This feature documentary tackles the question: "are there no great women artists?" The statistics are confounding: at Washington's National Gallery only 1 in every 30 paintings is by a woman. In Canada, women account for a mere 8 percent of the National Gallery's collection. This thought-provoking film takes us into the homes and studios of artists such as Mary Pratt, Joyce Weiland, Jane Ash Poitras and Landon Mackenzie, who address the question of inequality in the art world. Traversing the last two centuries of women's art history, this film offers provocative comment on why we are still missing the "other side of the picture".
This film contains scenes of nudity and/or sexuality. Viewer discretion is advised.
This feature documentary delves into the rich history of Canadian queer women’s experiences in the mid-20th century. Compelling, often hilarious and always rebellious, the women interviewed in this film recount stories about their search for the places where openly gay women gathered in urban centres. Contemporary interviews, archival footage, and a stylized fictional narrative based on the pulp novels of the 1950s are woven throughout this simultaneously funny, heartbreaking, and empowering film. Forbidden Love brings an important and empowering history of lesbian sexuality in Canada out of the closet.
Renee Thompson is trying to make it as a top fashion model in New York. She's got the looks, the walk and the drive. But she’s a black model in a world where white women represent the standard of beauty. Agencies rarely hire black models. And when they do, they want them to look “like white girls dipped in chocolate.”
The Colour of Beauty is a shocking short documentary that examines racism in the fashion industry. Is a black model less attractive to designers, casting directors and consumers? What is the colour of beauty?
This film is part of the Work For All series, produced by the National Film Board of Canada, with the participation of Human Resources and Skills Development Canada.
Anne Marie Nakagawa's documentary examines what it means to have a background of mixed ancestries that cannot be easily categorized. By focusing on 7 Canadians who have one parent from a European background and one of a visible minority, she attempts to get at the root of what it means to be multi-ethnic in a world that wants each person to fit into a single category.
Finding a satisfactory frame of reference in our 'multicultural utopia' turns out to be more complex than one might think. Between: Living in the Hyphen offers a provocative glimpse of what the future holds: a departure from hyphenated names towards a celebration of fluidity and being mixed.
Martine Chartrand’s animated short dives into the heart of Black culture with an exhilarating trip though history. Watch as a young boy traces his roots through the stories his grandmother shares with him about the events that shaped their cultural heritage.
There is a cultural revolution going on in Canada and Faith Nolan and Grace Channer are on the leading edge. These two African-Canadian lesbian artists give back to art its most urgent meanings--commitment and passion. Grace Channer's large and sensuous canvasses and musician Faith Nolan's gritty and joyous blues propel this documentary into the spheres of poetry and dance. Long Time Comin' captures their work, their urgency, and their friendship in intimate conversations with both artists.
This short documentary tells the intensely personal story of Namrata Gill – one of the many real-life inspirations for Deepa Mehta’s Heaven on Earth – in her own words. After six years, Gill courageously leaves an abusive relationship and launches a surprising new career.
This short documentary is about a young Cuban band that has recently moved to Canada. The members spend their days learning English and their nights playing and rehearsing their own blend of Cuban salsa music in clubs. The film follows the musicians, capturing their constant discussions about the political situation at home and the problems of citizen engagement in both communist Cuba and democratic Canada.
This documentary features Black women active in politics as well as community, labour and feminist organizing. They share their insights and personal testimonies on the double legacy of racism and sexism, linking their personal struggles with the ongoing battle to end systemic discrimination and violence against women and people of colour.
Many Black, racialized and immigrant women work with elderly patients as healthcare providers. Their jobs, already arduous and underpaid as it is, have become even more exhausting during the COVID-19 pandemic. While some public commentators have described them as overrepresented in this sector because of their culture, and hailed them as “guardian angels,” what do they themselves have to say? This cross-sectional portrait of some of these women takes the form of a meditative essay.
Part of THE CURVE, a collection of social distancing stories that bring us together. Enjoy more works from this series here .
Julia Kwan's short film captures the experience of a young woman as she travels to a new country. As summer opens into spring, mother and daughter build a life together. The taste and texture of each season, whether the ice-cream smell of summer, the crisp birch air of autumn, or the warmth of winter dumplings -- are lovingly rendered in animation, sound and image. Throughout the passage of time, the persistence of love endures, as resolute and unchanging as the cycle of the season.
This film was produced in partnership with VANOC and Canada CODE for the 2010 Cultural Olympiad.
In this feature documentary-musical by Chelsea McMullan, indie singer Rae Spoon takes us on a playful, meditative and at times melancholic journey. Set against majestic images of the infinite expanses of the Canadian Prairies, the film features Spoon crooning about their queer and musical coming of age. Interviews, performances and music sequences reveal Spoon’s inspiring process of building a life of their own, as a trans person and as a musician.
Official selection at the 2014 Sundance Film Festival.
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