinction of principal dancer in a geometric ballet. The triangle is shown splitting into some three hundred transformations, dividing and sub-dividing with grace and symmetry to the music of a waltz. The film's artist and animator is René Jodoin, whose credits include Dance Squared and several collaborations with Norman McLaren. Film without words.

This animated short by Norman McLaren and René Jodoin is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

In this animation film, Norman McLaren imparts unusual activity to an old French-Canadian nonsense song. Simple white cut-outs on pastel backgrounds, many by Evelyn Lambart, provide lively illustrations. The folksong "Mon Merle" is sung in French by the Trio Lyrique of Montreal.

This abstract animated film is a tribute to the unique and long-established art form of patchwork quilting. Using computer animation, digital drafting, and experimental design techniques, this mesmerizing film choreographs quilt motifs and designs and sets them to music.

Combining colour, animation and sound to clarify principles of radio-wave transmission, this film illustrates how antennas propagate radio waves and how they may be adapted to increase the directivity of transmissions. The theoretical concepts are emphasized.

--Seizure Warning-- This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.