Nos femmes ailées

This film from the Second World War is a report on how Canadian women were trained to handle many kinds of work in the Canadian Women's Army Corps, the Royal Canadian Air Force and the Women's Royal Canadian Naval Service. Basic training, everyday life in the forces and the contribution of women to Canada's fighting strength are illustrated.

This short film from WWII focuses on the increasingly important roles women occupy on the various war fronts. In England, their more active jobs include ferrying planes from factory to airfield and operating anti-aircraft guns. In Russia, they are fighting on the front lines as well as acting as parachute nurses, army doctors and technicians. In Canada women have joined active service auxiliaries, and thousands labour day and night in factories turning out the tools of war. From the Canada Carries On series.

This short archival film documents the Woman's Division of the Royal Canadian Air Force of 1943, 9,000 strong, an able corps trained for service at home and overseas. Their aim is to prepare themselves for an important role in the flying field after the war, when Canada's civil air power will prove an essential factor in the air communications of peacetime civilization. Part of the World in Action series.

This short documentary is part of the Canada Carries On series of morale-boosting wartime propaganda films. In Home Front, the various WWII-era social contributions of women are highlighted. From medicine to industrial labour to hospitality, education and domesticity, the service these women provided to their country is lauded.

From the Canada Carries On series, this is a tribute to the women of Canada for their part in the World War II effort. The Canadian Women's Army Corps and homemakers alike were called upon to do their part. From careful budgeting in the home to services rendered overseas, women's work was integral to the well-being of all.

This short archival film from WWII depicts how the women of Winnipeg opened a volunteer bureau and enlisted 7000 women into the war effort. Through a variety of activities, these women extended and maintained social services during the war.

A young man, discharged from the army, returns to his coal town. As he wanders the streets, he sees that life remains much as he left it. He takes a room with a miner who had known his father and who recalls the tragedy of his death in the mines. When the young dischargee attends a union meeting he hears the labourers speak of their relation to the war effort and, realizing the importance of coal to victory, he joins a night shift and goes to work in the mine.

This short documentary was made near the end of World War II to introduce the subject of the need for labour-management committees. Government and industry in Canada were looking to a post-war era where production would have to be converted to peacetime. The objective was to improve productivity by reducing absenteeism, workplace accidents and keeping morale high.

Structured as a love letter, this feature film is an impressionistic history of the women of Québec down through the ages: the Indigenous woman, the fille du Roy, the nun, the settler's wife, the soldier's wife, and, finally, today's woman.

In Crown Prince, Frank Robinson abuses his wife verbally and batters her physically, with frightening consequences not only for her, but also for their sons, Billy and Freddy. A thought-provoking drama, this film explores the complex problems teenagers face in dealing with domestic violence, and shows how one family begins the healing process.

Julia Kwan's short film captures the experience of a young woman as she travels to a new country. As summer opens into spring, mother and daughter build a life together. The taste and texture of each season, whether the ice-cream smell of summer, the crisp birch air of autumn, or the warmth of winter dumplings -- are lovingly rendered in animation, sound and image. Throughout the passage of time, the persistence of love endures, as resolute and unchanging as the cycle of the season.

This film was produced in partnership with VANOC and Canada CODE for the 2010 Cultural Olympiad.