WE DRINK TOO MUCH. An unapologetic take on the vicious cycle of earning too little and consuming too much.
WE EAT SHIT. An unapologetic warning about how complacent we can be.
ALL MEN ARE CREMATED EQUAL. An ode to what can happen when Man plays God.
This ultra-short film is an unapologetic confrontation of cultural appropriation and everything that's wrong with hipsters in headdresses. The takeaway? Just don't do it.
This ultra-short film proves that walls are real and borders are imaginary with an animated critique of long-term detention for minors in immigration centres.
FEELS GOOD TO BE KIND. A reminder that there is power in small acts of kindness.
2/3 OF US DON’T KNOW WE’RE ASSHOLES. An unapologetic poke at the self-consumed selfie culture.
The NFB’s 70th Oscar®-nominated film.
This stop-motion animated film takes viewers on an exhilarating existential journey into the fully imagined, tactile world of Madame Tutli-Putli. As she travels alone on the night train, weighed down with all her earthly possessions and the ghosts of her past, she faces both the kindness and menace of strangers. Finding herself caught up in a desperate metaphysical adventure, adrift between real and imagined worlds, Madame Tutli-Putli confronts her demons.
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SOBER IS HARDCORE. A rejection of romanticizing alcohol.
MOST OF US DON’T BELIEVE IN ANYTHING THIS MUCH. POV into an ultimate act of protest: self-immolation. What compels someone to go this far?
THEY FIGHT YOU AND THEN YOU WIN. THEY FIGHT YOU AND THEN YOU WIN. An anti-violence statement in reaction to the police brutality that fuelled Quebec’s Red Square student movement.
In this animated short, a Chevrolet Bel Air 1957 offers an ironic take on the iconic American ballad “Que Sera, Sera (Whatever Will Be, Will Be)”. The Chevy’s bumper transforms into a pair of seductive lips, from which emerge the song’s reassuring lyrics, while a choir of cars performs a breathtaking dance number in the background.
A biting satire of our Big Oil-based civilization, Carface is a musical comedy of spectacular proportions, in which acclaimed animator and illustrator Claude Cloutier (The Trenches, Sleeping Betty) pokes at our contemporary insouciance about the environmental perils that threaten the planet.