On March 2, 2004, Bernard Lord's Conservative government announces that the hospital in Caraquet, New Brunswick, will be converted to a community health centre. Considering the government's decision unfair, the people of the region rally to save the health care services to which they feel entitled. Despite their year-and-a-half-long struggle, the Hôpital de l'Enfant-Jésus is closed. In recording the chronology of the events, Renée Blanchar plunges into the heart of the action with an urgent need to speak out against injustice. The result is a very human film about solidarity. In French with English subtitles.
Shot at the Health Sciences Centre in St. John's, Newfoundland, this documentary reveals the workings of a contemporary health-care facility. Accompanied by hospital staff, we travel through labs, pharmacies, supply rooms, operating theatres and patient rooms from the maternity ward to the morgue. As debate in Canada and the world rages over health care, Hospital City offers a moving, human portrait of the people whom the issues touch most closely.
Shot at the Pierre Boucher Hospital in Montreal, this film takes us into the emergency room to see how our healthcare system is holding up. What it reveals is a powerful indictment of management that sees only the bottom line while human lives are at stake.
This documentary is the story of two Mennonite brothers from Manitoba who were forced to make a decision in 1939, as Canada joined World War II. In the face of 400 years of pacifist tradition, should they now go to war? Ted became a conscientious objector while his brother went into military service. Fifty years later, the town of Winkler dedicates its first war memorial and John begins to share his war experiences with Ted.
This 1946 short film takes a look at the groundbreaking Health Units that were set up throughout the province of Manitoba to improve sanitary conditions and provide adequate medical services. The film illustrates how the first of these clinics, the Dauphin Health Unit, was organized, and shows members of its staff at work in the community.
This award-winning documentary presents Mark Nowaczynski, a physician who photographs the lives of many of his elderly patients. "Who in the world would want to see a bunch of pictures of me? Junk," says Connie, 93. Yet "Dr. Mark" has been photographing her and other patients to raise awareness about the lack of home care in this growing segment of the population. His black-and-white pictures reflect faces that convey fragility and vulnerability but also quiet strength as these seniors struggle to live with dignity.
The shore of a lake. A dam. Myriad testimonials that go right over our heads, just like everything else. Camped out in his car, a filmmaker stares out at the landscape through the raindrops coating the windows. Encounters emerge one by one. Voices multiply, at times validating each other, later contradictory. The filmmaker moves from worry to optimism. Only one question remains: Is there a right answer?
An investigation into how language is changing in the age of COVID-19. The complete upheaval of social relationships today is leading to the reinterpretation of certain terms, which have suddenly taken on a fatal connotation. This film is a funeral mass in memory of the word “contact.”
Many Black, racialized and immigrant women work with elderly patients as healthcare providers. Their jobs, already arduous and underpaid as it is, have become even more exhausting during the COVID-19 pandemic. While some public commentators have described them as overrepresented in this sector because of their culture, and hailed them as “guardian angels,” what do they themselves have to say? This cross-sectional portrait of some of these women takes the form of a meditative essay.
Against the backdrop of the camera’s meditative wandering through the places that created Quebec, Where the Land Ends explores and questions the historical narrative, as a group of young people who were not old enough to vote in the 1995 referendum express their views. They seem to have decided, on their own, to create a new “Terre des Hommes” (Man and His World).
In 2013, an ancient statue of Apollo was found in the waters off Gaza—before disappearing under mysterious circumstances. Is it the work of forgers, or a gift from the gods to a Palestinian people desperately in need of hope? Soon the rumours start to swirl, while behind the scenes local and international players start jostling—some driven by historical preservation and others by purely commercial interests. Filmed in Gaza and Jerusalem, The Apollo of Gaza plays out like a mystery built around a national treasure that is the stuff of dreams. The Apollo of Gaza is an engaging reflection on the passage of time and the fragility of civilizations, as well as a poetic and philosophical meditation that immerses us in the often-misunderstood realities of life in a place that continues to pay a heavy price for the seemingly endless Israeli-Palestinian conflict—a place where life doggedly carries on, resisting. Like a meteor streaking across the sky, the statue of Apollo brings a moment of light and beauty to Gaza. Can it help restore dignity to a people, revealing a glorious history and fostering pride in a nation often misrepresented and demeaned?
Ages 14 to 17
Civics/Citizenship - Citizen Responsibilities
Diversity - Diversity in Communities
Ethics and Religious Culture - Ethical Values
Social Studies - Social Policies and Programs