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Making Movie History: Jacques Giraldeau

2013 5 min
Coming soon

Art lover and cinephile Jacques Giraldeau established Quebec's first film club in 1948, the year of the Refus Global, an anti-establishment manifesto championed by his art-world peers. He got early film training at the NFB alongside comrade-in-arms Michel Brault and then cut loose for a few years to experiment with the 16mm Bolex, the new lightweight alternative to heavy 35mm cameras. He and Brault collaborated on Petites médisances (1953-1954), a series of 39 shorts that foreshadowed Direct Cinema. Returning to the NFB in 1960, he thrived in the creative atmosphere that soon gave birth to French Program. In 1963, Giraldeau …

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Making Movie History: Jacques Giraldeau

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Art lover and cinephile Jacques Giraldeau established Quebec's first film club in 1948, the year of the Refus Global, an anti-establishment manifesto championed by his art-world peers. He got early film training at the NFB alongside comrade-in-arms Michel Brault and then cut loose for a few years to experiment with the 16mm Bolex, the new lightweight alternative to heavy 35mm cameras. He and Brault collaborated on Petites médisances (1953-1954), a series of 39 shorts that foreshadowed Direct Cinema. Returning to the NFB in 1960, he thrived in the creative atmosphere that soon gave birth to French Program. In 1963, Giraldeau co-founded the Cinémathèque québécoise. In a career spanning over 50 years, from La neige a neigé (1951) to L'ombre fragile des choses (2007), he has created an extraordinary body of work, bearing witness to the evolution of Quebec culture.

This short film is part of Making Movie History: A Portrait in 61 Parts.

  • original idea
    Denys Desjardins
  • researcher
    Denys Desjardins
  • interviews
    Denys Desjardins
  • direction
    Denys Desjardins
  • editing
    Denys Desjardins
  • producer
    Johanne Bergeron
  • coordination
    Marion Duhaime-Morissette
  • photographic research
    Marion Duhaime-Morissette
  • rights clearances
    Claire Bourbonnais
    Sylvia Mezei
  • archives
    Yvon Larocque
    Claude Lord
  • conservation
    Richard Cournoyer
    Johanne St-Amant
  • laboratory
    Richard Cournoyer
    Johanne St-Amant
  • sweetening
    Luc Papineau
  • original music
    Luc Papineau
  • additional editing
    Babalou Hamelin
  • online editing
    Denis Gathelier
  • image treatment
    Mélanie Bouchard
  • marketing manager
    Geneviève Bérard
  • marketing assistant
    Catherine Benoît
  • studio administrator
    Sia Koukoulas
    Manon Provencher
  • production coordinator
    Hélène Regimbal
    Dominique Brunet
  • administrative assistant
    Perrine Bral
    Sophie Dupuis
    Lise Lévesque
  • technical coordinator
    Richard Cliche
  • director of the French Program
    Monique Simard

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