Annie Smith-St-Georges is an Algonquin mother and wife who led a largely uneventful life. Then tragedy struck in 1990, when her teenage son Yanik ended his life. Annie wanted to forget and yet to remember, to understand and yet to deny. Then one day she had a vision of a glass teepee ten storeys high, in Ottawa, to house a National Aboriginal Arts and Performance Centre. The building would be designed by the renowned architect Douglas Cardinal, in memory of her son and for all young Natives struggling to find meaning in life. We meet Annie and her husband eight …
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Annie Smith-St-Georges is an Algonquin mother and wife who led a largely uneventful life. Then tragedy struck in 1990, when her teenage son Yanik ended his life. Annie wanted to forget and yet to remember, to understand and yet to deny. Then one day she had a vision of a glass teepee ten storeys high, in Ottawa, to house a National Aboriginal Arts and Performance Centre. The building would be designed by the renowned architect Douglas Cardinal, in memory of her son and for all young Natives struggling to find meaning in life. We meet Annie and her husband eight years later, during the final year of their crusade for the glass teepee. A traditional habitat made from non-traditional material would successfully meld past and present. Annie wishes to give back to her people their ancestral pride and dignity. It's a time of hope. Annie now knows that, and she says it for anyone to hear: "Kwekànamad," the wind is changing. Some subtitles.
