Dans ce court métrage d’animation, Michael Fukushima raconte l’histoire de son père. Comme des milliers d'autres Canadiens d'origine japonaise, Minoru et sa famille, qui habitaient Vancouver, furent déclarés ennemis du Canada à la suite du bombardement de Pearl Harbor par l'aviation japonaise le 7 décembre 1941. Plongés dans les horreurs du racisme, les membres de la communauté japonaise canadienne furent envoyés dans des camps de concentration ou déportés. Au moment de ces événements, Minoru n'avait que neuf ans. Aujourd'hui, les souvenirs du père se mêlent à la voix du fils, tissant une histoire de souffrance et de survivance de droits perdus et retrouvés.
The bombing of the American naval base at Pearl Harbor thrust 9-year-old Minoru Fukushima into a world of racism so malevolent he would be forced to leave Canada, the land of his birth. Like thousands of other Japanese Canadians, Minoru and his family were branded as an enemy of Canada, dispatched to internment camps in British Columbia and finally deported to Japan. Directed by Michael Fukushima, Minoru's son, the film combines classical animation with archival material. The memories of the father are interspersed with the voice of the son, weaving a tale of a birthright lost and recovered.
This documentary tells the personal story of filmmaker Jari Osborne's father, a Chinese-Canadian veteran. She describes her father's involvement in World War II and uncovers a legacy of discrimination and racism against British Columbia's Chinese-Canadian community. Sworn to secrecy for decades, Osborne's father and his war buddies now vividly recall their top-secret missions behind enemy lines in Southeast Asia. Theirs is a tale of young men proudly fighting for a country that had mistreated them. This film does more than reveal an important period in Canadian history. It pays moving tribute to a father's quiet heroism.
This documentary follows a mission into the Burmese jungle to recover the remains of a RCAF crew of six young Canadians lost during World War II. Their lives and wartime experiences are recalled through the memories of colleagues and families, who attend the emotion-laden funeral near Rangoon, where the men have finally been laid to rest with full military honours.
This animated film by Martine Chartrand (Black Soul) recounts the friendship between a young Félix Leclerc and Frank Randolph Macpherson, a Jamaican chemical engineer and university graduate who worked for a pulp and paper company. An inveterate jazz fan, Macpherson inspired Leclerc, who wrote a song about the log drives and entitled it “MacPherson” in honour of his friend. Paint-on-glass animation shot with a 35mm camera.
This documentary looks at the events of June 6, 1944, when a combined force of American, British and Canadian troops landed on the beaches of Normandy. The Allied invasion of occupied France was a turning point in the war against Hitler's Germany. From a tactical view, Canada's role was limited; strategically, it was pivotal. Part of the 3-part series The Valour and the Horror.
From the beginning of the Second World War in 1939, Mackenzie King tried to avoid conscription. Most English Canadians thought young men should be sent to fight, while most French Canadians vehemently disagreed. This same division had nearly torn the country apart during the First World War. King had to make a decision in the final year of the war. This docudrama combines archival footage with excerpts from The King Chronicles, a dramatic series written and directed by Donald Brittain.
Some scenes contain graphic language.
They raised children, baked cakes... and built world-class fighter planes. Sixty years ago, thousands of women from Thunder Bay and the Prairies donned trousers, packed lunch pails and took up rivet guns to participate in the greatest industrial war effort in Canadian history. Like many other factories across the country from 1939 to 1945, the shop floor at Fort William's Canadian Car and Foundry was transformed from an all-male workforce to one with forty percent female workers.
This feature documentary examines its own genre, which has often been called Canada's national art form. Released in the year of the NFB's 75th birthday, Shameless Propaganda is filmmaker Robert Lower's take on the boldest and most compelling propaganda effort in our history (1939-1945), in which founding NFB Commissioner John Grierson saw the documentary as a "hammer to shape society". All 500 of the films produced by the NFB until 1945 are distilled here for the essence of their message to Canadians. Using only these films and still photos from that era, Lower recreates the picture of Canada they gave us and looks in it for the Canada we know today. What he finds is by turns enlightening, entertaining, and unexpectedly disturbing.
This film recreates the true story of Tom Sukanen, an eccentric Finnish immigrant who homesteaded in Saskatchewan in the 1920s and 1930s. Sukanen spent ten years building and moving overland a huge iron ship that was to carry him back to his native Finland. The ship never reached water.
This documentary reveals some of the hidden history of Blacks in Canada. In the 1930s in rural Ontario, a farmer buried the tombstones of a Black cemetery to make way for a potato patch. In the 1980s, descendants of the original settlers, Black and White, came together to restore the cemetery, but there were hidden truths no one wanted to discuss. Deep racial wounds were opened. Scenes of the cemetery excavation, interviews with residents and re-enactments—including one of a baseball game where a broken headstone is used for home plate—add to the film's emotional intensity.
Ages 12 to 17
Diversity - Identity
History - World War II
History and Citizenship Education - Culture and Currents of Thought (1500-present)
Media Education - Film Animation
This is a film about identity - both its fragility and its immutability. What does it mean to be a Canadian? Or Japanese? How can someone's identity be taken away? Minoru fought to be Canadian. Have students discuss what that might mean to them. Can students look to their own families to find stories of a struggle for identity? Why is it so important for us to choose our own fates and our own identities?