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Orders

October 1970. Following the kidnappings of James Cross and Pierre Laporte, and in response to a wave of sympathy for the “terrorists” that surged after the televised reading and newspaper publication of the FLQ manifesto, 450 civilians were arrested, mostly in the middle of the night. Detained for varying periods, they were eventually released without charge. Drawing on their various testimonies—personal accounts that, unlike those of such well-known figures as Michel Chartrand or Pauline Julien, did not make the headlines—director Michel Brault put together the stories that make up Les ordres (Orders), a film that provides a lucid retelling of …

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October 1970. Following the kidnappings of James Cross and Pierre Laporte, and in response to a wave of sympathy for the “terrorists” that surged after the televised reading and newspaper publication of the FLQ manifesto, 450 civilians were arrested, mostly in the middle of the night. Detained for varying periods, they were eventually released without charge. Drawing on their various testimonies—personal accounts that, unlike those of such well-known figures as Michel Chartrand or Pauline Julien, did not make the headlines—director Michel Brault put together the stories that make up Les ordres (Orders), a film that provides a lucid retelling of a still-topical situation and the harrowing journeys of its victims. Released in theatres on September 27, 1974, Les ordres chronicles the experience of five of these victims: a worker and his wife, a doctor, a social worker and an unemployed man.“My film is not about the events of October 1970, but about humiliation. It goes beyond events to touch our humanity. Nothing you see in it is invented: everything is based on the stories of those who were detained during the FLQ crisis. I had to make a film for the NFB, but they turned it down. I had put 50 hours of work into it. I interviewed 40 people who were imprisoned and the subject was too hot to keep under wraps. A people can only mature when they are informed. My film strikes a universal chord in the sense that political crisis can affect any nation. And if it should happen again here, then the public is entitled to know what exactly happened and decide how they [should] react based on what they [know].” – Michel Brault, quoted in Photo-journal: tout par l’image, December 23, 1973, page 7. Collection Charles-Henri Ramond.

  • direction
    Michel Brault
  • writing
    Michel Brault
  • production
    Lise Abastado
    Bernard Lalonde
  • delegate producer
    Bernard Lalonde
  • images
    Michel Brault
    François Protat
  • sound
    Serge Beauchemin
  • editing
    Yves Dion
  • music
    Philippe Gagnon
  • costumes
    Louise Jobin
  • set decorator
    Michel Proulx
  • cast
    Sophie Clément
    Gilbert Comtois
    Louise Forestier
    Michel Forget
    J.-Léo Gagnon
    Roger Garand
    Amulette Garneau
    Claude Gauthier
    Jean Lapointe
    Louise Latraverse
    Jean-Pierre Légaré
    Hélène Loiselle
    Jean-Pierre Matte
    Guy Provost