All across Canada, at every level, national life is being enriched and strengthened by the talents and skills, as diverse as the countries from which they come, which are being poured into their adopted land by immigrants from the British Isles and Europe. This film travels to many places from coast to coast to present a visual inventory of the many ways in which Canada's expansion is being helped by the newcomers, who see fresh opportunities to develop existing resources--both economically and culturally--and who also arrive as the purveyors of specialized knowledge from abroad.
This feature documentary zooms in on Montreal’s Côte-des-Neiges borough, where over 75 ethnic groups live side by side in a dizzying swirl of sound and colour. One day, filmmaker Lucie Lachapelle began knocking on the doors that isolated her from her neighbours. The result is a vibrant film about freedom and uprootedness set to urban music composed by Montreal jazz artist Harold Faustin.
This documentary celebrates the vibrant culture and tenacious struggle of the Canadian Gypsy and introduces a new generation of Roma who claim their roots with pride. They call themselves by their rightful name, the Roma. Almost 80,000 call Canada home. Meet Julia Lovell, a passionate defender of Roma human rights, whose father is slowly gaining the confidence to reveal his heritage; and Karen Gray Boothroyd, a flamenco dancer just beginning to reclaim her Gypsy roots.
This documentary gives us a glimpse inside the influential but little-known community of Vancouver’s Hong Kong Chinese. Prejudices fall by the wayside as we discover the community's way of life and the vital role it plays in the Canadian and world economy through a moving, intimate portrait of the Lam family, who arrived here in 1991.
Being young is tough, especially if you're Black, Latino, Arab or Asian. In a city like Montreal, you can get targeted and treated as a criminal for no good reason. Zero Tolerance reveals how deep seated prejudice can be. On one side are the city's young people, and on the other, its police force. Two worlds, two visions. Yet one of these groups is a minority, while the other wields real power. One has no voice, while the other makes life-and-death decisions.
When a policy of zero tolerance to crime masks an intolerance to young people of colour, the delicate balance between order and personal freedom is upset. A blend of cinéma vérité and personal testimonies, this hard-hitting film will broaden your mind and change your way of thinking. In French with English subtitles.
This documentary tells the story of a young man’s struggle to balance his African traditions and new Canadian home. Arinze Eze was born in Canada and raised in Nigeria. An engineer by trade, he returned to his birthplace after 20 years. There, he starts a new career in the arts and falls in love with Canadian woman. All is well until his parents come for a visit. How will they react to this new life?
Over the course of a decade Brooks, Alberta, transformed from a socially conservative, primarily white town to one of the most diverse places in Canada as immigrants and refugees flocked to find jobs at the Lakeside Packers slaughterhouse. This film is a portrait of those people working together and adapting to change through the first-ever strike at Lakeside.
Filmmaker Albert Kish revisits Montreal's St Lawrence Boulevard in the '70s. The street, also known as "The Main," is a little Europe with many languages, foods and small courtesies that make a stranger feel at home.
Filmed at the Wing Fong Farm in Ontario, this documentary follows the tilling, planting and harvesting of Asian vegetables destined for Chinese markets and restaurants. On 80 acres of land, Lau King-Fai, her son and a half-dozen migrant Mexican workers care for the plants. For Yeung Kwan, her son, the farm represents personal and financial independence. For his mother, it is an oasis of peace. For the Mexican workers, it provides jobs that help support their children back home.
This documentary examines the history and current reality of Toronto’s Flemingdon Park. Now a subsidized housing project, it was built in 1961 as a trendy urban utopia. A decade later it was sold, and Flemingdon became home to refugees and new immigrants. Once a model of urban planning, Flemingdon Park's flip side is a history of violence and racism that residents have fought to overcome. Yet despite challenges, the community succeeds in making people from around the world feel at home in a different kind of utopia–one where differences are celebrated and new visions are possible.
The forests of Québec supply much of the newsprint for North America's newspapers. From fall until spring, the woods echo with the whine of power saws and the shouts of men. It is a tough, cold, and lonely job--the temperature may register -50o but the work continues. A rugged film about a rugged life, it takes you to the very heart of a major Canadian industry.
More than a decade after the worldwide financial crisis of 2007–08, what does globalization mean today? Filmmaker-philosopher Jean-Daniel Lafond takes us behind the scenes of the International Economic Forum of the Americas, a massive annual gathering at which economists, financiers and politicians hold forth on the key issues of the day. Featuring first-hand testimonials by nearly two dozen influential men and women, The End of Certainties unfolds as a multi-voice meditation on the state of the world. This observational documentary offers a cogent assessment of globalization—and its ideals, disillusionment, fears and hopes—and the quest for a new humanism, characterized by greater inclusiveness and fairness.
Ages 13 to 16
History - Canada 1946-1991
History and Citizenship Education - Population and Settlement (1608-present)
This short film depicts Canadian immigration in the post–World War II years, but provides only positive examples. Faced with such a biased documentary, students can be urged to apply the proper perspective. Is immigration always such an easy process? What are the advantages and disadvantages of a host society? This can lead them to draw up a portrait of immigration today, very different from that shown in the film.