In this early film Norman McLaren shot crystal formations through a low-power microscope, using polarized light with the lower part of the picture masked off. The film was then rewound and a scene of dancers was filmed.
In this short film by Norman McLaren, dancers enact the Greek tragedy of Narcissus, the beautiful youth whose excessive self-love condemned him to a trapped existence. Skillfully merging film, dance and music, the film is a compendium of the techniques McLaren acquired over a lifetime of experimentation.
The NFB's 24th Oscar®-nominated film.
This short film by Norman McLaren is a cinematic study of the choreography of ballet. A bare, black set with the back-lit figures of dancers Margaret Mercier and Vincent Warren create a dream-like, hypnotic effect. This award-winning film comes complete with the visual effects one expects from this master filmmaker.
This short film addresses the revolving cycles of human conflict through contemporary dance. Celebrated choreographer Crystal Pite and dance filmmakers Marlene Millar & Philip Szporer commemorate the fading legacies of WWI, while also creating a moving homage to Pite’s mentors and contemporaries, whose lives and short careers are pitted against the fleeting nature of the dance art form. Featuring Theodore Ushev’s haunting and distinct artwork, the film explores the themes of conflict, loss, and rescue we all experience as we cycle through states of love and war.
Warning: Although this film was shot in 3D, the streaming and downloadable versions are available in 2D only.
This short documentary profiles the traditional music and pageantry of Polish-Canadians in Manitoba. The heritage and national traditions of Poland were brought to Canada by immigrants and sustained across generations. The colourful traditional dress and lively music of Polish-Canadians is captured by ethnomusicologist Laura Boulton, a pioneering woman in the educational documentary film movement whose goal was to “capture, absorb, and bring back the world’s music.”
The spectacular annual powwow at Manawan. Gilles Moar once saw a bear dancing, and this inspired him to pass his culture on to his daughter and the young in his community.
Since 2004, the travelling studios of Wapikoni Mobile have enabled Quebec First Nations youth to express themselves through videos and music. This short film was made with the guidance of these travelling studios and is part of the 2008 Selection - Wapikoni Mobile DVD.
ORA is a stunning meeting between the artistic worlds of choreographer José Navas and filmmaker Philippe Baylaucq. It is the first film to use 3D thermal imaging, producing visuals like none that have ever been seen before: the luminous variations of body heat seen on skin, bodies emitting a multitude of colours, a space filled with movement that transforms itself.
Warning: Although this film was shot in 3D, the streaming and downloadable versions are available in 2D only.
This short film pays tribute to ballet dancer Anik Bissonnette as she takes the reins of the École supérieure de ballet du Québec. Having dazzled audiences for decades with her astounding talent, she now teaches the rigorous fundamentals and secrets of movement that underlie her art. Bissonnette's grace is reflected through the mirror of time. As we watch the steps and movements of the young dancers she has inspired, we realize that we are witnessing the most beautiful of dances—the transmission of knowledge.
This film was produced by the NFB in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2014 Governor General's Performing Arts Awards.
In this short film from the Canada Vignettes series, a map of Canada morphs into human forms that share the country's natural resources to the rhythm of a dance.
This short film presents a stunning display of a stop-motion animation as it vividly depicts the majesty of the hoop dance, a tradition symbolizing the unity of all nations.
Filmed from the point of view of its young subjects, A Delicate Balance takes an introspective look at the lives of four aspiring ballet dancers who candidly tell their stories and share their hopes and dreams.
When Mavis Staines took the helm of Canada’s National Ballet School in 1989, the pedagogy of ballet was due for an evolution. Driven by a belief system that honoured tradition but challenged outdated practices, Staines set in motion a paradigm shift that has transformed ballet training in Canada and around the world.