Blood

ALL MEN ARE CREMATED EQUAL. An ode to what can happen when Man plays God.

Gloria Victoria unfolds on the still-smouldering rubble of a furious 20th century, propelled by the exalting “invasion” theme from Shostakovich’s Leningrad Symphony (No. 7). Resembling a military march with bolero overtones, the music sweeps over imagery of combat fronts and massacres, leading us from Dresden to Guernica, from the Spanish Civil War to star wars. It is at once a symphony that serves the war machine, that stirs the masses, and art that mourns the dead, voices its outrage and calls for peace.

WE DRINK TOO MUCH. An unapologetic take on the vicious cycle of earning too little and consuming too much.

This ultra-short film is an unapologetic confrontation of cultural appropriation and everything that's wrong with hipsters in headdresses. The takeaway? Just don't do it.

MOST OF US DON’T BELIEVE IN ANYTHING THIS MUCH. POV into an ultimate act of protest: self-immolation. What compels someone to go this far?

THEY FIGHT YOU AND THEN YOU WIN. THEY FIGHT YOU AND THEN YOU WIN. An anti-violence statement in reaction to the police brutality that fuelled Quebec’s Red Square student movement.

YOUR PHONE IS HAVING MORE SEX THAN YOU. A bleak picture of sex in the digital age.

DARE TO PANIC. A poke at climate-change deniers.

This ultra-short film proves that walls are real and borders are imaginary with an animated critique of long-term detention for minors in immigration centres.

REALITY IS A CHOICE. An unapologetic poke at the burgeoning age of virtual reality.

SOBER IS HARDCORE. A rejection of romanticizing alcohol.